Amy Freund
Biographic Data
| ID | 3950820 |
|---|---|
| NAME | Amy Freund |
| GIVEN NAMES | Amy |
| FAMILY NAME | Freund |
| SIGNATURE | FREUND A |
| AFFILIATIONS | Southern Methodist University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Harping on patriotism: Female education meets Orléanist ambition in Jean-Antoine-Théodore Giroust’s The Harp Lesson (1791)
One of the largest and most striking submissions to the 1791 Salon, The Harp Lesson by Jean-Antoine-Théodore Giroust was an ambitious but spectacularly ill-timed intervention in Revolutionary politics. It emerged from Félicité de Genlis’ remarkable educational project for the children of the duc d’Orléans, especially Princess Adélaïde, which mixed bold ideas about gender and civic virtue with specific political ambition. This article situates the…
"Amy Freund. Review of "Enlightened Animals in Eighteenth-Century Art: "Sensation, Matter, and Knowledge" by Sarah R. Cohen
Reflections on Hecaa at 25: A Roundtable Discussion
Jeffrey CollinsElisabeth FraserElizabeth MansfieldAmelia RauserKristel Smentek & Wendy BellionParis Spies-GansNancy UmAmy Freund “Art and Architecture in the Long Eighteenth Century: HECAA at 25” was a conference held at Southern Methodist University, Dallas TX, November 1-4, 2018
Sexy Beasts: The Politics of Hunting Portraiture in Eighteenth‐Century France
Galatea’s Revenge
Sometime around 1735, the French artist Pierre Subleyras produced a salacious painting on a theme from Jean de La Fontaine’s Fables entitled The Packsaddle. It illustrates a tale of adultery. An artist, anxious about his wife’s fidelity, painted the figure of a donkey on her pubis that he hoped would prevent her from cuckolding him in his absence. The wife sleeps with one of his colleagues, rubbing off the painting; Subleyras depicts the moment a…
Stephen F. Eisenman, The Cry of Nature: Art and the Making of Animal Rights

Stephen F. Eisenman, The Cry of Nature: Art and the Making of Animal Rights

Galatea’s Revenge
Sometime around 1735, the French artist Pierre Subleyras produced a salacious painting on a theme from Jean de La Fontaine’s Fables entitled The Packsaddle. It illustrates a tale of adultery. An artist, anxious about his wife’s fidelity, painted the figure of a donkey on her pubis that he hoped would prevent her from cuckolding him in his absence. The wife sleeps with one of his colleagues, rubbing off the painting; Subleyras depicts the moment a…
Sexy Beasts: The Politics of Hunting Portraiture in Eighteenth‐Century France
Reflections on Hecaa at 25: A Roundtable Discussion
Jeffrey CollinsElisabeth FraserElizabeth MansfieldAmelia RauserKristel Smentek & Wendy BellionParis Spies-GansNancy UmAmy Freund “Art and Architecture in the Long Eighteenth Century: HECAA at 25” was a conference held at Southern Methodist University, Dallas TX, November 1-4, 2018
"Amy Freund. Review of "Enlightened Animals in Eighteenth-Century Art: "Sensation, Matter, and Knowledge" by Sarah R. Cohen
Harping on patriotism: Female education meets Orléanist ambition in Jean-Antoine-Théodore Giroust’s The Harp Lesson (1791)
One of the largest and most striking submissions to the 1791 Salon, The Harp Lesson by Jean-Antoine-Théodore Giroust was an ambitious but spectacularly ill-timed intervention in Revolutionary politics. It emerged from Félicité de Genlis’ remarkable educational project for the children of the duc d’Orléans, especially Princess Adélaïde, which mixed bold ideas about gender and civic virtue with specific political ambition. This article situates the…
Art (4 works) · Psychology (4 works) · Art history (3 works) · Philosophy (3 works) · Political science (3 works) · Aesthetics (2 works) · Historical Art and Culture Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Law (2 works) · Literature (2 works)