Richard Gough
Biographic Data
| ID | 3956870 |
|---|---|
| NAME | Richard Gough |
| GIVEN NAMES | Richard |
| FAMILY NAME | Gough |
| SIGNATURE | GOUGH R |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1789 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Food, Performance, and Hunger
Slow Fade to Blackout
This issue of Performance Research was intended to be the last I would edit in my capacity as General Editor of the journal, a term of office that has spanned thirty-three years (including the thre
Food, Performance and Hunger
In December 2020 Jazmin Badong Llana, already in the process of planning the twenty-seventh Performance Studies international conference (PSi #27: 2022), contacted me as she wished to begin a discu
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)
Holding Breath
Looking Back with Orpheus
Tribute to Mike Pearson Non omnis moriar (Not all of me will die)
Difficult Dialogue Between Artists and Academics/Scholars
Richard Gough: I’m going to begin with a question that relates to the Berlin research centre and I would like to hear what your view is on the usefulness and efficacy of ‘interweaving performance c
New Every Day
Richard Gough: Aram, you grew up in Istanbul, Turkey, within an Armenian community, and you have lived most of your life in Paris, France – two great cosmopolitan and multicultural cities celebrati
The Forme of Cury
Sir Geoffrey Luttrell at table – Luttrell Psalter (c. 1325–35). Held and digitised by the British Library: Public Domain available under Creative Commons.Although these pages are going to explore v
Utopian Training
Canvases and Frames
Performance Lands, Waters and Skies by Nikhil Chopra, Metropolitan Museum of Art, New York. 12–20 September 2019. Costume: Loise Braganza. Production Design: Ayesha Punvani, Set Design: Michael Van
On Profound Loss and Emptiness
Κρίνει φίλους ο καιρός, ως χρυσόν το πυρ.Time tests friends, like fire tests gold.Menander, Ancient Greek (New Comedy) dramatist (fourth century BC)It is with great sadness that we must announce th
Creating Nothing
Tempered by Breath
Portrait of Phillip Zarrilli courtesy of Nordland TheaterAs I sit down to write this tribute, I hold my much-cherished copy of Phillip Zarrilli’s The Kathakali Complex in my hands; the spine is bro
Braiding with Time
Anuradha Kapur. Photo Madhu Kapparath, Forbes/IndiaRichard Gough: Anuradha, what, in your view, is the efficacy of the term ‘interweaving performance cultures’, as distinct from ‘intercultural’ or
Interweaving Performance Cultures
Richard Gough: What in your view is the usefulness or efficacy of ‘interweaving performance cultures’ as a term, as a category, a strategy, or a provocation, distinct from ‘intercultural’? And I wo
The Antiquities and Memoirs of the Parish of Myddle, County of Salop
The author of this work, written in 1700–1 but not published until the nineteenth century, is sometimes confused with his later namesake, the antiquarian Richard Gough (1735–1809), though they are not in fact related. Richard Gough of Myddle in Shropshire (baptised 1635, died 1723) was a farmer and also acted as a land steward. This book on the history of his parish and the families living in it was not apparently intended for publication. Howeve…
Antiquities and Memoirs of the Parish of Myddle, County of Salop
Anecdotes of British Topography
XXXVIII. A Charter of Barnwell Priory, from the Original in the Possession of Richard Gough, Esq
The date of this charter, the 13th of Henry III. 1229, is between 1217, when Henry III. began his reign, and 1246, when Walter Mauclere, bishop of Carlisle, one of the subscribing bishops, died
XXIV. Description of the old Font in the Church of East Meon, Hampshire, 1789
The two drawings which accompany this paper represent the general view and four sides of a singular and very antient font in the church of East Meon in Hampshire. The two villages of the name of Meon now distinguished by East and West , were in the Confessor and Conqueror's time, known by the general name of Mene or Menes , and gave their name to this hundred
No prominent works on this page.
XXXVIII. A Charter of Barnwell Priory, from the Original in the Possession of Richard Gough, Esq
The date of this charter, the 13th of Henry III. 1229, is between 1217, when Henry III. began his reign, and 1246, when Walter Mauclere, bishop of Carlisle, one of the subscribing bishops, died
XXIV. Description of the old Font in the Church of East Meon, Hampshire, 1789
The two drawings which accompany this paper represent the general view and four sides of a singular and very antient font in the church of East Meon in Hampshire. The two villages of the name of Meon now distinguished by East and West , were in the Confessor and Conqueror's time, known by the general name of Mene or Menes , and gave their name to this hundred
Anecdotes of British Topography
The Antiquities and Memoirs of the Parish of Myddle, County of Salop
The author of this work, written in 1700–1 but not published until the nineteenth century, is sometimes confused with his later namesake, the antiquarian Richard Gough (1735–1809), though they are not in fact related. Richard Gough of Myddle in Shropshire (baptised 1635, died 1723) was a farmer and also acted as a land steward. This book on the history of his parish and the families living in it was not apparently intended for publication. Howeve…
Antiquities and Memoirs of the Parish of Myddle, County of Salop
Difficult Dialogue Between Artists and Academics/Scholars
Richard Gough: I’m going to begin with a question that relates to the Berlin research centre and I would like to hear what your view is on the usefulness and efficacy of ‘interweaving performance c
New Every Day
Richard Gough: Aram, you grew up in Istanbul, Turkey, within an Armenian community, and you have lived most of your life in Paris, France – two great cosmopolitan and multicultural cities celebrati
The Forme of Cury
Sir Geoffrey Luttrell at table – Luttrell Psalter (c. 1325–35). Held and digitised by the British Library: Public Domain available under Creative Commons.Although these pages are going to explore v
Utopian Training
Canvases and Frames
Performance Lands, Waters and Skies by Nikhil Chopra, Metropolitan Museum of Art, New York. 12–20 September 2019. Costume: Loise Braganza. Production Design: Ayesha Punvani, Set Design: Michael Van
On Profound Loss and Emptiness
Κρίνει φίλους ο καιρός, ως χρυσόν το πυρ.Time tests friends, like fire tests gold.Menander, Ancient Greek (New Comedy) dramatist (fourth century BC)It is with great sadness that we must announce th
Creating Nothing
Tempered by Breath
Portrait of Phillip Zarrilli courtesy of Nordland TheaterAs I sit down to write this tribute, I hold my much-cherished copy of Phillip Zarrilli’s The Kathakali Complex in my hands; the spine is bro
Braiding with Time
Anuradha Kapur. Photo Madhu Kapparath, Forbes/IndiaRichard Gough: Anuradha, what, in your view, is the efficacy of the term ‘interweaving performance cultures’, as distinct from ‘intercultural’ or
Interweaving Performance Cultures
Richard Gough: What in your view is the usefulness or efficacy of ‘interweaving performance cultures’ as a term, as a category, a strategy, or a provocation, distinct from ‘intercultural’? And I wo
Holding Breath
Looking Back with Orpheus
Tribute to Mike Pearson Non omnis moriar (Not all of me will die)
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)
Food, Performance and Hunger
In December 2020 Jazmin Badong Llana, already in the process of planning the twenty-seventh Performance Studies international conference (PSi #27: 2022), contacted me as she wished to begin a discu
Food, Performance, and Hunger
Slow Fade to Blackout
This issue of Performance Research was intended to be the last I would edit in my capacity as General Editor of the journal, a term of office that has spanned thirty-three years (including the thre
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