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Lee Bernstein

Biographic Data

ID3956859
NAMELee Bernstein
GIVEN NAMESLee
FAMILY NAMEBernstein
SIGNATUREBERNSTEIN L
AFFILIATIONSSUNY New Paltz
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS3
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Does the number of response options matter? Psychometric perspectives using personality questionnaire data.

    Open Access•Leonard J Simms, Kerry Zelazny et al.•ARTICLE•Psychological Assessment•2019

    Psychological tests typically include a response scale whose purpose it is to organize and constrain the options available to respondents and facilitate scoring. One such response scale is the Likert scale, which initially was introduced to have a specific 5-point form. In practice, such scales have varied considerably in the nature and number of response options. However, relatively little consensus exists regarding several questions that have e…

  • Prison Writers and the Black Arts Movement

    Lee Bernstein•CHAPTER•New Thoughts on the Black Arts…•2019

  • Blood in the water

    Lee Bernstein•REVIEW•The Sixties•2017

    Blood in the water: the Attica Prison uprising of 1971 and its legacy." The Sixties, 10(2), pp. 262–263

  • Captive Nation

    Lee Bernstein•ARTICLE•The Black Scholar•2015

    Captive Nation comes to us at a time of renewed attention to the profound impact of police and vigilante violence on African Americans. The string of fatal shootings of unarmed Black women and men

  • The Hudson River School of Incarceration

    Lee Bernstein•ARTICLE•American Nineteenth Century History•2013

    New York's Sing Sing Prison's first two decades coincided with the emergence of the Hudson River School of Painting. The differences between the two were dramatic: the Hudson River School emphasized an idealized “natural magnificence” whereas the prison extracted silent, profitable labor through routine beatings. Tourists and other visitors to the prison struggled to reconcile their expectations of the Hudson River with what they witnessed in the…

  • America Is the Prison

    Lee Bernstein, L A Bernstein•BOOK•America Is the Prison•2010

    In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. This book explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's …

  • Mobsters, Unions, and Feds

    Lee Bernstein•ARTICLE•Labor Studies in Working-Class…•2007•Cited by: 3

  • The Age of Jackson

    Open Access•Lee Bernstein•ARTICLE•The Journal of American Culture•2007•References: 3

  • Mobsters, Unions, and Feds

    Lee Bernstein•ARTICLE•Labor Studies in Working-Class…•2007•Cited by: 3

  • Mobsters, Unions, and Feds

    Lee Bernstein•ARTICLE•Labor Studies in Working-Class…•2007•Cited by: 3

  • The Age of Jackson

    Open Access•Lee Bernstein•ARTICLE•The Journal of American Culture•2007•References: 3

  • America Is the Prison

    Lee Bernstein, L A Bernstein•BOOK•America Is the Prison•2010

    In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. This book explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's …

  • The Hudson River School of Incarceration

    Lee Bernstein•ARTICLE•American Nineteenth Century History•2013

    New York's Sing Sing Prison's first two decades coincided with the emergence of the Hudson River School of Painting. The differences between the two were dramatic: the Hudson River School emphasized an idealized “natural magnificence” whereas the prison extracted silent, profitable labor through routine beatings. Tourists and other visitors to the prison struggled to reconcile their expectations of the Hudson River with what they witnessed in the…

  • Captive Nation

    Lee Bernstein•ARTICLE•The Black Scholar•2015

    Captive Nation comes to us at a time of renewed attention to the profound impact of police and vigilante violence on African Americans. The string of fatal shootings of unarmed Black women and men

  • Blood in the water

    Lee Bernstein•REVIEW•The Sixties•2017

    Blood in the water: the Attica Prison uprising of 1971 and its legacy." The Sixties, 10(2), pp. 262–263

  • Does the number of response options matter? Psychometric perspectives using personality questionnaire data.

    Open Access•Leonard J Simms, Kerry Zelazny et al.•ARTICLE•Psychological Assessment•2019

    Psychological tests typically include a response scale whose purpose it is to organize and constrain the options available to respondents and facilitate scoring. One such response scale is the Likert scale, which initially was introduced to have a specific 5-point form. In practice, such scales have varied considerably in the nature and number of response options. However, relatively little consensus exists regarding several questions that have e…

  • Prison Writers and the Black Arts Movement

    Lee Bernstein•CHAPTER•New Thoughts on the Black Arts…•2019

Political science (6 works) · Sociology (6 works) · Criminology (5 works) · Prison (5 works) · Race, History, and American Society (4 works) · Law (3 works) · Law (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works)

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