P J Gloviczki
Biographic Data
| ID | 39476 |
|---|---|
| NAME | P J Gloviczki |
| GIVEN NAMES | P J |
| FAMILY NAME | Gloviczki |
| SIGNATURE | GLOVICZKI P J |
| AFFILIATIONS | Coker College, Hartsville, SC, USA |
| ORCID | 0000-0003-4883-3143 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Prework
I work toward a conceptualization of prework, especially its place in the classroom, as a way to articulate what it means to begin research writing
Autoethnographic Brevity: A Conceptual Definition
Bringing cultural theorist George Gerbner into conversation with prominent autoethnographers, I present a conceptual definition of autoethnographic brevity. I hope this article offers methodological clarity to and for the production of impressionistic autoethnography
What We Listen for
Two autoethnographic sketches investigate what we listen for across popular culture. Written by a student and a professor, respectively, we hope these autoethnographic sketches stimulate dialogue about autoethnographic collaboration as a way of knowing culture
After Debord
This short essay considers media events in culture, turning toward the poststructuralist moment of spectacle as performance. I especially consider how images consolidate power. Employing a Debordian theoretical framework, I work to make sense of the importance of scrutinizing the content and context in which images are placed in the media environment
Via Mediation
In this autoethnographic postcard, I recall the impact of mediation on early formation of my lifeworld. I hope this article encourages others to consider how personal memory engages growth and development within and beyond everyday life
No prominent works on this page.
Prework
I work toward a conceptualization of prework, especially its place in the classroom, as a way to articulate what it means to begin research writing
Autoethnographic Brevity: A Conceptual Definition
Bringing cultural theorist George Gerbner into conversation with prominent autoethnographers, I present a conceptual definition of autoethnographic brevity. I hope this article offers methodological clarity to and for the production of impressionistic autoethnography
What We Listen for
Two autoethnographic sketches investigate what we listen for across popular culture. Written by a student and a professor, respectively, we hope these autoethnographic sketches stimulate dialogue about autoethnographic collaboration as a way of knowing culture
After Debord
This short essay considers media events in culture, turning toward the poststructuralist moment of spectacle as performance. I especially consider how images consolidate power. Employing a Debordian theoretical framework, I work to make sense of the importance of scrutinizing the content and context in which images are placed in the media environment
Via Mediation
In this autoethnographic postcard, I recall the impact of mediation on early formation of my lifeworld. I hope this article encourages others to consider how personal memory engages growth and development within and beyond everyday life
Sociology (5 works) · Aesthetics (4 works) · Art (4 works) · Epistemology (4 works) · Autoethnography (3 works) · Digital Storytelling and Education (2 works) · Gender Studies (2 works) · Media studies (2 works) · Philosophy (2 works) · Philosophy (2 works)