Allyson Field
Biographic Data
| ID | 3942922 |
|---|---|
| NAME | Allyson Field |
| GIVEN NAMES | Allyson |
| FAMILY NAME | Field |
| SIGNATURE | FIELD A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
L.A. Rebellion
L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group—including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis—shared a desire to create alternatives t…
Hurlements en faveur de Sade
Asger Jorn writes in his introduction to Debord's Contre Le Cinema that Debord's films like long experimental notes on the development of the general theory of deetournement (6).2 The Situationist practice of ditournement was one of the most important and widespread techniques employed in their artistic and political endeavors, reaching its apex during the events of May 1968. De'tournement comprises both an aesthetic and political critique. The t…
No prominent works on this page.
Hurlements en faveur de Sade
Asger Jorn writes in his introduction to Debord's Contre Le Cinema that Debord's films like long experimental notes on the development of the general theory of deetournement (6).2 The Situationist practice of ditournement was one of the most important and widespread techniques employed in their artistic and political endeavors, reaching its apex during the events of May 1968. De'tournement comprises both an aesthetic and political critique. The t…
L.A. Rebellion
L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group—including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis—shared a desire to create alternatives t…
Cinema and Media Studies (2 works) · Philosophy (2 works) · African american motion picture producers and directors (1 works) · African history and culture studies (1 works) · Afro-amerikaner i filmen (1 works) · Art (1 works) · Art, Politics, and Modernism (1 works) · Cinema History and Criticism (1 works) · Diskriminering av afro-amerikaner (1 works) · Experimental films (1 works)