Sarah R Cohen
Biographic Data
| ID | 3950210 |
|---|---|
| NAME | Sarah R Cohen |
| GIVEN NAMES | Sarah R |
| FAMILY NAME | Cohen |
| SIGNATURE | COHEN S R |
| AFFILIATIONS | University at Albany, State University of New York |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Dancing Queen: Marie de Médicis’ Ballets at the Court of Henri IV, by Melinda J. Gough
Through meticulous, wide-ranging interdisciplinary research, Melinda Gough builds a compelling case in the five chapters of this book that Marie de Médicis used ‘the immediacy of embodied, live performance’ to advance both her own status as queen consort of France and the interests of the French monarchy in the fraught political period of the early 1600s. Gough allies her approach with that of the ‘neo-ceremonialist school’ of French political hi…
Performing Identity in The Hard Nut: Stereotype, Modeling and the Inventive Body
Performing Identity in The Hard Nut: Stereotype, Modeling and the Inventive Body 1 Sarah R. Cohen (bio) What does one do with one’s body? The problem of how performance shapes social identity to craft effects of gender, age, race and status necessarily implicates the movement of the body itself. What to do with the lumbering mass of flesh and bones, trunk and limbs, head, hands and feet? How does one organize these disparate parts to project an i…
Un Bal continuel: Watteau's Cythera Paintings and Aristocratic Dancing in the 1710s
No prominent works on this page.
Un Bal continuel: Watteau's Cythera Paintings and Aristocratic Dancing in the 1710s
Performing Identity in The Hard Nut: Stereotype, Modeling and the Inventive Body
Performing Identity in The Hard Nut: Stereotype, Modeling and the Inventive Body 1 Sarah R. Cohen (bio) What does one do with one’s body? The problem of how performance shapes social identity to craft effects of gender, age, race and status necessarily implicates the movement of the body itself. What to do with the lumbering mass of flesh and bones, trunk and limbs, head, hands and feet? How does one organize these disparate parts to project an i…
Dancing Queen: Marie de Médicis’ Ballets at the Court of Henri IV, by Melinda J. Gough
Through meticulous, wide-ranging interdisciplinary research, Melinda Gough builds a compelling case in the five chapters of this book that Marie de Médicis used ‘the immediacy of embodied, live performance’ to advance both her own status as queen consort of France and the interests of the French monarchy in the fraught political period of the early 1600s. Gough allies her approach with that of the ‘neo-ceremonialist school’ of French political hi…
Art (3 works) · Art, Politics, and Modernism (2 works) · Diversity and Impact of Dance (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Architecture and Art History Studies (1 works) · Art history (1 works) · Art History and Market Analysis (1 works) · Biology (1 works)