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Robert C Bell

Biographic Data

ID3948511
NAMERobert C Bell
GIVEN NAMESRobert C
FAMILY NAMEBell
SIGNATUREBELL R C
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS12
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR1979
H-INDEX1
  • "A Discussion of "Ceremony

    Kathleen M Sands, A Lavonne Brown Ruoff et al.•ARTICLE•The American Indian Quarterly•1979•Cited by: 1

    The following is an edited transcript of the discussion which followed oral summaries of the six preceeding papers delivered in Phoenix, Arizona on October 21, 1978, at the annual meeting of the Rocky Mountain Modern Language Association. Considerable editing on the transcript was necessary to: eliminate inaudible or garbled portions, excise repetitious or irrelevant statements, make complete sentences of disjointed phrases, clarify ambiguious re…

  • "Circular Design in "Ceremony

    Robert Bell, Robert C Bell•ARTICLE•The American Indian Quarterly•1979•Cited by: 11

    The standard Native American myth pattern uses the hero-quest as a framework in which to establish prototype ceremonial procedures for curing rituals called chantways. Mythic plot embodies reasons for the diverse and intricate procedures and items of ritual and, in addition, involves a detailed description of legendary events which explains rite, properties, and behavior. Thus the mythic narrative (text) itself is figural and symbolic. So, in the…

  • "Circular Design in "Ceremony

    Robert Bell, Robert C Bell•ARTICLE•The American Indian Quarterly•1979•Cited by: 11

    The standard Native American myth pattern uses the hero-quest as a framework in which to establish prototype ceremonial procedures for curing rituals called chantways. Mythic plot embodies reasons for the diverse and intricate procedures and items of ritual and, in addition, involves a detailed description of legendary events which explains rite, properties, and behavior. Thus the mythic narrative (text) itself is figural and symbolic. So, in the…

  • "A Discussion of "Ceremony

    Kathleen M Sands, A Lavonne Brown Ruoff et al.•ARTICLE•The American Indian Quarterly•1979•Cited by: 1

    The following is an edited transcript of the discussion which followed oral summaries of the six preceeding papers delivered in Phoenix, Arizona on October 21, 1978, at the annual meeting of the Rocky Mountain Modern Language Association. Considerable editing on the transcript was necessary to: eliminate inaudible or garbled portions, excise repetitious or irrelevant statements, make complete sentences of disjointed phrases, clarify ambiguious re…

  • "A Discussion of "Ceremony

    Kathleen M Sands, A Lavonne Brown Ruoff et al.•ARTICLE•The American Indian Quarterly•1979•Cited by: 1

    The following is an edited transcript of the discussion which followed oral summaries of the six preceeding papers delivered in Phoenix, Arizona on October 21, 1978, at the annual meeting of the Rocky Mountain Modern Language Association. Considerable editing on the transcript was necessary to: eliminate inaudible or garbled portions, excise repetitious or irrelevant statements, make complete sentences of disjointed phrases, clarify ambiguious re…

  • "Circular Design in "Ceremony

    Robert Bell, Robert C Bell•ARTICLE•The American Indian Quarterly•1979•Cited by: 11

    The standard Native American myth pattern uses the hero-quest as a framework in which to establish prototype ceremonial procedures for curing rituals called chantways. Mythic plot embodies reasons for the diverse and intricate procedures and items of ritual and, in addition, involves a detailed description of legendary events which explains rite, properties, and behavior. Thus the mythic narrative (text) itself is figural and symbolic. So, in the…

Archaeology (2 works) · Ceremony (2 works) · History (2 works) · History (2 works) · Aesthetics (1 work) · Ancestor (1 work) · Art (1 work) · Art Education and Development (1 work) · Folklore (1 work) · Folklore, Mythology, and Literature Studies (1 work)

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