Judith W Mann
Biographic Data
| ID | 3950528 |
|---|---|
| NAME | Judith W Mann |
| GIVEN NAMES | Judith W |
| FAMILY NAME | Mann |
| SIGNATURE | MANN J W |
| AFFILIATIONS | Saint Louis Art Museum |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The Matter of Violence in Baroque Painting
Poussin's Women
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
My Dearest Heart
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Identity signs
Artemisia Gentileschi signed nineteen of her approximately forty‐eight extant paintings. She affixed her name in creative ways that reveal her to be a talented manipulator of her image and her identity. By looking at such things as the spelling of her name, its placement, style, and how it is integrated into the painting, we can see how inventively Gentileschi used her signatures. By conscientiously exploiting her name as a pictorial element, Art…
Gentileschi, Artemisia
Orazio and Artemisia Gentileschi
Artemisia's Critics, Painting with Crude Strokes
Artemisia Gentileschi and the Authority of Art
One of the most memorable creative personalities of the Baroque age and arguably the most forcefully expressive and influential woman painter in history, the Roman-born Artemisia Gentileschi (1593 1652/3) has become the central figure in the recovery of the history of art produced by women. Applying a rigorous methodology, this profusely illustrated study with interpretative text and catalogue raisonne embeds Gentileschi s pictorially and emotion…
Salvator Rosa
Salvator Rosa was not only an artist, but also a musician, a comic actor and a poet. This study examines Rosa's art, his life and his opinions set against the background of the creative activity of 17th-century Italy. All aspects of his artistic output are discussed and illustrated
Identity signs
Artemisia Gentileschi signed nineteen of her approximately forty‐eight extant paintings. She affixed her name in creative ways that reveal her to be a talented manipulator of her image and her identity. By looking at such things as the spelling of her name, its placement, style, and how it is integrated into the painting, we can see how inventively Gentileschi used her signatures. By conscientiously exploiting her name as a pictorial element, Art…
Salvator Rosa
Salvator Rosa was not only an artist, but also a musician, a comic actor and a poet. This study examines Rosa's art, his life and his opinions set against the background of the creative activity of 17th-century Italy. All aspects of his artistic output are discussed and illustrated
Artemisia Gentileschi and the Authority of Art
One of the most memorable creative personalities of the Baroque age and arguably the most forcefully expressive and influential woman painter in history, the Roman-born Artemisia Gentileschi (1593 1652/3) has become the central figure in the recovery of the history of art produced by women. Applying a rigorous methodology, this profusely illustrated study with interpretative text and catalogue raisonne embeds Gentileschi s pictorially and emotion…
Gentileschi, Artemisia
Orazio and Artemisia Gentileschi
Artemisia's Critics, Painting with Crude Strokes
Identity signs
Artemisia Gentileschi signed nineteen of her approximately forty‐eight extant paintings. She affixed her name in creative ways that reveal her to be a talented manipulator of her image and her identity. By looking at such things as the spelling of her name, its placement, style, and how it is integrated into the painting, we can see how inventively Gentileschi used her signatures. By conscientiously exploiting her name as a pictorial element, Art…
My Dearest Heart
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Poussin's Women
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Matter of Violence in Baroque Painting
Art (6 works) · Historical Art and Culture Studies (5 works) · Art history (4 works) · Literature (4 works) · Renaissance and Early Modern Studies (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Art History and Market Analysis (3 works) · Artemisia (3 works) · Biology (3 works)