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Lilian Armstrong

Biographic Data

ID3950450
NAMELilian Armstrong
GIVEN NAMESLilian
FAMILY NAMEArmstrong
SIGNATUREARMSTRONG L
AFFILIATIONSWellesley College
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS5
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Passion in Venice: Crivelli to Tintoretto and Veronese (New York, Museum of Biblical Art [Mobia], 11 February–12 June 2011)

    Open Access•Lilian Armstrong•ARTICLE•Renaissance Studies•2012

  • Venice

    Candace J Adelson, Paola D’Alconzo et al.•CHAPTER•2003

  • The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture. Sarah Blake McHam

    Lilian Armstrong•ARTICLE•Speculum•1997

  • Benedetto Bordon, Miniator , and cartography in early sixteenth‐century venice

    Lilian Armstrong•ARTICLE•Imago Mundi•1996•Cited by: 4•References: 7

    This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the…

  • The Gonzaga of Mantua and Pisanello's Arthurian Frescoes. Joanna Woods-Marsden

    Lilian Armstrong•ARTICLE•Speculum•1991

  • Interpretazioni veneziane: Studi di storia dell'arte in onore di Michelangelo Muraro

    Open Access•Lilian Armstrong•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Renaissance Painting in Manuscripts: Treasures from the British Library

    Open Access•Lilian Armstrong•ARTICLE•Renaissance Quarterly•1985

    Thomas Kren, ed. Renaissance Painting in Manuscripts: Treasures from the British Library. Copublished by The J. Paul Getty Museum in Association with The British Library. New York: Hudson Hills Press, 1983. 32 color pls. + 184 figs. + xiv + 210 pp. $50. - Volume 38 Issue 1

  • The Illustration of Pliny's Historia naturalis: Manuscripts before 1430

    Lilian Armstrong•ARTICLE•Journal of the Warburg and…•1983•Cited by: 1

  • Benedetto Bordon, Miniator , and cartography in early sixteenth‐century venice

    Lilian Armstrong•ARTICLE•Imago Mundi•1996•Cited by: 4•References: 7

    This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the…

  • The Illustration of Pliny's Historia naturalis: Manuscripts before 1430

    Lilian Armstrong•ARTICLE•Journal of the Warburg and…•1983•Cited by: 1

  • The Illustration of Pliny's Historia naturalis: Manuscripts before 1430

    Lilian Armstrong•ARTICLE•Journal of the Warburg and…•1983•Cited by: 1

  • Renaissance Painting in Manuscripts: Treasures from the British Library

    Open Access•Lilian Armstrong•ARTICLE•Renaissance Quarterly•1985

    Thomas Kren, ed. Renaissance Painting in Manuscripts: Treasures from the British Library. Copublished by The J. Paul Getty Museum in Association with The British Library. New York: Hudson Hills Press, 1983. 32 color pls. + 184 figs. + xiv + 210 pp. $50. - Volume 38 Issue 1

  • Interpretazioni veneziane: Studi di storia dell'arte in onore di Michelangelo Muraro

    Open Access•Lilian Armstrong•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Gonzaga of Mantua and Pisanello's Arthurian Frescoes. Joanna Woods-Marsden

    Lilian Armstrong•ARTICLE•Speculum•1991

  • Benedetto Bordon, Miniator , and cartography in early sixteenth‐century venice

    Lilian Armstrong•ARTICLE•Imago Mundi•1996•Cited by: 4•References: 7

    This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the…

  • The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture. Sarah Blake McHam

    Lilian Armstrong•ARTICLE•Speculum•1997

  • Venice

    Candace J Adelson, Paola D’Alconzo et al.•CHAPTER•2003

  • Passion in Venice: Crivelli to Tintoretto and Veronese (New York, Museum of Biblical Art [Mobia], 11 February–12 June 2011)

    Open Access•Lilian Armstrong•ARTICLE•Renaissance Studies•2012

Art (7 works) · Art history (6 works) · Classics (4 works) · Classics (4 works) · History (4 works) · History (4 works) · Renaissance and Early Modern Studies (3 works) · The Renaissance (3 works) · Computer Science (2 works) · Geography (2 works)

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