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Youngna Kim

Biographic Data

ID3950274
NAMEYoungna Kim
GIVEN NAMESYoungna
FAMILY NAMEKim
SIGNATUREKIM Y
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Na Hye-sok

    Youngna Kim•CHAPTER•2023

  • The Achievements and Limitations of Ko Yu-seop, a Luminary in Korean Art History

    Youngna Kim, Kim Youngna•ARTICLE•Archives of Asian Art•2010

    Yu-seop (1905-1944) occupies a unique position in Korean art history. During the period when Korea was a Japanese colony (19 10-194 5), he was the sole Korean art historian of his homeland. He entered the Department of Philosophy at Keijo (K: Kyeongseong) Imperial University (precursor of Seoul National University) to study aesthetics and art history in 1925. In 1933, aged twenty-eight, he was made director of the Gaeseong Prefectural Museum, an …

  • Park Seo-Bo

    Youngna Kim•CHAPTER•2003

  • Korea: Painting

    Hwi-Joon Ahn, Young-Sup Byun et al.•CHAPTER•2003

  • Korea: Sculpture

    Woo-Bang Kang, Youngna Kim et al.•CHAPTER•2003

  • War, Occupation, and Creativity: Japan and East Asia, 1920-1960

    Haruko Taya Cook, Kyoko Hirano et al.•BOOK•War, Occupation, and Creativity•2001

    This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive f…

No prominent works on this page.

  • War, Occupation, and Creativity: Japan and East Asia, 1920-1960

    Haruko Taya Cook, Kyoko Hirano et al.•BOOK•War, Occupation, and Creativity•2001

    This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive f…

  • Park Seo-Bo

    Youngna Kim•CHAPTER•2003

  • Korea: Painting

    Hwi-Joon Ahn, Young-Sup Byun et al.•CHAPTER•2003

  • Korea: Sculpture

    Woo-Bang Kang, Youngna Kim et al.•CHAPTER•2003

  • The Achievements and Limitations of Ko Yu-seop, a Luminary in Korean Art History

    Youngna Kim, Kim Youngna•ARTICLE•Archives of Asian Art•2010

    Yu-seop (1905-1944) occupies a unique position in Korean art history. During the period when Korea was a Japanese colony (19 10-194 5), he was the sole Korean art historian of his homeland. He entered the Department of Philosophy at Keijo (K: Kyeongseong) Imperial University (precursor of Seoul National University) to study aesthetics and art history in 1925. In 1933, aged twenty-eight, he was made director of the Gaeseong Prefectural Museum, an …

  • Na Hye-sok

    Youngna Kim•CHAPTER•2023

Art (3 works) · Japanese History and Culture (3 works) · Art history (2 works) · Asian Culture and Media Studies (2 works) · 1937-1945 (1 works) · 1950-1953 (1 works) · 20th century (1 works) · Art and the war (1 works) · Art and war (1 works) · Art, asian (1 works)

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