Tim Barringer
Biographic Data
| ID | 3950477 |
|---|---|
| NAME | Tim Barringer |
| GIVEN NAMES | Tim |
| FAMILY NAME | Barringer |
| SIGNATURE | BARRINGER T |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 4 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
The Tudors
Forum
Seven contemporary commentators whose experience has been touched by Queen Victoria’s history and its legacy address the question: how should we curate Victoria today
Ambiguities of Imperial Mourning
The Chattri Indian Monument , erected upon the Sussex Downs above Brighton in 1921, commemorates the Hindu and Sikh soldiers who died in hospitals in Brighton as a result of wounds received fighting for the British Empire in the First World War. The form and name of the monument reference the chatrī , an architectural element characteristic of historical palaces and tombs of northern India. The monument, designed by an Indian architect, Elias Hen…
Storied Ground
The study of landscape history falls uneasily between traditional disciplines. Once the preserve of the geographer alone, the field has abandoned solid terrain and turned, instead, to questions of representation. Landscape is now the province of English literature, art history and even musicology. Perhaps, however, cultural history is the ideal home for landscape studies. Paul Readman’s ambitious and eloquent study points, in its main title, Stor…
Victorian Jamaica
Victorian Jamaica
Colonialism and the Object
I am a native, rooted here’
Art and Emancipation in Jamaica
BOOKArt and Emancipation in Jamaica: Isaac Mendes Belisario and His WorldsTim Barringer, Gillian Forrester, Barbaro Martinez-Ruiz https://doi.org/10.37862/aaeportal.00018 Stable URL: https://aaeportal.com/?id=-18620Copy Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to …
Victorian Culture and the Museum
In 10:2, Alison Booth and David Amigoni reflected on the differences between the new Oxford DNB, and its Victorian antecedent.Dr Lawrence Goldman, the historian and present editor of the dictionary, provides his own focus on the continuities and discontinuities between
Will your Honour buy a Sweet Nosegay
Rethinking Delaroche/Recovering Leighton
When I first saw it a little more than a decade ago, Frederic Leighton's Lachrymae (c. 1895; fig. 1) was hanging in the remotest and most dimly lit room in the Metropolitan Museum's nineteenth-century painting galleries. 1 This compelling meditation on the nature of death and loss belongs among Leighton's final, and most extreme, explorations of the possibilities and limits of the painted surface. Yet, in accordance with art-historical orthodoxy,…
The Gendering of Artistic Labour in Mid-Victorian Britain
In contrast with earlier periods when work was considered to be an activity commanding low social status (such as classical Greece and feudal Europe), post-Reformation Europe, especially during the industrial revolution, saw the idea of work become highly charged with religious and moral significance. A long debate inaugurated by Max Weber in his essay of 1904–5, The Protestant Ethic and the Spirit of Capitalism , and continued by R.H. Tawney 2 a…
Re-presenting the Imperial Archive
Colonialism and the Object
1. Introduction Part 1: 2. The South Kensington Museum and the Colonial Project 3. Chinese Material Culture and British Perceptions of China in the Mid-Nineteenth Century 4. China in Britain: The Imperial Collections 5. Colonial Architecture, International Exhibitions and Official Patronage of the Indian Artisan: The Case of a Gateway from Gwalior in the Victoria and Albert Museum 6. Stylistic Hybridity and Colonial Art and Design Education: A Wo…
Landscapes of Association
Landscape Imagery and Urban Culture in Early Nineteenth‐Century Britain by Andrew Hemingway , Cambridge and New York: Cambridge University Press, 1992, 363 pp., 125 b. & w. illus., £60.00 Fields of Vision: Landscape Imagery and National Identity in England and the United States by Stephen Daniels , Oxford: Polity Press, 1993, 255 pp., 75 b. & w. illus., £39.50
Victorian Culture and the Museum
