Louise Détrez
Biographic Data
| ID | 3946524 |
|---|---|
| NAME | Louise Détrez |
| GIVEN NAMES | Louise |
| FAMILY NAME | Détrez |
| SIGNATURE | DÉTREZ L |
| AFFILIATIONS | Bibliothèque Nationale de France |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Trois pagodes monumentales de la BnF et du musée de Sèvres
Three monumental Chinese porcelain pagodas belong to the French national collections. Their restoration has just been completed for two of them and this study takes stock of their ancient and contemporary history
Rétablir la partie antique isolée de toutes ses restaurations”
Purchased in Rome during the winter of 1847-1848, the pointed amphora by the Achilles Painter is one of the centerpieces of the Duke of Luynes’ collection of Greek vases held at the Bibliothèque nationale de France (BnF). The rarity of its shape and the virtuosity of its decoration make it one of the greatest masterpieces of this Athenian vase painter active in the middle decades of the 5th century BC. However, scholars soon noticed the extent of…
Bulletin céramique
Ackermann Guy, Bellelli Vincenzo, Coulié Anne, Détrez Louise, Gran-Aymerich Jean, Jubier Cécile, Le Bars-Tosi Florence, Márton András, Martz Anne-Sophie, Peignard Annette, Walter Christine. Bulletin céramique. In: Revue des Études Grecques, tome 133, fascicule 1, Janvier-juin 2020. pp. 121-243
Hofstetter‐Dolega Eva, Corpus vasorum antiquorum Deutschland, 97 , Dresden, Staatliche Kunstsammlungen, Skulpturensammlung, 2
Une statuette de bronze provenant du Levant et conservée au musée du Louvre a été considérée jadis comme figurant un guerrier parthe. Elle doit plutôt être interprétée comme une représentation, à l’époque impériale romaine, du dieu syrien Jupiter Dolichénien. C’est un fragment probablement ancien d’ex‐voto ( i er s. apr. J.‐C.). À l’origine, le dieu, qui brandissait une hache bipenne dans la main droite, était juché sur le dos d’un taureau
Edme Antoine Durand (1768-1835)
His discovery of Italy in 1799 sparked the passion for collecting in Edme Antoine Durand, a wealthy merchant. Travelling around Europe and making good use of his proven flair and business sense, he put together collections combining eclecticism and specialisation, quantity and quality. There were an art gallery, a cabinet of drawings, a collection of prints, antique and modern gems, a medal collection and a cabinet of arms in addition to the two …
Edme Antoine Durand (1768-1835)
His discovery of Italy in 1799 sparked the passion for collecting in Edme Antoine Durand, a wealthy merchant. Travelling around Europe and making good use of his proven flair and business sense, he put together collections combining eclecticism and specialisation, quantity and quality. There were an art gallery, a cabinet of drawings, a collection of prints, antique and modern gems, a medal collection and a cabinet of arms in addition to the two …
Edme Antoine Durand (1768-1835)
His discovery of Italy in 1799 sparked the passion for collecting in Edme Antoine Durand, a wealthy merchant. Travelling around Europe and making good use of his proven flair and business sense, he put together collections combining eclecticism and specialisation, quantity and quality. There were an art gallery, a cabinet of drawings, a collection of prints, antique and modern gems, a medal collection and a cabinet of arms in addition to the two …
Hofstetter‐Dolega Eva, Corpus vasorum antiquorum Deutschland, 97 , Dresden, Staatliche Kunstsammlungen, Skulpturensammlung, 2
Une statuette de bronze provenant du Levant et conservée au musée du Louvre a été considérée jadis comme figurant un guerrier parthe. Elle doit plutôt être interprétée comme une représentation, à l’époque impériale romaine, du dieu syrien Jupiter Dolichénien. C’est un fragment probablement ancien d’ex‐voto ( i er s. apr. J.‐C.). À l’origine, le dieu, qui brandissait une hache bipenne dans la main droite, était juché sur le dos d’un taureau
Bulletin céramique
Ackermann Guy, Bellelli Vincenzo, Coulié Anne, Détrez Louise, Gran-Aymerich Jean, Jubier Cécile, Le Bars-Tosi Florence, Márton András, Martz Anne-Sophie, Peignard Annette, Walter Christine. Bulletin céramique. In: Revue des Études Grecques, tome 133, fascicule 1, Janvier-juin 2020. pp. 121-243
Trois pagodes monumentales de la BnF et du musée de Sèvres
Three monumental Chinese porcelain pagodas belong to the French national collections. Their restoration has just been completed for two of them and this study takes stock of their ancient and contemporary history
Rétablir la partie antique isolée de toutes ses restaurations”
Purchased in Rome during the winter of 1847-1848, the pointed amphora by the Achilles Painter is one of the centerpieces of the Duke of Luynes’ collection of Greek vases held at the Bibliothèque nationale de France (BnF). The rarity of its shape and the virtuosity of its decoration make it one of the greatest masterpieces of this Athenian vase painter active in the middle decades of the 5th century BC. However, scholars soon noticed the extent of…
Art (4 works) · Ancient Mediterranean Archaeology and History (3 works) · Ancient and Medieval Archaeology Studies (2 works) · Humanities (2 works) · Visual arts (2 works) · Amphora (1 works) · Ancient history (1 works) · Antique (1 works) · Cabinet (room (1 works) · China's Global Influence and Migration (1 works)