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Jill Forbes

Biographic Data

ID3942977
NAMEJill Forbes
GIVEN NAMESJill
FAMILY NAMEForbes
SIGNATUREFORBES J
AFFILIATIONSUniversity of Bristol
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS2
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2022
H-INDEX1
  • European Cinema

    Open Access•Jill Forbes, Susan Street et al.•BOOK•European Cinema•2022

    ‘The publication of European Cinema: An Introduction comes as a shower of rain in the desert...The editors Jill Forbes and Sarah Street and their contributors have written a text that helps to fill a yawning gap and offers an accessible, well-written and stimulating account for a wide range of readers.’ – Steve Brewer, European Journal of Communication

  • Psychoanalysis as Narrative in Films by Jean Eustache

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•2003

  • Psychanalysis as narrative in films by Jean Eustache

    Jill Forbes•ARTICLE•French Cultural Studies•2003

  • Bourdieu's Maieutics

    Jill Forbes•ARTICLE•SubStance•2000

    In the year in which he reached conventional retirement age, Pierre Bourdieu appeared to embark on a new career. In the past he had frequently refused to "prendre position," but now he appeared to plunge into politics and to adopt the persona of a public intellectual. 2 The occasion was the right-wing Juppé government's proposed reform of the public sector, which provoked a series of strikes. As one of those who signed the "Appel des intellectuel…

  • Politicians and Performers

    Jill Forbes•ARTICLE•Australian Journal of French…•1999

  • Essay Review

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1998

  • Popular Culture and Mass Culture — A War of Position

    Jill Forbes•ARTICLE•Australian Journal of French…•1998

  • Popular Culture in Post-War France

    Jill Forbes, Brian Nelson•ARTICLE•Australian Journal of French…•1998•Cited by: 1

  • French Cultural Studies

    Siân Reynolds, Jill Forbes et al.•ARTICLE•The Modern Language Review•1997

    French Cultural Studies: An Introduction challenges received theories about France and French culture. The book takes into account the major changes which have been taking place in the context of French Studies in both secondary and higher education, with the focus shifting to a broader range of cultural forms. The Introduction adopts an interdisciplinary approach in its wide-ranging study of French culture and society since 1870, emphasizing rec…

  • Winning hearts and minds

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1997•Cited by: 1

  • The Liberation of the French cinema

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1994

  • T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; Rene Predal, Le Cinema francais depuis 1945; Jacques Siclier, Le Cinema francais; Alan Williams, Republic of Images. …

    Jill Forbes•ARTICLE•Screen•1993

    Journal Article T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; René Prédal, Le Cinema français depuis 1945; Jacques Siclier, Le Cinéma français; Alan Williams, Republic of Images. A History of French Filmmaking Get access T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema, (Baltimore and London: Johns Hopkins University Press, 1992). 308 pp. René Prédal, Le Cinema français depuis …

  • Pierre Bourdieu

    Open Access•Jill Forbes, Michael Kelly•ARTICLE•French Cultural Studies•1993

  • The ‘Série Noire’

    Jill Forbes•CHAPTER•France and the Mass Media•1991

    The Série Noire was a series of thrillers which Gallimard began to publish after the war under the editorship of Marcel Duhamel. Initially the series consisted of translations from the Anglo-American ‘hard-boiled’ school (Cain, Chandler, Hadley Chase, Cheyney, McCoy, etc.), but in 1948 it began to include French authors as well. Frequently the books had been adapted or were to be adapted for the screen, and the phrase ‘série noire’ came to stand …

  • The Consumer Interest

    Robert R Kerton, J D Forbes et al.•ARTICLE•Canadian Public Policy•1988

    1. Defining the Consumer Interest 2. Consumerism and Consumerists 3. Business and Consumerism 4. Exchange and the Consumer Interest 5. Industrial Organization 6. Consumers and the Law 7. Consumers and the Political Process 8. A Consumer Policy Framework 9. Perspectives and Prospects

  • Everyone Needs Standards – French Television

    Jill Forbes•ARTICLE•Screen•1983

    Journal Article Everyone Needs Standards – French Television Get access Jill Forbes Jill Forbes Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 1, Jan/Feb 1983, Pages 28–39, https://doi.org/10.1093/screen/24.1.28 Published: 01 January 1983

  • This is Not a Textual Analysis (Godard's La Chinoise)

    Jacques Aumont, Jill Forbes•ARTICLE•Camera Obscura Feminism Culture…•1982

    Research Article| December 01 1982 This is Not a Textual Analysis (Godard's La Chinoise) Jacques Aumont; Jacques Aumont Search for other works by this author on: This Site Google Jill Forbes Jill Forbes Search for other works by this author on: This Site Google Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160. https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-131 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Sear…

  • Pandora's Box

    Open Access•Jill Forbes, Richard Nice•ARTICLE•Media Culture & Society•1979•References: 4

  • Popular Culture in Post-War France

    Jill Forbes, Brian Nelson•ARTICLE•Australian Journal of French…•1998•Cited by: 1

  • Winning hearts and minds

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1997•Cited by: 1

  • Pandora's Box

    Open Access•Jill Forbes, Richard Nice•ARTICLE•Media Culture & Society•1979•References: 4

