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Chloe Porter

Datos Biográficos

ID3947605
NOMBREChloe Porter
NOMBRESChloe
APELLIDOPorter
FIRMAPORTER C
AFILIACIONESUniversity of Sussex
VERIFICADONo
TOTAL DE OBRAS3
TOTAL DE CITAS0
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2011
AÑO MÁS RECIENTE DE PUBLICACIÓN2018
ÍNDICE H0
  • English Drama from “Everyman” to 1660

    Open Access•Chloe Porter•ARTICLE•Renaissance Quarterly•2018

    English Drama from “Everyman” to 1660: Performance and Print. Frederick Kiefer. Medieval and Renaissance Texts and Studies 447. Tempe: Arizona Center for Medieval and Renaissance Studies, 2015. xxii + 930 pp. $110. - Volume 71 Issue 4

  • Prosthesis and the performance of beginnings in The Woman in the Moon

    Chloe Porter•ARTICLE•Textual Practice•2016

    In his seminal study, Prosthesis, David Wills find ‘one type of beginning’ for prosthesis in the appearance of this term in Thomas Wilson’s The Art of Rhetorique (1553). Wills’ analysis focuses extensively on Wilson’s hostility towards this grammatical figure as an artificial other, and at times takes Wilson’s views as reflective of English Reformation thought on this subject more broadly. This essay opens up alternative sixteenth-century attitud…

  • Shakespeare and Early Modern Visual Culture

    Open Access•Chloe Porter•ARTICLE•Literature Compass•2011•Referencias: 3

    This essay presents an overview of recent work in the area of studies of Shakespeare and visual culture. Aiming to give an indication of the diverse range of approaches that may be adopted in this highly interdisciplinary field, the essay focuses particularly on a recent trend for the analysis of Shakespeare’s engagements with visuality from strongly literary perspectives. This trend has produced some valuable work, with significant implications …

Sin obras prominentes en esta página.

  • Shakespeare and Early Modern Visual Culture

    Open Access•Chloe Porter•ARTICLE•Literature Compass•2011•Referencias: 3

    This essay presents an overview of recent work in the area of studies of Shakespeare and visual culture. Aiming to give an indication of the diverse range of approaches that may be adopted in this highly interdisciplinary field, the essay focuses particularly on a recent trend for the analysis of Shakespeare’s engagements with visuality from strongly literary perspectives. This trend has produced some valuable work, with significant implications …

  • Prosthesis and the performance of beginnings in The Woman in the Moon

    Chloe Porter•ARTICLE•Textual Practice•2016

    In his seminal study, Prosthesis, David Wills find ‘one type of beginning’ for prosthesis in the appearance of this term in Thomas Wilson’s The Art of Rhetorique (1553). Wills’ analysis focuses extensively on Wilson’s hostility towards this grammatical figure as an artificial other, and at times takes Wilson’s views as reflective of English Reformation thought on this subject more broadly. This essay opens up alternative sixteenth-century attitud…

  • English Drama from “Everyman” to 1660

    Open Access•Chloe Porter•ARTICLE•Renaissance Quarterly•2018

    English Drama from “Everyman” to 1660: Performance and Print. Frederick Kiefer. Medieval and Renaissance Texts and Studies 447. Tempe: Arizona Center for Medieval and Renaissance Studies, 2015. xxii + 930 pp. $110. - Volume 71 Issue 4

Art (3 obras) · Literature (3 obras) · Aesthetics (2 obras) · Medicine (2 obras) · Reformation and Early Modern Christianity (2 obras) · Art history (1 obras) · Center (category theory (1 obras) · Classics (1 obras) · Classics (1 obras) · Computer Science (1 obras)

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