Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Alan Hughes

Biographic Data

ID3954680
NAMEAlan Hughes
GIVEN NAMESAlan
FAMILY NAMEHughes
SIGNATUREHUGHES A
AFFILIATIONSUniversity of Cambridge
ORCID0009-0004-5724-9066
VERIFIEDYes
TOTAL WORKS22
TOTAL CITATIONS85
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1924
LATEST PUBLICATION YEAR2021
H-INDEX4
  • Academic engagement

    Open Access•Markus Perkmann, Rossella Salandra et al.•ARTICLE•Research Policy•2021

    We provide a systematic review of the literature on academic engagement from 2011 onwards, which was the cut-off year of a previous review article published in Research Policy. Academic engagement refers to knowledge-related interactions of academic scientists with external organisations. It includes activities such as collaborative research with industry, contract research, consulting and informal ties. We consolidate what is known about the ind…

  • Academic engagement and commercialisation

    Open Access•Markus Perkmann, Valentina Tartari et al.•ARTICLE•Research Policy•2013

    A considerable body of work highlights the relevance of collaborative research, contract research, consulting and informal relationships for university–industry knowledge transfer. We present a systematic review of research on academic scientists’ involvement in these activities to which we refer as ‘academic engagement’. Apart from extracting findings that are generalisable across studies, we ask how academic engagement differs from commercialis…

  • Organisation structure and innovation performance in different environments

    Open Access•Andy Cosh, Xiaolan Fu et al.•ARTICLE•Small Business Economics•2012

  • Performing Greek Comedy

    Open Access•Alan Hughes•BOOK•Performing Greek Comedy•2011

    Alan Hughes presents a new complete account of production methods in Greek comedy. The book summarises contemporary research and disputes, on such topics as acting techniques, theatre buildings, masks and costumes, music and the chorus. Evidence is re-interpreted and traditional doctrine overthrown. Comedy is presented as the pan-Hellenic, visual art of theatre, not as Athenian literature. Recent discoveries in visual evidence are used to stimula…

  • Open innovation, the Haldane principle and the new production of knowledge

    Open Access•Alan Hughes•ARTICLE•Prometheus•2011

    The paper looks at the system of knowledge production and innovation in the UK from a Mode 2 perspective. It is critical of policy that focuses on science and engineering, on distinctions between basic and applied research, and that looks to notions of the entrepreneurial university. Extensive survey work of individual academics and UK firms reveals an extensive range of linkages between academics and industry, many personal rather than instituti…

  • Outside Enterpreneurial Capital

    Open Access•Andy Cosh, Douglas J Cummings et al.•ARTICLE•The Economic Journal•2009•Cited by: 14•References: 54

    This article investigates factors that affect rejection rates in applications for outside finance among different types of investors (banks, venture capital funds, leasing firms, factoring firms, trade customers and suppliers, partners and working shareholders, private individuals and other sources), taking into account the non-randomness in a firm's decision to seek outside finance. The data support the traditional pecking order theory. Further,…

  • Ai Dionysiazusai

    Open Access•Alan Hughes•ARTICLE•Bulletin of the Institute of…•2008

  • Entrepreneurship and Innovation Policy

    Open Access•Alan Hughes•ARTICLE•The Political Quarterly•2008•Cited by: 2

  • The Costumes of Old and Middle Comedy

    Open Access•Alan Hughes•ARTICLE•Bulletin of the Institute of…•2006

    THE COSTUMES OF OLD AND MIDDLE COMEDY Get access ALAN HUGHES ALAN HUGHES University of Victoria Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 49, Issue 1, December 2006, Pages 39–68, https://doi.org/10.1111/j.2041-5370.2006.tb00676.x Published: 12 March 2010

  • The ‘Perseus Dance’ Vase Revisited

    Open Access•Alan Hughes•ARTICLE•Oxford Journal of Archaeology•2006•Cited by: 17•References: 7

    For 70 years the image of an apparent comic actor performing on a simple stage has been known primarily from the drawing by Gilliéron. This paper is founded on the first direct study of the Vlasto chous since 1935. The author compares the vase with the drawing, showing that while scholars ought to have been sceptical of Gilliéron, he was reasonably accurate. Interpretations of the imagery from Caputo, who first studied the vase (1935), to Schmidt…

  • Comedy in Paestan vase painting

    Open Access•Alan Hughes•ARTICLE•Oxford Journal of Archaeology•2003•Cited by: 24•References: 5

    The ‘phlyax’ vases of magna graecia are now known to represent actors and staging of Middle Comedy. More than half of the comic vases dating from the third quarter of the fourth century BC were painted in Paestum by Asteas and his circle, who were influenced by the Sicilian Painter of Louvre K 240. This paper asks whether these painters worked from direct observation of the theatre; and if so, whether the vases are evidence for details of perform…

