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Ross Barrett

Biographic Data

ID3950778
NAMERoss Barrett
GIVEN NAMESRoss
FAMILY NAMEBarrett
SIGNATUREBARRETT R
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Monuments to the “Memorable Gale”

    Ross Barrett•ARTICLE•The New England Quarterly•2024

    Reconstructing the controversy that arose around a proposed memorial to the Great September Gale—a Category 4 hurricane that battered Providence, Rhode Island in 1815—this essay explores the differing ways that public leaders and everyday citizens remembered the tropical storms that hit New England in the nineteenth century

  • Representing Oceanic New England

    Ross Barrett, Sari Edelstein•ARTICLE•The New England Quarterly•2024

    IN the winter of 2024, the long-buried wreck of the schooner Ada K. Damon—a fishing vessel that ran aground in 1909, broke up, and was eventually buried beneath layers of silt—re-emerged from beneath the sands on Crane Beach in Ipswich, Massachusetts. Dazzled by the vessel's sudden reappearance (after an especially dramatic king tide), local reporters described the wreck as a “surprise” and a “wild discovery.”1 Over the last twenty years, the Ada…

  • Sculpting the ‘Idea of Insurance’

    Open Access•Ross Barrett•ARTICLE•Oxford Art Journal•2024

    Journal Article Sculpting the 'Idea of Insurance': John Quincy Adams Ward's Protection Group and the Rise of the American Life Sector Get access Ross Barrett Ross Barrett Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 47, Issue 1, March 2024, Pages 95–115, https://doi.org/10.1093/oxartj/kcae004 Published: 17 June 2024 Article history Received: 07 March 2023 Revision received: 12 January 2024 Ed…

  • "Ross Barrett. Review of "Painting Dissent

    Open Access•Ross Barrett•ARTICLE•CAA Reviews•2023

  • Harnett’s Habit

    Ross Barrett•ARTICLE•American Art•2019

    Smoking held a prominent place in William Harnett’s private experience and painterly endeavors. Between 1875 and 1880 the artist composed dozens of small-scale still lifes that foregrounded smoking products and paraphernalia, and engaged the vibrant promotional culture that arose around tobacco after the Civil War. Aiming these pictures at respectable male viewers who were, like himself, immersed in this culture, Harnett shaped complicated accoun…

  • Landscape and Real Estate

    Ross Barrett•ARTICLE•American Art•2017

  • Landscape in American History

    Ross Barrett, Maggie M Cao et al.•ARTICLE•American Art•2017

  • Bursting the Bubble

    Ross Barrett•ARTICLE•American Art•2016

    This article examines John Quidor’s 1832 painting Money Diggers as a pictorial allegory of real estate speculation that engages the cultural discourses and material forces of the antebellum land market. As I show, Quidor was an active participant in that market: in the 1820s and 1830s, the artist speculated enthusiastically on land in the Illinois Military Tract, engineering a series of profitable deals that underwrote his tenuous career as an ar…

  • Oil Culture

    Allan Stoekl, Ross Barrett et al.•EDITOR•BOOK•Oil Culture•2015

  • Violent Prophecies

    Ross Barrett•ARTICLE•American Art•2013

  • Speculations in Paint

    Ross Barrett•ARTICLE•Winterthur Portfolio•2008

    In his lifetime, Ernest Lawson (1873–1939) was celebrated as a painterly “pioneer” who discovered the semiurban lands surrounding downtown New York. Throughout his career, Lawson focused his attentions on the city’s half‐developed border, where colonial‐era farms, apartment blocks, tenements, and squatter shanties intermingled. These contradictory spaces were the material products of an uncoordinated and irregular process of urbanization driven b…

No prominent works on this page.

  • Speculations in Paint

    Ross Barrett•ARTICLE•Winterthur Portfolio•2008

    In his lifetime, Ernest Lawson (1873–1939) was celebrated as a painterly “pioneer” who discovered the semiurban lands surrounding downtown New York. Throughout his career, Lawson focused his attentions on the city’s half‐developed border, where colonial‐era farms, apartment blocks, tenements, and squatter shanties intermingled. These contradictory spaces were the material products of an uncoordinated and irregular process of urbanization driven b…

  • Violent Prophecies

    Ross Barrett•ARTICLE•American Art•2013

  • Oil Culture

    Allan Stoekl, Ross Barrett et al.•EDITOR•BOOK•Oil Culture•2015

  • Bursting the Bubble

    Ross Barrett•ARTICLE•American Art•2016

    This article examines John Quidor’s 1832 painting Money Diggers as a pictorial allegory of real estate speculation that engages the cultural discourses and material forces of the antebellum land market. As I show, Quidor was an active participant in that market: in the 1820s and 1830s, the artist speculated enthusiastically on land in the Illinois Military Tract, engineering a series of profitable deals that underwrote his tenuous career as an ar…

  • Landscape and Real Estate

    Ross Barrett•ARTICLE•American Art•2017

  • Landscape in American History

    Ross Barrett, Maggie M Cao et al.•ARTICLE•American Art•2017

  • Harnett’s Habit

    Ross Barrett•ARTICLE•American Art•2019

    Smoking held a prominent place in William Harnett’s private experience and painterly endeavors. Between 1875 and 1880 the artist composed dozens of small-scale still lifes that foregrounded smoking products and paraphernalia, and engaged the vibrant promotional culture that arose around tobacco after the Civil War. Aiming these pictures at respectable male viewers who were, like himself, immersed in this culture, Harnett shaped complicated accoun…

  • "Ross Barrett. Review of "Painting Dissent

    Open Access•Ross Barrett•ARTICLE•CAA Reviews•2023

  • Monuments to the “Memorable Gale”

    Ross Barrett•ARTICLE•The New England Quarterly•2024

    Reconstructing the controversy that arose around a proposed memorial to the Great September Gale—a Category 4 hurricane that battered Providence, Rhode Island in 1815—this essay explores the differing ways that public leaders and everyday citizens remembered the tropical storms that hit New England in the nineteenth century

  • Representing Oceanic New England

    Ross Barrett, Sari Edelstein•ARTICLE•The New England Quarterly•2024

    IN the winter of 2024, the long-buried wreck of the schooner Ada K. Damon—a fishing vessel that ran aground in 1909, broke up, and was eventually buried beneath layers of silt—re-emerged from beneath the sands on Crane Beach in Ipswich, Massachusetts. Dazzled by the vessel's sudden reappearance (after an especially dramatic king tide), local reporters described the wreck as a “surprise” and a “wild discovery.”1 Over the last twenty years, the Ada…

  • Sculpting the ‘Idea of Insurance’

    Open Access•Ross Barrett•ARTICLE•Oxford Art Journal•2024

    Journal Article Sculpting the 'Idea of Insurance': John Quincy Adams Ward's Protection Group and the Rise of the American Life Sector Get access Ross Barrett Ross Barrett Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 47, Issue 1, March 2024, Pages 95–115, https://doi.org/10.1093/oxartj/kcae004 Published: 17 June 2024 Article history Received: 07 March 2023 Revision received: 12 January 2024 Ed…

Art (10 works) · Art history (9 works) · Political science (9 works) · Law (8 works) · History (6 works) · American Environmental and Regional History (5 works) · Painting (5 works) · Visual arts (5 works) · Archaeology (3 works) · Performance art (3 works)

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