Lowell Skar
Biographic Data
| ID | 3945855 |
|---|---|
| NAME | Lowell Skar |
| GIVEN NAMES | Lowell |
| FAMILY NAME | Skar |
| SIGNATURE | SKÄR L |
| AFFILIATIONS | BALAC Program, Faculty of Arts, Chulalongkorn University, Bangkok, Thailand [email protected] |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Introduction
This special issue of manusya explores the diverse ways that performance cultures are embedded in cultural ecologies in Thailand today. This theme emerged from work done using performance research approaches in projects done around Thailand between 2017 and 2019. These projects discovered that performance lives in cultural ecosystems, both producing new knowledge, skills and performances for those involved in them, and revealing how performance c…
Roundtables on Performance Research, Developing Cultural Ecologies, and Artistic Research Networking in the Asia-Pacific
Three sessions of international and local participants from a July 2019 conference created active ecosystems which generated living examples of intercultural improvisation, performance research, cultural ecologies and artistic research in Thailand. Summarized and assessed in this article, these sessions revealed some of the first fruits of Thailand’s work in these areas through engagement with other practitioners in the region. Besides offering c…
Playing with Practice Theory
This article builds a framework for considering the place of contemporary performance groups in 21 st century Bangkok. It grounds performance groups in ensembles of performance practices developed by groups as part of their unique performance cultures. The varied ensembles of performance practice of three such groups - the Pichet Klunchun Dance Company, the 8X8 Theatre Group, and the B-Floor Artist Collective - are embodied in these groups' disti…
East Asian Science
Administering Thunder
Vers le XIIIe siècle, les idées et pratiques ayant cours dans la Chine ancienne vis-à-vis des puissances du tonnerre se maintenaient dans la majorité de la population. Elle y voyait des signes des pouvoirs rétributifs et générateurs du ciel. Cependant un nombre grandissant d'individus percevaient ces puissances au sein de systèmes plus élaborés de Rituel du Tonnerre (leifa) transmis via des filiations textuelles localisées. D'une sophistication p…
No prominent works on this page.
Administering Thunder
Vers le XIIIe siècle, les idées et pratiques ayant cours dans la Chine ancienne vis-à-vis des puissances du tonnerre se maintenaient dans la majorité de la population. Elle y voyait des signes des pouvoirs rétributifs et générateurs du ciel. Cependant un nombre grandissant d'individus percevaient ces puissances au sein de systèmes plus élaborés de Rituel du Tonnerre (leifa) transmis via des filiations textuelles localisées. D'une sophistication p…
East Asian Science
Introduction
This special issue of manusya explores the diverse ways that performance cultures are embedded in cultural ecologies in Thailand today. This theme emerged from work done using performance research approaches in projects done around Thailand between 2017 and 2019. These projects discovered that performance lives in cultural ecosystems, both producing new knowledge, skills and performances for those involved in them, and revealing how performance c…
Roundtables on Performance Research, Developing Cultural Ecologies, and Artistic Research Networking in the Asia-Pacific
Three sessions of international and local participants from a July 2019 conference created active ecosystems which generated living examples of intercultural improvisation, performance research, cultural ecologies and artistic research in Thailand. Summarized and assessed in this article, these sessions revealed some of the first fruits of Thailand’s work in these areas through engagement with other practitioners in the region. Besides offering c…
Playing with Practice Theory
This article builds a framework for considering the place of contemporary performance groups in 21 st century Bangkok. It grounds performance groups in ensembles of performance practices developed by groups as part of their unique performance cultures. The varied ensembles of performance practice of three such groups - the Pichet Klunchun Dance Company, the 8X8 Theatre Group, and the B-Floor Artist Collective - are embodied in these groups' disti…
Anthropology (2 works) · Art (2 works) · Chinese history and philosophy (2 works) · History (2 works) · Sociology (2 works) · Archaeology (1 works) · Artistic and Creative Research (1 works) · Cambodian History and Society (1 works) · China (1 works) · Cinema and Media Studies (1 works)