  • Finance for SMEs

    Open Access•Alan Hughes•ARTICLE•Small Business Economics•1997

  • Comparative Corporate Governance

    Open Access•Simon Deakin, Alan Hughes•ARTICLE•Journal of Law and Society•1997

  • The Changing Anatomy of Corporate Control and the Market for Executives in the United Kingdom

    Open Access•Andy Cosh, Alan Hughes•ARTICLE•Journal of Law and Society•1997

  • Comic Stages in Magna Graecia

    Open Access•Alan Hughes•ARTICLE•Theatre Research International•1996•Cited by: 27•References: 5

    It has long been believed that the style of comedy depicted on southern Italian vases of the fourth century BC was a local Italiote form called phylax . A. D. Trendall, the leading authority on the vases, has consistently taken the view that the plays were ‘impromptu’ performances, ‘in which light, movable sets could be used to indicate the required background’. It is not surprising that this has become accepted history: the vases, it is believed…

  • Age, Size, Growth and Survival

    Paul Dunne, Alan Hughes•ARTICLE•Journal of Industrial Economics•1994

    This paper examines growth and survival amongst quoted and unquoted U.K. companies in the period 1975-85 and compares the results with earlier U.K. and U.S. studies. An examination of death rates shows that smaller companies had higher death rates but the largest and smallest companies were least vulnerable to takeover. Careful attention is, therefore, paid to problems of sample selection bias. It is shown that smaller companies grew faster than …

  • The Rise and Fall of the Golden Age

    Andrew Glyn, Alan Hughes et al.•CHAPTER•The Golden Age of Capitalism•1992

    This chapter focuses on the six major OECD countries — France, Germany, Italy, Japan, United Kingdom, and United States — during the ‘golden age’ and its aftermath. It follows the ‘regulation’ approach invented by French economists such as Michel Aglietta, Robert Boyer, and Alain Lipietz, and developed as well by Americans such as David Gordon and Michael Piore. It highlights the emphasis on the interaction of internal and external forces, forces…

  • Policy Review Section

    J Mawson, Alan Hughes et al.•ARTICLE•Regional Studies•1991•References: 6

    In this Policy Review Section, Alan Hughes of the Small Business Research Centre, Cambridge University, examines trends in the small firm sector during the 1980s. A major part of the changes in the numbers of small firms in the UK manufacturing sector is shown to be the result of a change in the way the data are collected. Increases in the number of small businesses in manufacturing and the economy as a whole have been heavily concentrated in the…

  • Technical change and economic theory

    Open Access•Alan Hughes•ARTICLE•Futures•1990

  • Takeovers and the Stock Market

    Alan Hughes, Alan J Hughes et al.•ARTICLE•Contributions to Political Economy•1987

    Journal Article TAKEOVERS AND THE STOCK MARKET Get access ALAN HUGHES, ALAN HUGHES University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar AJIT SINGH AJIT SINGH University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar Contributions to Political Economy, Volume 6, Issue 1, March 1987, Pages 73–85, https://doi.org/10.1093/oxfordjournals.cpe.a035717 Published: 01 March …

  • Henry Irving, Shakespearean

    Daniel J Watermeier, Alan Hughes•ARTICLE•Theatre Journal•1982•Cited by: 1

  • Sixteenth century service music

    Alan Hughes•ARTICLE•Music and Letters•1924

  • Comic Stages in Magna Graecia

    Open Access•Alan Hughes•ARTICLE•Theatre Research International•1996•Cited by: 27•References: 5

    It has long been believed that the style of comedy depicted on southern Italian vases of the fourth century BC was a local Italiote form called phylax . A. D. Trendall, the leading authority on the vases, has consistently taken the view that the plays were ‘impromptu’ performances, ‘in which light, movable sets could be used to indicate the required background’. It is not surprising that this has become accepted history: the vases, it is believed…

  • Comedy in Paestan vase painting

    Open Access•Alan Hughes•ARTICLE•Oxford Journal of Archaeology•2003•Cited by: 24•References: 5

    The ‘phlyax’ vases of magna graecia are now known to represent actors and staging of Middle Comedy. More than half of the comic vases dating from the third quarter of the fourth century BC were painted in Paestum by Asteas and his circle, who were influenced by the Sicilian Painter of Louvre K 240. This paper asks whether these painters worked from direct observation of the theatre; and if so, whether the vases are evidence for details of perform…

