Gerald Seaman
Datos Biográficos
| ID | 3955875 |
|---|---|
| NOMBRE | Gerald Seaman |
| NOMBRES | Gerald |
| APELLIDO | Seaman |
| FIRMA | SEAMAN G |
| AFILIACIONES | a University of Auckland, New Zealand |
| VERIFICADO | No |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1959 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2015 |
| ÍNDICE H | 1 |
Desire and Pleasure in Seventeenth-Century Music
As Susan McClary, Professor of Music at Case Western Reserve University, states in the “Prelude” to her book, “Desire and Pleasure in Seventeenth-Century Music focuses on the 1600s, and my principa
On Russian Music
By Richard Taruskin (Berkeley, CA: University of California Press, 2009), ii + 407 pp. $24.95/£16.95 paper. Richard Taruskin is widely regarded as one of the world’s leading authorities on Russian
Les Vœux du faisan, noblesse en fête, esprit de croisade
The Gothic Enterprise
Wagner. Race and revolution
(1995). Wagner. Race and revolution. History of European Ideas: Vol. 21, No. 1, pp. 144-144
A question of identity
Si la premiere composition musicale neo-zelandaise a ete ecrite par un Australien (A. Hill) a la fin du 19 eme siecle, les compositeurs indigenes sont de plus en plus nombreux. Parmi eux, D. G. Lilburn qui composa de la musique electronique. Dans les annees 1970, 2 camps se dessinent : celui qui favorise les instruments traditionnels et celui qui fait appel a l'electronique
Schoenberg and the new music
Music and the Russian revolution
The power of music as a force affecting human behaviour has been recognised universally since time immemorial. In ancient Egypt music was a property belonging to the gods themselves, a power that was used not only to communicate with the divine, but one which itself contained ethical properties which were used to formulate the aesthetic outlook of the people. Egyptian thought in turn influenced Hellenic ideals, Aristotle holding that, since music…
Music periodical literature and the French revolution
Aspects of Wagner
Voices and instruments of the middle ages. Instrumental practice and songs in France 1100–1300
A History of Russian-Soviet Music
Amateur Music-Making in Russia
AMATEUR MUSIC-MAKING IN RUSSIA Get access GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 3, July 1966, Pages 249–259, https://doi.org/10.1093/ml/47.3.249 Published: 01 July 1966
A Musician in India
The National Element in Early Russian Opera, 1779–1800
THE NATIONAL ELEMENT IN EARLY RUSSIAN OPERA, 1779–1800 Get access GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 42, Issue 3, July 1961, Pages 252–262, https://doi.org/10.1093/ml/42.3.252 Published: 01 July 1961
Handel in Russia
Russian Folksong in the Eighteenth Century
RUSSIAN FOLKSONG IN THE EIGHTEENTH CENTURY GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XL, Issue 7, July 1959, Pages 253–260, https://doi.org/10.1093/ml/XL.7.253 Published: 01 July 1959
Amateur Music-Making in Russia
AMATEUR MUSIC-MAKING IN RUSSIA Get access GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 3, July 1966, Pages 249–259, https://doi.org/10.1093/ml/47.3.249 Published: 01 July 1966
Handel in Russia
Russian Folksong in the Eighteenth Century
RUSSIAN FOLKSONG IN THE EIGHTEENTH CENTURY GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XL, Issue 7, July 1959, Pages 253–260, https://doi.org/10.1093/ml/XL.7.253 Published: 01 July 1959
The National Element in Early Russian Opera, 1779–1800
THE NATIONAL ELEMENT IN EARLY RUSSIAN OPERA, 1779–1800 Get access GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 42, Issue 3, July 1961, Pages 252–262, https://doi.org/10.1093/ml/42.3.252 Published: 01 July 1961
A Musician in India
Amateur Music-Making in Russia
AMATEUR MUSIC-MAKING IN RUSSIA Get access GERALD SEAMAN GERALD SEAMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 3, July 1966, Pages 249–259, https://doi.org/10.1093/ml/47.3.249 Published: 01 July 1966
A History of Russian-Soviet Music
Music and the Russian revolution
The power of music as a force affecting human behaviour has been recognised universally since time immemorial. In ancient Egypt music was a property belonging to the gods themselves, a power that was used not only to communicate with the divine, but one which itself contained ethical properties which were used to formulate the aesthetic outlook of the people. Egyptian thought in turn influenced Hellenic ideals, Aristotle holding that, since music…
Music periodical literature and the French revolution
Aspects of Wagner
Voices and instruments of the middle ages. Instrumental practice and songs in France 1100–1300
Schoenberg and the new music
A question of identity
Si la premiere composition musicale neo-zelandaise a ete ecrite par un Australien (A. Hill) a la fin du 19 eme siecle, les compositeurs indigenes sont de plus en plus nombreux. Parmi eux, D. G. Lilburn qui composa de la musique electronique. Dans les annees 1970, 2 camps se dessinent : celui qui favorise les instruments traditionnels et celui qui fait appel a l'electronique
Wagner. Race and revolution
(1995). Wagner. Race and revolution. History of European Ideas: Vol. 21, No. 1, pp. 144-144
Les Vœux du faisan, noblesse en fête, esprit de croisade
The Gothic Enterprise
On Russian Music
By Richard Taruskin (Berkeley, CA: University of California Press, 2009), ii + 407 pp. $24.95/£16.95 paper. Richard Taruskin is widely regarded as one of the world’s leading authorities on Russian
Desire and Pleasure in Seventeenth-Century Music
As Susan McClary, Professor of Music at Case Western Reserve University, states in the “Prelude” to her book, “Desire and Pleasure in Seventeenth-Century Music focuses on the 1600s, and my principa
Art (13 obras) · History (11 obras) · Political science (8 obras) · History (5 obras) · Literature (5 obras) · Sociology (4 obras) · Art history (3 obras) · Classics (3 obras) · Diverse Musicological Studies (3 obras) · Economic history (3 obras)