In 10:2, Alison Booth and David Amigoni reflected on the differences between the new Oxford DNB, and its Victorian antecedent.Dr Lawrence Goldman, the historian and present editor of the dictionary, provides his own focus on the continuities and discontinuities between
Re-presenting the Imperial Archive
Landscapes of Association
Landscape Imagery and Urban Culture in Early Nineteenth‐Century Britain by Andrew Hemingway , Cambridge and New York: Cambridge University Press, 1992, 363 pp., 125 b. & w. illus., £60.00 Fields of Vision: Landscape Imagery and National Identity in England and the United States by Stephen Daniels , Oxford: Polity Press, 1993, 255 pp., 75 b. & w. illus., £39.50
Re-presenting the Imperial Archive
Colonialism and the Object
1. Introduction Part 1: 2. The South Kensington Museum and the Colonial Project 3. Chinese Material Culture and British Perceptions of China in the Mid-Nineteenth Century 4. China in Britain: The Imperial Collections 5. Colonial Architecture, International Exhibitions and Official Patronage of the Indian Artisan: The Case of a Gateway from Gwalior in the Victoria and Albert Museum 6. Stylistic Hybridity and Colonial Art and Design Education: A Wo…
The Gendering of Artistic Labour in Mid-Victorian Britain
In contrast with earlier periods when work was considered to be an activity commanding low social status (such as classical Greece and feudal Europe), post-Reformation Europe, especially during the industrial revolution, saw the idea of work become highly charged with religious and moral significance. A long debate inaugurated by Max Weber in his essay of 1904–5, The Protestant Ethic and the Spirit of Capitalism , and continued by R.H. Tawney 2 a…
Rethinking Delaroche/Recovering Leighton
When I first saw it a little more than a decade ago, Frederic Leighton's Lachrymae (c. 1895; fig. 1) was hanging in the remotest and most dimly lit room in the Metropolitan Museum's nineteenth-century painting galleries. 1 This compelling meditation on the nature of death and loss belongs among Leighton's final, and most extreme, explorations of the possibilities and limits of the painted surface. Yet, in accordance with art-historical orthodoxy,…
Will your Honour buy a Sweet Nosegay
Victorian Culture and the Museum
In 10:2, Alison Booth and David Amigoni reflected on the differences between the new Oxford DNB, and its Victorian antecedent.Dr Lawrence Goldman, the historian and present editor of the dictionary, provides his own focus on the continuities and discontinuities between
Art and Emancipation in Jamaica
BOOKArt and Emancipation in Jamaica: Isaac Mendes Belisario and His WorldsTim Barringer, Gillian Forrester, Barbaro Martinez-Ruiz https://doi.org/10.37862/aaeportal.00018 Stable URL: https://aaeportal.com/?id=-18620Copy Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to …
I am a native, rooted here’
Colonialism and the Object
Victorian Jamaica
Victorian Jamaica
Storied Ground
The study of landscape history falls uneasily between traditional disciplines. Once the preserve of the geographer alone, the field has abandoned solid terrain and turned, instead, to questions of representation. Landscape is now the province of English literature, art history and even musicology. Perhaps, however, cultural history is the ideal home for landscape studies. Paul Readman’s ambitious and eloquent study points, in its main title, Stor…
Forum
Seven contemporary commentators whose experience has been touched by Queen Victoria’s history and its legacy address the question: how should we curate Victoria today
Ambiguities of Imperial Mourning
The Chattri Indian Monument , erected upon the Sussex Downs above Brighton in 1921, commemorates the Hindu and Sikh soldiers who died in hospitals in Brighton as a result of wounds received fighting for the British Empire in the First World War. The form and name of the monument reference the chatrī , an architectural element characteristic of historical palaces and tombs of northern India. The monument, designed by an Indian architect, Elias Hen…
The Tudors
History (15 works) · Art (11 works) · Art history (8 works) · Archaeology (6 works) · Law (6 works) · Political science (6 works) · History (5 works) · Sociology (5 works) · Visual arts (5 works) · Ancient history (4 works)