Justin Patch
Biographic Data
| ID | 3955862 |
|---|---|
| NAME | Justin Patch |
| GIVEN NAMES | Justin |
| FAMILY NAME | Patch |
| SIGNATURE | PATCH J |
| AFFILIATIONS | Vassar College |
| ORCID | 0009-0000-5636-0783 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Metallica, Napster and the Transformation of Subcultural Capital
On June 1, 1999, Napster went live, ushering in profound changes in the music industry and consumer behavior. The new software popularized peer-to-peer (p2p) file sharing, which enabled those running the software to search and download files from the hard drives of other PCs on the system. Within months, there were millions of songs available for download from computers around the world. In April, on the heels of a law suit by the Recording Indus…
Metallica, Napster, and the Transformation of Subcultural Capital
Re-Making Sound: An Experiential Approach to Sound Studies
Re-Making Sound is concise and flexible primer to sound studies. It takes students through six ways of conceptualizing sound and its links to other social phenomena: soundscapes; noise; sound and semiotics of the voice; sound and/through/in text; background sound/sound design; and sound art. Each chapter summarizes the history and scholarly theoretical underpinnings of these areas and concludes with a student activity that concretizes the histori…
Why do we listen (to pop music)?: Patch
Making sense of 2016: Perspectives on popular music and the presidential campaigns
Representational Bind: Why Campaign Music Often Fails
Research Article| December 01 2017 Representational Bind: Why Campaign Music Often Fails Justin Patch Justin Patch Justin Patch is a visiting assistant professor of music at Vassar College. His research focuses on the auditory culture of contemporary politics and political campaigns in the United States, sound studies, and critical issues in ethnographic research and humanities education. His work has appeared in Soundings, the European Legacy, I…
Notes on Deconstructing the Populism: Music on the Campaign Trail, 2012 and 2016
Research Article| October 01 2016 Notes on Deconstructing the Populism: Music on the Campaign Trail, 2012 and 2016 Justin Patch Justin Patch Justin Patch is currently a visiting assistant professor in music at Vassar College. He earned his Ph.D. in ethnomusicology from the University of Texas at Austin, where he wrote a dissertation on theories of auditory culture in political campaigns. His writings concern the interplay of institution, sound, a…
The Song of the Sirens and the Non-Transcendental
Over the past three decades the ethnographic-based human sciences (anthropology, social linguistics, ethnomusicology, sociology, etc.) have come under heavy scrutiny for the perpetuation of injustice and inequality, and a lack of sensitivity to indigenous epistemologies and material needs. Among the nefarious epistemological issues is that of “transcendental knowledge,” information that is presented as “fact” or through impervious narrative in th…
The Art of Noise: Hearing, Feeling and Experiencing the Sound of Democracy
Research Article| December 01 2009 THE ART OF NOISE: Hearing, Feeling and Experiencing the Sound of Democracy Justin Patch Justin Patch Search for other works by this author on: This Site Google Soundings: An Interdisciplinary Journal (2009) 92 (3-4): 303–329. https://doi.org/10.2307/41179250 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Justin Patch; THE ART OF NOISE: Hearing, Feeling and Experiencing the Sound of Demo…
No prominent works on this page.
The Art of Noise: Hearing, Feeling and Experiencing the Sound of Democracy
Research Article| December 01 2009 THE ART OF NOISE: Hearing, Feeling and Experiencing the Sound of Democracy Justin Patch Justin Patch Search for other works by this author on: This Site Google Soundings: An Interdisciplinary Journal (2009) 92 (3-4): 303–329. https://doi.org/10.2307/41179250 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Justin Patch; THE ART OF NOISE: Hearing, Feeling and Experiencing the Sound of Demo…
The Song of the Sirens and the Non-Transcendental
Over the past three decades the ethnographic-based human sciences (anthropology, social linguistics, ethnomusicology, sociology, etc.) have come under heavy scrutiny for the perpetuation of injustice and inequality, and a lack of sensitivity to indigenous epistemologies and material needs. Among the nefarious epistemological issues is that of “transcendental knowledge,” information that is presented as “fact” or through impervious narrative in th…
Notes on Deconstructing the Populism: Music on the Campaign Trail, 2012 and 2016
Research Article| October 01 2016 Notes on Deconstructing the Populism: Music on the Campaign Trail, 2012 and 2016 Justin Patch Justin Patch Justin Patch is currently a visiting assistant professor in music at Vassar College. He earned his Ph.D. in ethnomusicology from the University of Texas at Austin, where he wrote a dissertation on theories of auditory culture in political campaigns. His writings concern the interplay of institution, sound, a…
Why do we listen (to pop music)?: Patch
Making sense of 2016: Perspectives on popular music and the presidential campaigns
Representational Bind: Why Campaign Music Often Fails
Research Article| December 01 2017 Representational Bind: Why Campaign Music Often Fails Justin Patch Justin Patch Justin Patch is a visiting assistant professor of music at Vassar College. His research focuses on the auditory culture of contemporary politics and political campaigns in the United States, sound studies, and critical issues in ethnographic research and humanities education. His work has appeared in Soundings, the European Legacy, I…
Re-Making Sound: An Experiential Approach to Sound Studies
Re-Making Sound is concise and flexible primer to sound studies. It takes students through six ways of conceptualizing sound and its links to other social phenomena: soundscapes; noise; sound and semiotics of the voice; sound and/through/in text; background sound/sound design; and sound art. Each chapter summarizes the history and scholarly theoretical underpinnings of these areas and concludes with a student activity that concretizes the histori…
Metallica, Napster, and the Transformation of Subcultural Capital
Metallica, Napster and the Transformation of Subcultural Capital
On June 1, 1999, Napster went live, ushering in profound changes in the music industry and consumer behavior. The new software popularized peer-to-peer (p2p) file sharing, which enabled those running the software to search and download files from the hard drives of other PCs on the system. Within months, there were millions of songs available for download from computers around the world. In April, on the heels of a law suit by the Recording Indus…
Music History and Culture (7 works) · Computer Science (6 works) · Art (5 works) · Diverse Musicological Studies (5 works) · Library science (5 works) · Citation (4 works) · Law (4 works) · Political science (4 works) · Icon (3 works) · Literature (3 works)