Sarah Elizabeth Lewis
Biographic Data
| ID | 3950791 |
|---|---|
| NAME | Sarah Elizabeth Lewis |
| GIVEN NAMES | Sarah Elizabeth |
| FAMILY NAME | Lewis |
| SIGNATURE | LEWIS S E |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Arena of Suspension: Carrie Mae Weems, Bryan Stevenson, and the “Ground” in the Stand Your Ground Law Era
How are artists, and how are disciplines in the arts, humanities and law, responding to the hyper-visuality of racial injustices on American ground? This article explores a set of “groundwork” tactics in the Stand Your Ground Era in the United States. Stand Your Ground laws, first established in 2005, define the right to self-defense, to claim the ground on which one stands if there is a perception of “reasonable threat.” The law disproportionate…
Visual studies questionnaire: How do you engage with the visual, and what is its importance in the twenty-first century
Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law
Mark Bradford, 150 Portrait Tone, 2017, mixed media on canvas, 20 ft. x 25 ft. 10 in. (6.1 x 7.9 m) (artwork © Mark Bradford; photograph by Joshua White, provided by the artist and Hauser & Wirth)
No prominent works on this page.
Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law
Mark Bradford, 150 Portrait Tone, 2017, mixed media on canvas, 20 ft. x 25 ft. 10 in. (6.1 x 7.9 m) (artwork © Mark Bradford; photograph by Joshua White, provided by the artist and Hauser & Wirth)
The Arena of Suspension: Carrie Mae Weems, Bryan Stevenson, and the “Ground” in the Stand Your Ground Law Era
How are artists, and how are disciplines in the arts, humanities and law, responding to the hyper-visuality of racial injustices on American ground? This article explores a set of “groundwork” tactics in the Stand Your Ground Era in the United States. Stand Your Ground laws, first established in 2005, define the right to self-defense, to claim the ground on which one stands if there is a perception of “reasonable threat.” The law disproportionate…
Visual studies questionnaire: How do you engage with the visual, and what is its importance in the twenty-first century
Art (2 works) · Common ground (2 works) · Participatory Visual Research Methods (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · American Environmental and Regional History (1 works) · Art history (1 works) · Chemistry (1 works) · Communication (1 works)