Channette Romero
Dados Biográficos
| ID | 3948556 |
|---|---|
| NOME | Channette Romero |
| PRENOMES | Channette |
| SOBRENOME | Romero |
| ASSINATURA | ROMERO C |
| AFILIAÇÕES | University of Georgia |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 8 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2002 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 2 |
Race and Cultural Practice in Popular Culture
Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. T…
Toward an Indigenous Feminine Animation Aesthetic
Toward an Indigenous Feminine Animation Aesthetic Channette Romero (bio) Indigenous women’s animated films are emerging as some of the most engaging contemporary digital media. Unfortunately, much like women’s animation in general, this growing body of work has garnered sparse critical attention. This essay seeks to call attention to the growing field and to prompt increased study of its aesthetics. Analyzing works by better-known filmmakers/arti…
Teaching Native Literature Responsibly in a Multiethnic Course
Expanding Tribal Identities and Sovereignty through LeAnne Howe's “Tribalography”
Expanding Tribal Identities and Sovereignty through LeAnne Howe’s “Tribalography” Channette Romero (bio) In her nonfiction essay “The Story of America,” LeAnne Howe describes her concept of “tribalography” as constructing a reality through storytelling that helps to “create a people” and “author tribes” by making explicit “unending connections to past, present, and future” (29, 47).1 To create an authorizing literary space that acknowledges the c…
Activism and the American Novel
The Politics of the Camera
The Politics of the CameraVisual Storytelling and Sovereignty in Victor Masayesva's Itam Hakim, Hopiit Channette Romero (bio) In her 1990 article "Videomakers and Basketmakers," Leslie Marmon Silko declares, "In Victor Masayesva's hands, video is made to serve Hopi consciousness and to see with Hopi eyes" (Silko, "Videomakers" 73). This Hopi "consciousness" is reflected in his films' content, which feature traditional basket making, weaving, and …
Embodying Latina Salvation
Research Article| March 01 2006 Embodying Latina Salvation: Demetria Martinez's Mother Tongue Channette Romero Channette Romero Union College [email protected] Search for other works by this author on: This Site Google English Language Notes (2006) 44 (1): 183–189. https://doi.org/10.1215/00138282-44.1.183 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Channette Romero; Embodying Latina Salvation…
"Envisioning a "Network of Tribal Coalitions
Leslie Marmon Silko's second novel, Almanac of the Dead, attempts to overcome the limitations of the American Indian Movement by presenting readers with the model of "tribal internationalists," individuals who work with international alliances to reclaim their Indigenous land.1 In Almanac Silko suggests that cross-cultural spiritual coalitions made up of "tribal internationalists" would provide a more powerful means of combating the social, polit…
"Envisioning a "Network of Tribal Coalitions
Leslie Marmon Silko's second novel, Almanac of the Dead, attempts to overcome the limitations of the American Indian Movement by presenting readers with the model of "tribal internationalists," individuals who work with international alliances to reclaim their Indigenous land.1 In Almanac Silko suggests that cross-cultural spiritual coalitions made up of "tribal internationalists" would provide a more powerful means of combating the social, polit…
The Politics of the Camera
The Politics of the CameraVisual Storytelling and Sovereignty in Victor Masayesva's Itam Hakim, Hopiit Channette Romero (bio) In her 1990 article "Videomakers and Basketmakers," Leslie Marmon Silko declares, "In Victor Masayesva's hands, video is made to serve Hopi consciousness and to see with Hopi eyes" (Silko, "Videomakers" 73). This Hopi "consciousness" is reflected in his films' content, which feature traditional basket making, weaving, and …
"Envisioning a "Network of Tribal Coalitions
Leslie Marmon Silko's second novel, Almanac of the Dead, attempts to overcome the limitations of the American Indian Movement by presenting readers with the model of "tribal internationalists," individuals who work with international alliances to reclaim their Indigenous land.1 In Almanac Silko suggests that cross-cultural spiritual coalitions made up of "tribal internationalists" would provide a more powerful means of combating the social, polit…
Embodying Latina Salvation
Research Article| March 01 2006 Embodying Latina Salvation: Demetria Martinez's Mother Tongue Channette Romero Channette Romero Union College [email protected] Search for other works by this author on: This Site Google English Language Notes (2006) 44 (1): 183–189. https://doi.org/10.1215/00138282-44.1.183 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Channette Romero; Embodying Latina Salvation…
The Politics of the Camera
The Politics of the CameraVisual Storytelling and Sovereignty in Victor Masayesva's Itam Hakim, Hopiit Channette Romero (bio) In her 1990 article "Videomakers and Basketmakers," Leslie Marmon Silko declares, "In Victor Masayesva's hands, video is made to serve Hopi consciousness and to see with Hopi eyes" (Silko, "Videomakers" 73). This Hopi "consciousness" is reflected in his films' content, which feature traditional basket making, weaving, and …
Activism and the American Novel
Teaching Native Literature Responsibly in a Multiethnic Course
Expanding Tribal Identities and Sovereignty through LeAnne Howe's “Tribalography”
Expanding Tribal Identities and Sovereignty through LeAnne Howe’s “Tribalography” Channette Romero (bio) In her nonfiction essay “The Story of America,” LeAnne Howe describes her concept of “tribalography” as constructing a reality through storytelling that helps to “create a people” and “author tribes” by making explicit “unending connections to past, present, and future” (29, 47).1 To create an authorizing literary space that acknowledges the c…
Toward an Indigenous Feminine Animation Aesthetic
Toward an Indigenous Feminine Animation Aesthetic Channette Romero (bio) Indigenous women’s animated films are emerging as some of the most engaging contemporary digital media. Unfortunately, much like women’s animation in general, this growing body of work has garnered sparse critical attention. This essay seeks to call attention to the growing field and to prompt increased study of its aesthetics. Analyzing works by better-known filmmakers/arti…
Race and Cultural Practice in Popular Culture
Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. T…
Art (6 obras) · History (6 obras) · Sociology (6 obras) · Political science (5 obras) · Aesthetics (4 obras) · Law (4 obras) · Politics (4 obras) · Anthropology (3 obras) · Gender Studies (3 obras) · Latin American and Latino Studies (3 obras)