Jeannine Tang
Biographic Data
| ID | 3950020 |
|---|---|
| NAME | Jeannine Tang |
| GIVEN NAMES | Jeannine |
| FAMILY NAME | Tang |
| SIGNATURE | TANG J |
| AFFILIATIONS | Courtauld Institute of Art |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Wayang Spaceship
Other Explorations
Persons and Profiles
This essay examines the artist project by Chitra Ganesh and Mariam Ghani, Index of the Disappeared (2004-present), focusing on how the project entwines studio, research, and long-term site-responsive methodologies. It argues that the project’s use of portraiture and alignment with radical archival practice offers methods for counteracting the antisociality of profiling, its sundering of kin and practices of capture. By way of the term antiprofile…
Negotiating Values in the Creative Industries
Fairs, festivals and competitive events play a crucial role in the creative industries; yet their significance has been largely overlooked. This book explores the role of such events through a series of studies that include some of the most iconic fairs and festivals in the world. It brings together a team of distinguished scholars to examine art fairs, biennales, auctions, book fairs, television programming markets, film festivals, animation fil…
Residues of a Dream World
The High Line - a public park on a repurposed railway track in New York City - first opened to the public in 2009, and has been increasingly celebrated as a model public space, and as a democratic project directed by community. Artistic and amateur photographic practices have significantly informed the High Line's design, landscaping, publicity, urban policy, use and constellations of community. This photo-conceptual essay critically considers th…
Events
Modest Proposals
Spectacle's Politics and the Singapore Biennale
Belief in the Singapore Biennale
Of Biennials and Biennialists
Biennials are a broad category of larpe-scale, high-budget exhibition, recurring at a minimum rate of two years apart. This piece is concerned with the values that biennials and biennialits disclose. It will argue that artists gain recognition from biennials and that the state uses biennials as prestigious events in a competitive geo-political game - tipically via strategies ol regional co-identification and cross-marketing. It will go on to show…
Flights of Fancy
Review| June 01 2006 Flights of Fancy Tracey Moffatt: Love and Adventures, Victoria Miro Gallery, London, United Kingdom, January 20-February 18, 2006Tracey Moffatt: Love, Steven Kasher Gallery, New York, New York, March 7-April 29, 2006 Jeannine Tang Jeannine Tang Jeannine Tang writes about modern and contemporary art and culture and is currently based in London, United Kingdom. Search for other works by this author on: This Site PubMed Google S…
A Time For Dreaming
Essay| December 01 2006 A Time For Dreaming Jeannine Tang Jeannine Tang Jeannine Tang writes about contemporary art and culture and is currently based in London. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2006) 34 (3): 38–39. https://doi.org/10.1525/aft.2006.34.3.38 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon T…
The Big Bang at Centre Georges Pompidou
One of the world's largest collections of European modern art, held by Centre Georges Pompidou, was displayed for the first time in a thematically-curated exhibition, The Big Bang (2005). This review article evaluates the merits and permutations of thematic curation, in lieu of The Big Bang's relation to previous instances of thematic curation of significant museum collections, most notably at the Museum of Modern Art and Tate Modern. The Big Ban…
Of Biennials and Biennialists
Biennials are a broad category of larpe-scale, high-budget exhibition, recurring at a minimum rate of two years apart. This piece is concerned with the values that biennials and biennialits disclose. It will argue that artists gain recognition from biennials and that the state uses biennials as prestigious events in a competitive geo-political game - tipically via strategies ol regional co-identification and cross-marketing. It will go on to show…
Residues of a Dream World
The High Line - a public park on a repurposed railway track in New York City - first opened to the public in 2009, and has been increasingly celebrated as a model public space, and as a democratic project directed by community. Artistic and amateur photographic practices have significantly informed the High Line's design, landscaping, publicity, urban policy, use and constellations of community. This photo-conceptual essay critically considers th…
Persons and Profiles
This essay examines the artist project by Chitra Ganesh and Mariam Ghani, Index of the Disappeared (2004-present), focusing on how the project entwines studio, research, and long-term site-responsive methodologies. It argues that the project’s use of portraiture and alignment with radical archival practice offers methods for counteracting the antisociality of profiling, its sundering of kin and practices of capture. By way of the term antiprofile…
Flights of Fancy
Review| June 01 2006 Flights of Fancy Tracey Moffatt: Love and Adventures, Victoria Miro Gallery, London, United Kingdom, January 20-February 18, 2006Tracey Moffatt: Love, Steven Kasher Gallery, New York, New York, March 7-April 29, 2006 Jeannine Tang Jeannine Tang Jeannine Tang writes about modern and contemporary art and culture and is currently based in London, United Kingdom. Search for other works by this author on: This Site PubMed Google S…
A Time For Dreaming
Essay| December 01 2006 A Time For Dreaming Jeannine Tang Jeannine Tang Jeannine Tang writes about contemporary art and culture and is currently based in London. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2006) 34 (3): 38–39. https://doi.org/10.1525/aft.2006.34.3.38 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon T…
The Big Bang at Centre Georges Pompidou
One of the world's largest collections of European modern art, held by Centre Georges Pompidou, was displayed for the first time in a thematically-curated exhibition, The Big Bang (2005). This review article evaluates the merits and permutations of thematic curation, in lieu of The Big Bang's relation to previous instances of thematic curation of significant museum collections, most notably at the Museum of Modern Art and Tate Modern. The Big Ban…
Spectacle's Politics and the Singapore Biennale
Belief in the Singapore Biennale
Of Biennials and Biennialists
Biennials are a broad category of larpe-scale, high-budget exhibition, recurring at a minimum rate of two years apart. This piece is concerned with the values that biennials and biennialits disclose. It will argue that artists gain recognition from biennials and that the state uses biennials as prestigious events in a competitive geo-political game - tipically via strategies ol regional co-identification and cross-marketing. It will go on to show…
Modest Proposals
Events
Negotiating Values in the Creative Industries
Fairs, festivals and competitive events play a crucial role in the creative industries; yet their significance has been largely overlooked. This book explores the role of such events through a series of studies that include some of the most iconic fairs and festivals in the world. It brings together a team of distinguished scholars to examine art fairs, biennales, auctions, book fairs, television programming markets, film festivals, animation fil…
Residues of a Dream World
The High Line - a public park on a repurposed railway track in New York City - first opened to the public in 2009, and has been increasingly celebrated as a model public space, and as a democratic project directed by community. Artistic and amateur photographic practices have significantly informed the High Line's design, landscaping, publicity, urban policy, use and constellations of community. This photo-conceptual essay critically considers th…
Persons and Profiles
This essay examines the artist project by Chitra Ganesh and Mariam Ghani, Index of the Disappeared (2004-present), focusing on how the project entwines studio, research, and long-term site-responsive methodologies. It argues that the project’s use of portraiture and alignment with radical archival practice offers methods for counteracting the antisociality of profiling, its sundering of kin and practices of capture. By way of the term antiprofile…
Wayang Spaceship
Other Explorations
Computer Science (7 works) · Art (4 works) · History (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Art history (3 works) · Art History and Market Analysis (3 works) · Art, Politics, and Modernism (3 works) · Media studies (3 works)