  • The ‘Perseus Dance’ Vase Revisited

    Open Access•Alan Hughes•ARTICLE•Oxford Journal of Archaeology•2006•Cited by: 17•References: 7

    For 70 years the image of an apparent comic actor performing on a simple stage has been known primarily from the drawing by Gilliéron. This paper is founded on the first direct study of the Vlasto chous since 1935. The author compares the vase with the drawing, showing that while scholars ought to have been sceptical of Gilliéron, he was reasonably accurate. Interpretations of the imagery from Caputo, who first studied the vase (1935), to Schmidt…

  • Outside Enterpreneurial Capital

    Open Access•Andy Cosh, Douglas J Cummings et al.•ARTICLE•The Economic Journal•2009•Cited by: 14•References: 54

    This article investigates factors that affect rejection rates in applications for outside finance among different types of investors (banks, venture capital funds, leasing firms, factoring firms, trade customers and suppliers, partners and working shareholders, private individuals and other sources), taking into account the non-randomness in a firm's decision to seek outside finance. The data support the traditional pecking order theory. Further,…

  • Entrepreneurship and Innovation Policy

    Open Access•Alan Hughes•ARTICLE•The Political Quarterly•2008•Cited by: 2

  • Henry Irving, Shakespearean

    Daniel J Watermeier, Alan Hughes•ARTICLE•Theatre Journal•1982•Cited by: 1

  • Sixteenth century service music

    Alan Hughes•ARTICLE•Music and Letters•1924

  • Henry Irving, Shakespearean

    Daniel J Watermeier, Alan Hughes•ARTICLE•Theatre Journal•1982•Cited by: 1

  • Takeovers and the Stock Market

    Alan Hughes, Alan J Hughes et al.•ARTICLE•Contributions to Political Economy•1987

    Journal Article TAKEOVERS AND THE STOCK MARKET Get access ALAN HUGHES, ALAN HUGHES University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar AJIT SINGH AJIT SINGH University of Cambridge Search for other works by this author on: Oxford Academic Google Scholar Contributions to Political Economy, Volume 6, Issue 1, March 1987, Pages 73–85, https://doi.org/10.1093/oxfordjournals.cpe.a035717 Published: 01 March …

  • Technical change and economic theory

    Open Access•Alan Hughes•ARTICLE•Futures•1990

  • Policy Review Section

    J Mawson, Alan Hughes et al.•ARTICLE•Regional Studies•1991•References: 6

    In this Policy Review Section, Alan Hughes of the Small Business Research Centre, Cambridge University, examines trends in the small firm sector during the 1980s. A major part of the changes in the numbers of small firms in the UK manufacturing sector is shown to be the result of a change in the way the data are collected. Increases in the number of small businesses in manufacturing and the economy as a whole have been heavily concentrated in the…

  • The Rise and Fall of the Golden Age

    Andrew Glyn, Alan Hughes et al.•CHAPTER•The Golden Age of Capitalism•1992

    This chapter focuses on the six major OECD countries — France, Germany, Italy, Japan, United Kingdom, and United States — during the ‘golden age’ and its aftermath. It follows the ‘regulation’ approach invented by French economists such as Michel Aglietta, Robert Boyer, and Alain Lipietz, and developed as well by Americans such as David Gordon and Michael Piore. It highlights the emphasis on the interaction of internal and external forces, forces…

  • Age, Size, Growth and Survival

    Paul Dunne, Alan Hughes•ARTICLE•Journal of Industrial Economics•1994

    This paper examines growth and survival amongst quoted and unquoted U.K. companies in the period 1975-85 and compares the results with earlier U.K. and U.S. studies. An examination of death rates shows that smaller companies had higher death rates but the largest and smallest companies were least vulnerable to takeover. Careful attention is, therefore, paid to problems of sample selection bias. It is shown that smaller companies grew faster than …

  • Comic Stages in Magna Graecia

    Open Access•Alan Hughes•ARTICLE•Theatre Research International•1996•Cited by: 27•References: 5

    It has long been believed that the style of comedy depicted on southern Italian vases of the fourth century BC was a local Italiote form called phylax . A. D. Trendall, the leading authority on the vases, has consistently taken the view that the plays were ‘impromptu’ performances, ‘in which light, movable sets could be used to indicate the required background’. It is not surprising that this has become accepted history: the vases, it is believed…

  • Finance for SMEs

    Open Access•Alan Hughes•ARTICLE•Small Business Economics•1997

  • Comparative Corporate Governance

    Open Access•Simon Deakin, Alan Hughes•ARTICLE•Journal of Law and Society•1997

  • The Changing Anatomy of Corporate Control and the Market for Executives in the United Kingdom

