Emily Braun
Biographic Data
| ID | 3950180 |
|---|---|
| NAME | Emily Braun |
| GIVEN NAMES | Emily |
| FAMILY NAME | Braun |
| SIGNATURE | BRAUN E |
| AFFILIATIONS | Hunter College |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
From the Risorgimento to the Resistance
Making waves
Emilio Pucci emerged as an international fashion force in the 1960s with his bold and brilliant, streamlined outfits for the active woman. Delving into Pucci's first career as a bomber pilot and Fascist aviation hero, this article demonstrates his unacknowledged debt to the fashion theories and textile designs of the Futurist Giacomo Balla. Pucci was linked to Futurist aeropittura of the 1930s by the common culture of Fascism, aviation, and the c…
Italia barbara
Historians of discourse formation have demonstrated how, in the decades following the Risorgimento, Italy was fashioned as the internal ‘other’ of a new, industrial civilization that had surpassed the Mediterranean one of old. In the geopolitical map of Western Europe, Italy occupied the most distant and different territory; its proximity to Africa and the Near East, its heterogeneous racial make-up, including ‘Arab blood’, and its predominantly …
Corrente
Mafai, Mario
Scuola Romana
Sironi, Mario
Dreamworld and Catastrophe
Expressionism as Fascist Aesthetic
In recent years, scholarship on fascist culture and aesthetics has stressed the pluralistic landscape of Italian painting and sculpture between the wars. But within this pluralism, it is safe to say, emphasis has been given to classicism in its various stylistic and ideological guises. Classicism was, after all, the 'natural' handmaiden to the regime's most pervasive rhetoric of Italianita and romanitd
Expressionism as Fascist Aesthetic
In recent years, scholarship on fascist culture and aesthetics has stressed the pluralistic landscape of Italian painting and sculpture between the wars. But within this pluralism, it is safe to say, emphasis has been given to classicism in its various stylistic and ideological guises. Classicism was, after all, the 'natural' handmaiden to the regime's most pervasive rhetoric of Italianita and romanitd
Expressionism as Fascist Aesthetic
In recent years, scholarship on fascist culture and aesthetics has stressed the pluralistic landscape of Italian painting and sculpture between the wars. But within this pluralism, it is safe to say, emphasis has been given to classicism in its various stylistic and ideological guises. Classicism was, after all, the 'natural' handmaiden to the regime's most pervasive rhetoric of Italianita and romanitd
Corrente
Mafai, Mario
Scuola Romana
Sironi, Mario
Dreamworld and Catastrophe
Italia barbara
Historians of discourse formation have demonstrated how, in the decades following the Risorgimento, Italy was fashioned as the internal ‘other’ of a new, industrial civilization that had surpassed the Mediterranean one of old. In the geopolitical map of Western Europe, Italy occupied the most distant and different territory; its proximity to Africa and the Near East, its heterogeneous racial make-up, including ‘Arab blood’, and its predominantly …
Making waves
Emilio Pucci emerged as an international fashion force in the 1960s with his bold and brilliant, streamlined outfits for the active woman. Delving into Pucci's first career as a bomber pilot and Fascist aviation hero, this article demonstrates his unacknowledged debt to the fashion theories and textile designs of the Futurist Giacomo Balla. Pucci was linked to Futurist aeropittura of the 1930s by the common culture of Fascism, aviation, and the c…
From the Risorgimento to the Resistance
Art (5 works) · History (4 works) · History (3 works) · Ancient history (2 works) · Art history (2 works) · Computer Science (2 works) · Italian Fascism and Post-war Society (2 works) · Political science (2 works) · Aesthetics (1 works) · Anarchism and Radical Politics (1 works)