Alice Entwistle
Biographic Data
| ID | 3947815 |
|---|---|
| NAME | Alice Entwistle |
| GIVEN NAMES | Alice |
| FAMILY NAME | Entwistle |
| SIGNATURE | ENTWISTLE A |
| AFFILIATIONS | University of South Wales |
| ORCID | 0000-0002-3535-0022 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Counting Form: Gender and the Geometries of Address, in Frances Presley and Carol Watts
This essay treats two innovative site-specific sequences produced by women in the first decade of the twenty first century. Both are explicitly interested in the relationship between geometry, writing (as material and political practice) and geo-cultural space, a relationship each finds inflected to some extent by gender emphases. Starting from the premise that any piece of writing is itself a place, the essay considers the self-conscious textual…
Affect and Dialogue in Collaborative Cross- Disciplinary Research: Developing Interactive Public Art on Cardiff Bay Barrage
Where Cartesian philosophy distinguishes the perceiving and perceptual mind from the body, phenomenology constitutes the experiential/experiencing body as the subject, giving rise to the affective potential of art. An immersive world of digital connections, smart cities and the Internet of Everything dramatises the centrality of relationship, the intertwining of Self and Other, in the lived environments of human experience. This article addresses…
After Carson: Reading as Anacoluthon
Ciaran Carson's writing plays with and renders strange all kinds of literary and generic classifications. The subject of numerous short critical accounts, a monograph and at least one collection of essays, his work, especially the poetry, has attracted a good deal of scholarly attention. ‘After Carson’ offers a hybridic, ‘creative-critical’ response to a genre-busting idiom. Focussing on just two of Carson's works, the well-known and much-discuss…
Writing [W] here: Gender and Cultural Positioning in Ireland and Wales
The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry
This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well establishe…
A Kind of Authentic Lie’: Authenticity and the Lyric Sequence in Gwyneth Lewis's English-language Poetry
The accomplished bilingual Welsh poet Gwyneth Lewis refuses to describe herself as ‘confessional,’ although her poetry persistently draws on people, materials, events and experiences belonging to her own life-story. In the uncertainly expressive quasi-narrative space of the lyric sequence, Lewis's seemingly self-revelatory poetics take on fresh significance. The following account reads her preference for a flexibly hybrid generic form which unset…
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A Kind of Authentic Lie’: Authenticity and the Lyric Sequence in Gwyneth Lewis's English-language Poetry
The accomplished bilingual Welsh poet Gwyneth Lewis refuses to describe herself as ‘confessional,’ although her poetry persistently draws on people, materials, events and experiences belonging to her own life-story. In the uncertainly expressive quasi-narrative space of the lyric sequence, Lewis's seemingly self-revelatory poetics take on fresh significance. The following account reads her preference for a flexibly hybrid generic form which unset…
The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry
This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well establishe…
Writing [W] here: Gender and Cultural Positioning in Ireland and Wales
After Carson: Reading as Anacoluthon
Ciaran Carson's writing plays with and renders strange all kinds of literary and generic classifications. The subject of numerous short critical accounts, a monograph and at least one collection of essays, his work, especially the poetry, has attracted a good deal of scholarly attention. ‘After Carson’ offers a hybridic, ‘creative-critical’ response to a genre-busting idiom. Focussing on just two of Carson's works, the well-known and much-discuss…
Affect and Dialogue in Collaborative Cross- Disciplinary Research: Developing Interactive Public Art on Cardiff Bay Barrage
Where Cartesian philosophy distinguishes the perceiving and perceptual mind from the body, phenomenology constitutes the experiential/experiencing body as the subject, giving rise to the affective potential of art. An immersive world of digital connections, smart cities and the Internet of Everything dramatises the centrality of relationship, the intertwining of Self and Other, in the lived environments of human experience. This article addresses…
Counting Form: Gender and the Geometries of Address, in Frances Presley and Carol Watts
This essay treats two innovative site-specific sequences produced by women in the first decade of the twenty first century. Both are explicitly interested in the relationship between geometry, writing (as material and political practice) and geo-cultural space, a relationship each finds inflected to some extent by gender emphases. Starting from the premise that any piece of writing is itself a place, the essay considers the self-conscious textual…
Aesthetics (4 works) · Art (4 works) · Literature (4 works) · Philosophy (4 works) · Sociology (4 works) · Epistemology (3 works) · History (3 works) · Irish and British Studies (3 works) · Linguistics (3 works) · Poetry (3 works)