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Merrilees Roberts

Biographic Data

ID3947756
NAMEMerrilees Roberts
GIVEN NAMESMerrilees
FAMILY NAMERoberts
SIGNATUREROBERTS M
AFFILIATIONSUniversity of London
ORCID0000-0002-5859-2665
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Percy Shelley in Context

    Open Access•Nora Crook, Daisy Hay et al.•BOOK•Percy Shelley in Context•2025

    Percy Shelley was a writer in the broadest sense – poet, pamphleteer, philosopher, translator, and correspondent – and one of the most eccentric, fascinating figures of his age. Yet he is emphatically of our age too, continuing to influence contemporary writers, to be referenced in popular culture, and to inspire social and political movements. Bringing together a wide range of contributors from different critical perspectives, this vivid and acc…

  • Byron and Shelley

    Open Access•Merrilees Roberts•CHAPTER•Percy Shelley in Context•2025

    I analyse Shelley’s fraught relationship with Byron’s self-monumentalising, flippantly self-mocking poetics and personal pride, arguing that Shelley’s notion of a ‘Promethean’ poet who catches the strains of general human ‘sympathy’ tenses productively against what he saw as Byron’s narrow drive to create an elevated poetic ‘self’. Shelley, though he admired Byron’s poetics in many ways, also saw his friend as being at risk, poetically and person…

  • Percy Shelley for Our Times

    Merrilees Roberts•ARTICLE•Critical Inquiry•2025

  • Erotic affect

    Merrilees Roberts•ARTICLE•Textual Practice•2023

    I explore how P.B. Shelley’s love-lyrics to Jane Williams generate and invite specifically erotic forms of affect. This, I argue can be helpfully understood through Sara Ahmed’s theory that affects make their direct objects ‘sticky’ with emotion by transforming them into a surface receptive to the impact of feeling. Focusing on ‘A Magnetic Lady to her Patient’, I show how Shelley’s poet-speakers create an erotic fantasy of becoming an inert eroti…

  • Shelley’s Poetics of Reticence

    Merrilees Roberts•BOOK•Shelley's Poetics of Reticence•2020•Cited by: 2

    Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley's anguished poet-Subject. Shelley's struggles with the fragility of the 'self' have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual 'will'. This work takes a different approach, suggesting that Shelley's insecurities stemmed from anx…

  • Flowing and Crossing

    Merrilees Roberts, M V Roberts•ARTICLE•Journal of the American Academy…•2008

    Metaphors of fluidity are pervasive in the theologies of Mechthild of Magdeburg and Lalleśwarī of Kashmir. This article highlights the various ways in which the body flows with and into divinity. For both thinkers, the universe and individuals proceed from a cosmic or divine flow and return by means of practices that participate in that flow. Their water metaphors diverge when the individual self returns to the divine: Mechthild retains images of…

  • Shelley’s Poetics of Reticence

    Merrilees Roberts•BOOK•Shelley's Poetics of Reticence•2020•Cited by: 2

    Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley's anguished poet-Subject. Shelley's struggles with the fragility of the 'self' have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual 'will'. This work takes a different approach, suggesting that Shelley's insecurities stemmed from anx…

  • Flowing and Crossing

    Merrilees Roberts, M V Roberts•ARTICLE•Journal of the American Academy…•2008

    Metaphors of fluidity are pervasive in the theologies of Mechthild of Magdeburg and Lalleśwarī of Kashmir. This article highlights the various ways in which the body flows with and into divinity. For both thinkers, the universe and individuals proceed from a cosmic or divine flow and return by means of practices that participate in that flow. Their water metaphors diverge when the individual self returns to the divine: Mechthild retains images of…

  • Shelley’s Poetics of Reticence

    Merrilees Roberts•BOOK•Shelley's Poetics of Reticence•2020•Cited by: 2

    Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley's anguished poet-Subject. Shelley's struggles with the fragility of the 'self' have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual 'will'. This work takes a different approach, suggesting that Shelley's insecurities stemmed from anx…

  • Erotic affect

    Merrilees Roberts•ARTICLE•Textual Practice•2023

    I explore how P.B. Shelley’s love-lyrics to Jane Williams generate and invite specifically erotic forms of affect. This, I argue can be helpfully understood through Sara Ahmed’s theory that affects make their direct objects ‘sticky’ with emotion by transforming them into a surface receptive to the impact of feeling. Focusing on ‘A Magnetic Lady to her Patient’, I show how Shelley’s poet-speakers create an erotic fantasy of becoming an inert eroti…

  • Percy Shelley in Context

    Open Access•Nora Crook, Daisy Hay et al.•BOOK•Percy Shelley in Context•2025

    Percy Shelley was a writer in the broadest sense – poet, pamphleteer, philosopher, translator, and correspondent – and one of the most eccentric, fascinating figures of his age. Yet he is emphatically of our age too, continuing to influence contemporary writers, to be referenced in popular culture, and to inspire social and political movements. Bringing together a wide range of contributors from different critical perspectives, this vivid and acc…

  • Byron and Shelley

    Open Access•Merrilees Roberts•CHAPTER•Percy Shelley in Context•2025

    I analyse Shelley’s fraught relationship with Byron’s self-monumentalising, flippantly self-mocking poetics and personal pride, arguing that Shelley’s notion of a ‘Promethean’ poet who catches the strains of general human ‘sympathy’ tenses productively against what he saw as Byron’s narrow drive to create an elevated poetic ‘self’. Shelley, though he admired Byron’s poetics in many ways, also saw his friend as being at risk, poetically and person…

  • Percy Shelley for Our Times

    Merrilees Roberts•ARTICLE•Critical Inquiry•2025

Philosophy (6 works) · Art (5 works) · Historical and Literary Studies (3 works) · Literature (3 works) · Aesthetics (2 works) · Communication (2 works) · History (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works)

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