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Martin A Berger

Biographic Data

ID3950345
NAMEMartin A Berger
GIVEN NAMESMartin A
FAMILY NAMEBerger
SIGNATUREBERGER M A
AFFILIATIONSUniversity of California, Santa Cruz
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2015
H-INDEX0
  • Photography, History, and the Historian

    Martin A Berger•ARTICLE•American Art•2015

  • Seeing through Race

    David J Garrow, Martin A Berger•BOOK•Seeing Through Race•2011

    Seeing through Race is a boldly original reinterpretation of the iconic photographs of the black civil rights struggle. Martin A. Berger’s provocative and groundbreaking study shows how the very pictures credited with arousing white sympathy, and thereby paving the way for civil rights legislation, actually limited the scope of racial reform in the 1960s. Berger analyzes many of these famous images—dogs and fire hoses turned against peaceful blac…

  • Race,Visuality, and History

    Martin A Berger•ARTICLE•American Art•2010

  • The anatomy of the Early Republic

    Martin A Berger•ARTICLE•Early Popular Visual Culture•2009•References: 10

    The essay explores the cultural functions of the many dismembered bodies that haunt the visual culture of late eighteenth‐ and early nineteenth‐century America. Body parts routinely appeared on signs for taverns, guildhalls and shops, in delicate painted miniatures depicting isolated eyes and mouths, in political prints illustrating the dismembered bodies of women and animals as stand‐ins for states and colonies, and in large‐scale history painti…

  • Never one Nation

    Martin A Berger•ARTICLE•Journal of American Ethnic History•2006

    Book Review| October 01 2006 Never one Nation: Freaks, Savages, and Whiteness in U.S. Popular Culture, 1850-1877 Never one Nation: Freaks, Savages, and Whiteness in U.S. Popular Culture, 1850-1877, Linda Frost. Martin A. Berger Martin A. Berger Search for other works by this author on: This Site Google Journal of American Ethnic History (2006) 26 (1): 94–95. https://doi.org/10.2307/27501786 Cite Icon Cite Share Icon Share Facebook Twitter LinkedI…

  • "Modernity and Gender in Thomas Eakins's "Swimming

    Martin A Berger•ARTICLE•American Art•1997

  • John Singleton Copley

    Martin A Berger, James Thomas Flexner•ARTICLE•Journal of the Early Republic•1994

No prominent works on this page.

  • John Singleton Copley

    Martin A Berger, James Thomas Flexner•ARTICLE•Journal of the Early Republic•1994

  • "Modernity and Gender in Thomas Eakins's "Swimming

    Martin A Berger•ARTICLE•American Art•1997

  • Never one Nation

    Martin A Berger•ARTICLE•Journal of American Ethnic History•2006

    Book Review| October 01 2006 Never one Nation: Freaks, Savages, and Whiteness in U.S. Popular Culture, 1850-1877 Never one Nation: Freaks, Savages, and Whiteness in U.S. Popular Culture, 1850-1877, Linda Frost. Martin A. Berger Martin A. Berger Search for other works by this author on: This Site Google Journal of American Ethnic History (2006) 26 (1): 94–95. https://doi.org/10.2307/27501786 Cite Icon Cite Share Icon Share Facebook Twitter LinkedI…

  • The anatomy of the Early Republic

    Martin A Berger•ARTICLE•Early Popular Visual Culture•2009•References: 10

    The essay explores the cultural functions of the many dismembered bodies that haunt the visual culture of late eighteenth‐ and early nineteenth‐century America. Body parts routinely appeared on signs for taverns, guildhalls and shops, in delicate painted miniatures depicting isolated eyes and mouths, in political prints illustrating the dismembered bodies of women and animals as stand‐ins for states and colonies, and in large‐scale history painti…

  • Race,Visuality, and History

    Martin A Berger•ARTICLE•American Art•2010

  • Seeing through Race

    David J Garrow, Martin A Berger•BOOK•Seeing Through Race•2011

    Seeing through Race is a boldly original reinterpretation of the iconic photographs of the black civil rights struggle. Martin A. Berger’s provocative and groundbreaking study shows how the very pictures credited with arousing white sympathy, and thereby paving the way for civil rights legislation, actually limited the scope of racial reform in the 1960s. Berger analyzes many of these famous images—dogs and fire hoses turned against peaceful blac…

  • Photography, History, and the Historian

    Martin A Berger•ARTICLE•American Art•2015

Art (5 works) · Sociology (5 works) · Art history (4 works) · History (4 works) · Gender Studies (3 works) · Photography and Visual Culture (3 works) · Anthropology (2 works) · Computer Science (2 works) · History (2 works) · Library science (2 works)

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