Carol Flinn
Biographic Data
| ID | 3942991 |
|---|---|
| NAME | Carol Flinn |
| GIVEN NAMES | Carol |
| FAMILY NAME | Flinn |
| SIGNATURE | FLINN C |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 1990 |
| H-INDEX | 1 |
The Most Romantic Art of All: Music in the Classical Hollywood Cinema
When E. T. A. Hoffmann described music as most Romantic of all the arts, he had no way of knowing that his comment would provide an entire entertainment industry with a guiding aesthetic principle. In 1810, of course, the cinema was still a long way off. Seventy-eight years later, Nietzsche's quip that Our big theatres subsist on appears to bring nineteenth-century romanticism a little closer to the screen, even though he was addressing dramatic …
Technologies of Gender
The ‘Problem’ of Femininity in Theories of Film Music
Journal Article The ‘Problem’ of Femininity in Theories of Film Music Get access Carol Flinn Carol Flinn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 6, November-December 1986, Pages 56–73, https://doi.org/10.1093/screen/27.6.56 Published: 01 November 1986
Re-Vision: Essays in Feminist Film Criticism
Patrice Petro and Carol Flinn on Feminist Film Theory
We write this in the hope of stimulating further debate over Dallas and female spectatorship, and to respond in particular to E. Ann Kaplan's recent reply to Linda Williams's essay, Something Else Besides a Mother: Dallas and the Maternal Melodrama (Cinema Journal 24, no. 1 [Fall 1984]). We believe both Kaplan's and Williams's essays provide useful insights into questions of female spectatorship. Nevertheless, we feel that Williams's essay, with …
The ‘Problem’ of Femininity in Theories of Film Music
Journal Article The ‘Problem’ of Femininity in Theories of Film Music Get access Carol Flinn Carol Flinn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 6, November-December 1986, Pages 56–73, https://doi.org/10.1093/screen/27.6.56 Published: 01 November 1986
Patrice Petro and Carol Flinn on Feminist Film Theory
We write this in the hope of stimulating further debate over Dallas and female spectatorship, and to respond in particular to E. Ann Kaplan's recent reply to Linda Williams's essay, Something Else Besides a Mother: Dallas and the Maternal Melodrama (Cinema Journal 24, no. 1 [Fall 1984]). We believe both Kaplan's and Williams's essays provide useful insights into questions of female spectatorship. Nevertheless, we feel that Williams's essay, with …
The ‘Problem’ of Femininity in Theories of Film Music
Journal Article The ‘Problem’ of Femininity in Theories of Film Music Get access Carol Flinn Carol Flinn Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 6, November-December 1986, Pages 56–73, https://doi.org/10.1093/screen/27.6.56 Published: 01 November 1986
Re-Vision: Essays in Feminist Film Criticism
Technologies of Gender
The Most Romantic Art of All: Music in the Classical Hollywood Cinema
When E. T. A. Hoffmann described music as most Romantic of all the arts, he had no way of knowing that his comment would provide an entire entertainment industry with a guiding aesthetic principle. In 1810, of course, the cinema was still a long way off. Seventy-eight years later, Nietzsche's quip that Our big theatres subsist on appears to bring nineteenth-century romanticism a little closer to the screen, even though he was addressing dramatic …
Art (4 works) · Cinema and Media Studies (4 works) · Aesthetics (3 works) · Art history (2 works) · Literature (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Art, Politics, and Modernism (1 works) · Criticism (1 works) · Entertainment (1 works) · Femininity (1 works)