    Open Access•Andy Cosh, Alan Hughes•ARTICLE•Journal of Law and Society•1997

  • Comedy in Paestan vase painting

    Open Access•Alan Hughes•ARTICLE•Oxford Journal of Archaeology•2003•Cited by: 24•References: 5

    The ‘phlyax’ vases of magna graecia are now known to represent actors and staging of Middle Comedy. More than half of the comic vases dating from the third quarter of the fourth century BC were painted in Paestum by Asteas and his circle, who were influenced by the Sicilian Painter of Louvre K 240. This paper asks whether these painters worked from direct observation of the theatre; and if so, whether the vases are evidence for details of perform…

  • The Costumes of Old and Middle Comedy

    Open Access•Alan Hughes•ARTICLE•Bulletin of the Institute of…•2006

    THE COSTUMES OF OLD AND MIDDLE COMEDY Get access ALAN HUGHES ALAN HUGHES University of Victoria Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 49, Issue 1, December 2006, Pages 39–68, https://doi.org/10.1111/j.2041-5370.2006.tb00676.x Published: 12 March 2010

  • The ‘Perseus Dance’ Vase Revisited

    Open Access•Alan Hughes•ARTICLE•Oxford Journal of Archaeology•2006•Cited by: 17•References: 7

    For 70 years the image of an apparent comic actor performing on a simple stage has been known primarily from the drawing by Gilliéron. This paper is founded on the first direct study of the Vlasto chous since 1935. The author compares the vase with the drawing, showing that while scholars ought to have been sceptical of Gilliéron, he was reasonably accurate. Interpretations of the imagery from Caputo, who first studied the vase (1935), to Schmidt…

  • Ai Dionysiazusai

    Open Access•Alan Hughes•ARTICLE•Bulletin of the Institute of…•2008

  • Entrepreneurship and Innovation Policy

    Open Access•Alan Hughes•ARTICLE•The Political Quarterly•2008•Cited by: 2

  • Outside Enterpreneurial Capital

    Open Access•Andy Cosh, Douglas J Cummings et al.•ARTICLE•The Economic Journal•2009•Cited by: 14•References: 54

    This article investigates factors that affect rejection rates in applications for outside finance among different types of investors (banks, venture capital funds, leasing firms, factoring firms, trade customers and suppliers, partners and working shareholders, private individuals and other sources), taking into account the non-randomness in a firm's decision to seek outside finance. The data support the traditional pecking order theory. Further,…

  • Performing Greek Comedy

    Open Access•Alan Hughes•BOOK•Performing Greek Comedy•2011

    Alan Hughes presents a new complete account of production methods in Greek comedy. The book summarises contemporary research and disputes, on such topics as acting techniques, theatre buildings, masks and costumes, music and the chorus. Evidence is re-interpreted and traditional doctrine overthrown. Comedy is presented as the pan-Hellenic, visual art of theatre, not as Athenian literature. Recent discoveries in visual evidence are used to stimula…

  • Open innovation, the Haldane principle and the new production of knowledge

    Open Access•Alan Hughes•ARTICLE•Prometheus•2011

    The paper looks at the system of knowledge production and innovation in the UK from a Mode 2 perspective. It is critical of policy that focuses on science and engineering, on distinctions between basic and applied research, and that looks to notions of the entrepreneurial university. Extensive survey work of individual academics and UK firms reveals an extensive range of linkages between academics and industry, many personal rather than instituti…

  • Organisation structure and innovation performance in different environments

    Open Access•Andy Cosh, Xiaolan Fu et al.•ARTICLE•Small Business Economics•2012

  • Academic engagement and commercialisation

    Open Access•Markus Perkmann, Valentina Tartari et al.•ARTICLE•Research Policy•2013

    A considerable body of work highlights the relevance of collaborative research, contract research, consulting and informal relationships for university–industry knowledge transfer. We present a systematic review of research on academic scientists’ involvement in these activities to which we refer as ‘academic engagement’. Apart from extracting findings that are generalisable across studies, we ask how academic engagement differs from commercialis…

  • Academic engagement

    Open Access•Markus Perkmann, Rossella Salandra et al.•ARTICLE•Research Policy•2021

    We provide a systematic review of the literature on academic engagement from 2011 onwards, which was the cut-off year of a previous review article published in Research Policy. Academic engagement refers to knowledge-related interactions of academic scientists with external organisations. It includes activities such as collaborative research with industry, contract research, consulting and informal ties. We consolidate what is known about the ind…

Economics (10 works) · History (9 works) · Art (8 works) · Business (8 works) · Political science (7 works) · Sociology (7 works) · History (6 works) · Literature (6 works) · Art history (5 works) · Comedy (5 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae