Terence Dawson
Biographic Data
| ID | 3955772 |
|---|---|
| NAME | Terence Dawson |
| GIVEN NAMES | Terence |
| FAMILY NAME | Dawson |
| SIGNATURE | DAWSON T |
| AFFILIATIONS | Nanyang Technological University |
| ORCID | 0000-0002-5826-1882 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Who gets to eat wild fish and meat? A socially disaggregated analysis of wild animal consumption across diverse rural environments in five countries of the Global South
Wild fish and meat (WFM) are vital provisioning ecosystem services in tropical regions, supporting food security, livelihoods, and cultural identity. Yet their use increasingly intersects with conservation and nutrition challenges amid rapid social and ecological change. Actors engaged in WFM span a wide spectrum, from rural subsistence consumers to commercial harvesters and urban consumers for whom WFM represents a luxury good. Understanding thi…
Literature and psychoanalysis
In his introduction, Jeremy Tambling writes: “Freud needs attention for what he says about literature, and enables some exciting ways of considering it.” Frustratingly, this is as close as we get t
Giovanni Bellini, the San Giobbe Altarpiece, and the imitatio Christi
This article explores some of the unexplored details of Giovanni Bellini's rightly famous altarpiece for San Giobbe: the choice of the six saints depicted, the emphasis on the gaze of each, the unusual expression of the Christ-child, the curious gesture that the Madonna makes with her left hand, and the function of the eye-catching angel-musicians. Its purpose is to illustrate Jung's insistence that one should “stick” with the image, to suggest t…
War Trauma and English Modernism
The outpouring of poetry composed in Britain between 1914 and 1915 opened up a tension between two very different schools. On the one hand were the British Modernists, poets and writers not only we
Re-Symbolization of the Self
Re-Symbolization of the Self: Human Development and Tarot Hermeneutic." The European Legacy, 19(1), pp. 112–113
Spanish Paintings of the Fifteenth through Nineteenth Centuries
Reflections on a Jungian Approach
How and Why We Still Read Jung, edited by Jean Kirsch and Murray Stein, has eleven chapters written by many of the most prominent Jungians of the day. Contributors were asked to write about how and why they continue to read Jung's work and to emphasize their own perspective. It may be the first time in which analysts and academics truly speak the same language and explore the same concern: the relation between their interest in Jung and how ampli…
“A Firm Perswasion”
Scholars have argued that William Blake's The Marriage of Heaven and Hell (begun in 1790) is principally about its author's understanding of God. This article, based on plates 22 to 24 and 12 to 13, argues that it illustrates how Blake integrates and takes responsibility for his imago dei and how he associates this imago with art. It also explores the degree to which his views depend on inner conviction—a “firm perswasion”—and the very real dange…
Here I Stand
William Blake’s The Marriage of Heaven and Hell (begun 1790) has been described as the “greatest of his polemical works,” the one in which “he enters fully into the kingdom of his own thought and art” (Bloom 1961). This article offers a fresh explanation for why this might be so. It is based on the findings of Joseph Viscomi (1997), who argues that Blake etched plates 21-24 before any other section of the text and, very probably, as an independen…
Myth and the creative imagination in The Book of Urizen
William Blake is best known and admired for Songs of Innocence and Experience . The same year as he completed it, he also published the earliest in his series of so-called ‘prophetic books’ that explore creation. Etched in double columns in imitation of the Bible, The First Book of Urizen (1794) is about the creation of earth, the first female, her son and his near sacrifice and what humankind lost when separated forever from Eternity. It tells o…
Textual Intersections
The Orpheus complex
This paper examines the possible psychological implications of two adaptations of the myth of Orpheus and Eurydice, both of which were completed in 1997. The first is by a man: 'Deconstructing Harry', a film by Woody Allen. The second is by a woman: 'Eurydice in the Underworld', a short story written by Kathy Acker in the last year of her life. The paper argues that there are only four 'necessary events' in the myth of Orpheus and Eurydice. It de…
The Orpheus complex
This paper examines the possible psychological implications of two adaptations of the myth of Orpheus and Eurydice, both of which were completed in 1997. The first is by a man: 'Deconstructing Harry', a film by Woody Allen. The second is by a woman: 'Eurydice in the Underworld', a short story written by Kathy Acker in the last year of her life. The paper argues that there are only four 'necessary events' in the myth of Orpheus and Eurydice. It de…
The Orpheus complex
This paper examines the possible psychological implications of two adaptations of the myth of Orpheus and Eurydice, both of which were completed in 1997. The first is by a man: 'Deconstructing Harry', a film by Woody Allen. The second is by a woman: 'Eurydice in the Underworld', a short story written by Kathy Acker in the last year of her life. The paper argues that there are only four 'necessary events' in the myth of Orpheus and Eurydice. It de…
Here I Stand
William Blake’s The Marriage of Heaven and Hell (begun 1790) has been described as the “greatest of his polemical works,” the one in which “he enters fully into the kingdom of his own thought and art” (Bloom 1961). This article offers a fresh explanation for why this might be so. It is based on the findings of Joseph Viscomi (1997), who argues that Blake etched plates 21-24 before any other section of the text and, very probably, as an independen…
Myth and the creative imagination in The Book of Urizen
William Blake is best known and admired for Songs of Innocence and Experience . The same year as he completed it, he also published the earliest in his series of so-called ‘prophetic books’ that explore creation. Etched in double columns in imitation of the Bible, The First Book of Urizen (1794) is about the creation of earth, the first female, her son and his near sacrifice and what humankind lost when separated forever from Eternity. It tells o…
Textual Intersections
Reflections on a Jungian Approach
How and Why We Still Read Jung, edited by Jean Kirsch and Murray Stein, has eleven chapters written by many of the most prominent Jungians of the day. Contributors were asked to write about how and why they continue to read Jung's work and to emphasize their own perspective. It may be the first time in which analysts and academics truly speak the same language and explore the same concern: the relation between their interest in Jung and how ampli…
“A Firm Perswasion”
Scholars have argued that William Blake's The Marriage of Heaven and Hell (begun in 1790) is principally about its author's understanding of God. This article, based on plates 22 to 24 and 12 to 13, argues that it illustrates how Blake integrates and takes responsibility for his imago dei and how he associates this imago with art. It also explores the degree to which his views depend on inner conviction—a “firm perswasion”—and the very real dange…
Giovanni Bellini, the San Giobbe Altarpiece, and the imitatio Christi
This article explores some of the unexplored details of Giovanni Bellini's rightly famous altarpiece for San Giobbe: the choice of the six saints depicted, the emphasis on the gaze of each, the unusual expression of the Christ-child, the curious gesture that the Madonna makes with her left hand, and the function of the eye-catching angel-musicians. Its purpose is to illustrate Jung's insistence that one should “stick” with the image, to suggest t…
War Trauma and English Modernism
The outpouring of poetry composed in Britain between 1914 and 1915 opened up a tension between two very different schools. On the one hand were the British Modernists, poets and writers not only we
Re-Symbolization of the Self
Re-Symbolization of the Self: Human Development and Tarot Hermeneutic." The European Legacy, 19(1), pp. 112–113
Spanish Paintings of the Fifteenth through Nineteenth Centuries
Literature and psychoanalysis
In his introduction, Jeremy Tambling writes: “Freud needs attention for what he says about literature, and enables some exciting ways of considering it.” Frustratingly, this is as close as we get t
Who gets to eat wild fish and meat? A socially disaggregated analysis of wild animal consumption across diverse rural environments in five countries of the Global South
Wild fish and meat (WFM) are vital provisioning ecosystem services in tropical regions, supporting food security, livelihoods, and cultural identity. Yet their use increasingly intersects with conservation and nutrition challenges amid rapid social and ecological change. Actors engaged in WFM span a wide spectrum, from rural subsistence consumers to commercial harvesters and urban consumers for whom WFM represents a luxury good. Understanding thi…
Art (10 works) · Philosophy (7 works) · Art history (6 works) · Psychoanalysis (6 works) · Psychology (6 works) · Epistemology (4 works) · Literature (4 works) · Computer Science (3 works) · History (3 works) · Moravian Church and William Blake (3 works)