Jill Forbes
Biographic Data
| ID | 3942977 |
|---|---|
| NAME | Jill Forbes |
| GIVEN NAMES | Jill |
| FAMILY NAME | Forbes |
| SIGNATURE | FORBES J |
| AFFILIATIONS | University of Bristol |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
European Cinema
‘The publication of European Cinema: An Introduction comes as a shower of rain in the desert...The editors Jill Forbes and Sarah Street and their contributors have written a text that helps to fill a yawning gap and offers an accessible, well-written and stimulating account for a wide range of readers.’ – Steve Brewer, European Journal of Communication
Psychoanalysis as Narrative in Films by Jean Eustache
Psychanalysis as narrative in films by Jean Eustache
Bourdieu's Maieutics
In the year in which he reached conventional retirement age, Pierre Bourdieu appeared to embark on a new career. In the past he had frequently refused to "prendre position," but now he appeared to plunge into politics and to adopt the persona of a public intellectual. 2 The occasion was the right-wing Juppé government's proposed reform of the public sector, which provoked a series of strikes. As one of those who signed the "Appel des intellectuel…
Politicians and Performers
Essay Review
Popular Culture and Mass Culture — A War of Position
Popular Culture in Post-War France
French Cultural Studies
French Cultural Studies: An Introduction challenges received theories about France and French culture. The book takes into account the major changes which have been taking place in the context of French Studies in both secondary and higher education, with the focus shifting to a broader range of cultural forms. The Introduction adopts an interdisciplinary approach in its wide-ranging study of French culture and society since 1870, emphasizing rec…
Winning hearts and minds
The Liberation of the French cinema
T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; Rene Predal, Le Cinema francais depuis 1945; Jacques Siclier, Le Cinema francais; Alan Williams, Republic of Images. …
Journal Article T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; René Prédal, Le Cinema français depuis 1945; Jacques Siclier, Le Cinéma français; Alan Williams, Republic of Images. A History of French Filmmaking Get access T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema, (Baltimore and London: Johns Hopkins University Press, 1992). 308 pp. René Prédal, Le Cinema français depuis …
Pierre Bourdieu
The ‘Série Noire’
The Série Noire was a series of thrillers which Gallimard began to publish after the war under the editorship of Marcel Duhamel. Initially the series consisted of translations from the Anglo-American ‘hard-boiled’ school (Cain, Chandler, Hadley Chase, Cheyney, McCoy, etc.), but in 1948 it began to include French authors as well. Frequently the books had been adapted or were to be adapted for the screen, and the phrase ‘série noire’ came to stand …
The Consumer Interest
1. Defining the Consumer Interest 2. Consumerism and Consumerists 3. Business and Consumerism 4. Exchange and the Consumer Interest 5. Industrial Organization 6. Consumers and the Law 7. Consumers and the Political Process 8. A Consumer Policy Framework 9. Perspectives and Prospects
Everyone Needs Standards – French Television
Journal Article Everyone Needs Standards – French Television Get access Jill Forbes Jill Forbes Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 1, Jan/Feb 1983, Pages 28–39, https://doi.org/10.1093/screen/24.1.28 Published: 01 January 1983
This is Not a Textual Analysis (Godard's La Chinoise)
Research Article| December 01 1982 This is Not a Textual Analysis (Godard's La Chinoise) Jacques Aumont; Jacques Aumont Search for other works by this author on: This Site Google Jill Forbes Jill Forbes Search for other works by this author on: This Site Google Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160. https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-131 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Sear…
Pandora's Box
Pandora's Box
This is Not a Textual Analysis (Godard's La Chinoise)
Research Article| December 01 1982 This is Not a Textual Analysis (Godard's La Chinoise) Jacques Aumont; Jacques Aumont Search for other works by this author on: This Site Google Jill Forbes Jill Forbes Search for other works by this author on: This Site Google Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160. https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-131 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Sear…
Everyone Needs Standards – French Television
Journal Article Everyone Needs Standards – French Television Get access Jill Forbes Jill Forbes Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 1, Jan/Feb 1983, Pages 28–39, https://doi.org/10.1093/screen/24.1.28 Published: 01 January 1983
The Consumer Interest
1. Defining the Consumer Interest 2. Consumerism and Consumerists 3. Business and Consumerism 4. Exchange and the Consumer Interest 5. Industrial Organization 6. Consumers and the Law 7. Consumers and the Political Process 8. A Consumer Policy Framework 9. Perspectives and Prospects
The ‘Série Noire’
The Série Noire was a series of thrillers which Gallimard began to publish after the war under the editorship of Marcel Duhamel. Initially the series consisted of translations from the Anglo-American ‘hard-boiled’ school (Cain, Chandler, Hadley Chase, Cheyney, McCoy, etc.), but in 1948 it began to include French authors as well. Frequently the books had been adapted or were to be adapted for the screen, and the phrase ‘série noire’ came to stand …
T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; Rene Predal, Le Cinema francais depuis 1945; Jacques Siclier, Le Cinema francais; Alan Williams, Republic of Images. …
Journal Article T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; René Prédal, Le Cinema français depuis 1945; Jacques Siclier, Le Cinéma français; Alan Williams, Republic of Images. A History of French Filmmaking Get access T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema, (Baltimore and London: Johns Hopkins University Press, 1992). 308 pp. René Prédal, Le Cinema français depuis …
Pierre Bourdieu
The Liberation of the French cinema
French Cultural Studies
French Cultural Studies: An Introduction challenges received theories about France and French culture. The book takes into account the major changes which have been taking place in the context of French Studies in both secondary and higher education, with the focus shifting to a broader range of cultural forms. The Introduction adopts an interdisciplinary approach in its wide-ranging study of French culture and society since 1870, emphasizing rec…
Winning hearts and minds
Essay Review
Popular Culture and Mass Culture — A War of Position
Popular Culture in Post-War France
Politicians and Performers
Bourdieu's Maieutics
In the year in which he reached conventional retirement age, Pierre Bourdieu appeared to embark on a new career. In the past he had frequently refused to "prendre position," but now he appeared to plunge into politics and to adopt the persona of a public intellectual. 2 The occasion was the right-wing Juppé government's proposed reform of the public sector, which provoked a series of strikes. As one of those who signed the "Appel des intellectuel…
Psychoanalysis as Narrative in Films by Jean Eustache
Psychanalysis as narrative in films by Jean Eustache
European Cinema
‘The publication of European Cinema: An Introduction comes as a shower of rain in the desert...The editors Jill Forbes and Sarah Street and their contributors have written a text that helps to fill a yawning gap and offers an accessible, well-written and stimulating account for a wide range of readers.’ – Steve Brewer, European Journal of Communication
Art (15 works) · Art history (9 works) · History (9 works) · French Historical and Cultural Studies (7 works) · Sociology (6 works) · Cinema and Media Studies (5 works) · Literature (5 works) · History (4 works) · Movie theater (4 works) · Political science (4 works)