  • This is Not a Textual Analysis (Godard's La Chinoise)

    Jacques Aumont, Jill Forbes•ARTICLE•Camera Obscura Feminism Culture…•1982

    Research Article| December 01 1982 This is Not a Textual Analysis (Godard's La Chinoise) Jacques Aumont; Jacques Aumont Search for other works by this author on: This Site Google Jill Forbes Jill Forbes Search for other works by this author on: This Site Google Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 131–160. https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-131 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Sear…

  • Everyone Needs Standards – French Television

    Jill Forbes•ARTICLE•Screen•1983

    Journal Article Everyone Needs Standards – French Television Get access Jill Forbes Jill Forbes Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 1, Jan/Feb 1983, Pages 28–39, https://doi.org/10.1093/screen/24.1.28 Published: 01 January 1983

  • The Consumer Interest

    Robert R Kerton, J D Forbes et al.•ARTICLE•Canadian Public Policy•1988

    1. Defining the Consumer Interest 2. Consumerism and Consumerists 3. Business and Consumerism 4. Exchange and the Consumer Interest 5. Industrial Organization 6. Consumers and the Law 7. Consumers and the Political Process 8. A Consumer Policy Framework 9. Perspectives and Prospects

  • The ‘Série Noire’

    Jill Forbes•CHAPTER•France and the Mass Media•1991

    The Série Noire was a series of thrillers which Gallimard began to publish after the war under the editorship of Marcel Duhamel. Initially the series consisted of translations from the Anglo-American ‘hard-boiled’ school (Cain, Chandler, Hadley Chase, Cheyney, McCoy, etc.), but in 1948 it began to include French authors as well. Frequently the books had been adapted or were to be adapted for the screen, and the phrase ‘série noire’ came to stand …

  • T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; Rene Predal, Le Cinema francais depuis 1945; Jacques Siclier, Le Cinema francais; Alan Williams, Republic of Images. …

    Jill Forbes•ARTICLE•Screen•1993

    Journal Article T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema; René Prédal, Le Cinema français depuis 1945; Jacques Siclier, Le Cinéma français; Alan Williams, Republic of Images. A History of French Filmmaking Get access T. Jefferson Kline, Screening the Text. Intertextuality in New Wave French Cinema, (Baltimore and London: Johns Hopkins University Press, 1992). 308 pp. René Prédal, Le Cinema français depuis …

  • Pierre Bourdieu

    Open Access•Jill Forbes, Michael Kelly•ARTICLE•French Cultural Studies•1993

  • The Liberation of the French cinema

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1994

  • French Cultural Studies

    Siân Reynolds, Jill Forbes et al.•ARTICLE•The Modern Language Review•1997

    French Cultural Studies: An Introduction challenges received theories about France and French culture. The book takes into account the major changes which have been taking place in the context of French Studies in both secondary and higher education, with the focus shifting to a broader range of cultural forms. The Introduction adopts an interdisciplinary approach in its wide-ranging study of French culture and society since 1870, emphasizing rec…

  • Winning hearts and minds

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1997•Cited by: 1

  • Essay Review

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•1998

  • Popular Culture and Mass Culture — A War of Position

    Jill Forbes•ARTICLE•Australian Journal of French…•1998

  • Popular Culture in Post-War France

    Jill Forbes, Brian Nelson•ARTICLE•Australian Journal of French…•1998•Cited by: 1

  • Politicians and Performers

    Jill Forbes•ARTICLE•Australian Journal of French…•1999

  • Bourdieu's Maieutics

    Jill Forbes•ARTICLE•SubStance•2000

    In the year in which he reached conventional retirement age, Pierre Bourdieu appeared to embark on a new career. In the past he had frequently refused to "prendre position," but now he appeared to plunge into politics and to adopt the persona of a public intellectual. 2 The occasion was the right-wing Juppé government's proposed reform of the public sector, which provoked a series of strikes. As one of those who signed the "Appel des intellectuel…

  • Psychoanalysis as Narrative in Films by Jean Eustache

    Open Access•Jill Forbes•ARTICLE•French Cultural Studies•2003

  • Psychanalysis as narrative in films by Jean Eustache

    Jill Forbes•ARTICLE•French Cultural Studies•2003

  • European Cinema

    Open Access•Jill Forbes, Susan Street et al.•BOOK•European Cinema•2022

    ‘The publication of European Cinema: An Introduction comes as a shower of rain in the desert...The editors Jill Forbes and Sarah Street and their contributors have written a text that helps to fill a yawning gap and offers an accessible, well-written and stimulating account for a wide range of readers.’ – Steve Brewer, European Journal of Communication

Art (15 works) · Art history (9 works) · History (9 works) · French Historical and Cultural Studies (7 works) · Sociology (6 works) · Cinema and Media Studies (5 works) · Literature (5 works) · History (4 works) · Movie theater (4 works) · Political science (4 works)

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