Miryam Sas
Biographic Data
| ID | 3960139 |
|---|---|
| NAME | Miryam Sas |
| GIVEN NAMES | Miryam |
| FAMILY NAME | Sas |
| SIGNATURE | SAS M |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Disjunct Collectivity
How can one grasp photographers’ contradictory roles both within and beside the emergent political and aesthetic collectives of the late 1960s to 1970s? Does gender even matter in the trouble that photographers provoked in the collective practices of their time? This article takes as a starting point the work of Sasaki Michiko (1934 – present), gripping her camera on the barricades of Nihon University, and of Nishimura Tomiko (1948 – present), fo…
Provoke
Reviewed by: Provoke: Between Protest and Performance—Photography in Japan 1960/ 1975 ed. by Diane Dufour and Matthew S. Witkovsky Miryam Sas (bio) Provoke: Between Protest and Performance—Photography in Japan 1960/ 1975. Edited by Diane Dufour and Matthew S. Witkovsky. Steidl, Göttingen, 2016. 680 pages. €60.00, paper. Provoke: Between Protest and Performance is a large book published in conjunction with an important exhibition on Japanese photo…
The Culture Industries and Media Theory in Japan
The Culture Industries and Media Theory in Japan
Imaging Disaster
Reviewed by: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 by Gennifer Weisenfeld Miryam Sas (bio) Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923. By Gennifer Weisenfeld. University of California Press, Berkeley, 2012. xvi, 393 pages. $85.00, cloth; $85.00, E-book. At 11:58 AM on September 1, 1923, an enormous earthquake registering 7.9 in seismic magnitude shook the Tokyo a…
Experimental Arts in Postwar Japan
Hands, Lines, Acts
Research Article| December 01 2003 Hands, Lines, Acts: Butoh and Surrealism Miryam Sas Miryam Sas Search for other works by this author on: This Site Google Qui Parle (2003) 13 (2): 19–51. https://doi.org/10.1215/quiparle.13.2.19 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Miryam Sas; Hands, Lines, Acts: Butoh and Surrealism. Qui Parle 1 December 2003; 13 (2): 19–51. doi: https://doi.org/10.1215/quiparle.13.2.19 Downl…
Fault Lines
Illustrations A note on Japanese names Prologue: what is called surrealism 1. Introduction 2. Distant realities 3. On memory and doubt 4. Poetry and visuality, poetry and actuality 5. Eternities and surrealist legacies Epilogue: physical nostalgias Appendix Selected chronology Notes Bibliography Index
Fault Lines
Shredding the Tapestry of Meaning
Chambered Nautilus
No prominent works on this page.
Chambered Nautilus
Shredding the Tapestry of Meaning
Fault Lines
Fault Lines
Illustrations A note on Japanese names Prologue: what is called surrealism 1. Introduction 2. Distant realities 3. On memory and doubt 4. Poetry and visuality, poetry and actuality 5. Eternities and surrealist legacies Epilogue: physical nostalgias Appendix Selected chronology Notes Bibliography Index
Hands, Lines, Acts
Research Article| December 01 2003 Hands, Lines, Acts: Butoh and Surrealism Miryam Sas Miryam Sas Search for other works by this author on: This Site Google Qui Parle (2003) 13 (2): 19–51. https://doi.org/10.1215/quiparle.13.2.19 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Miryam Sas; Hands, Lines, Acts: Butoh and Surrealism. Qui Parle 1 December 2003; 13 (2): 19–51. doi: https://doi.org/10.1215/quiparle.13.2.19 Downl…
Experimental Arts in Postwar Japan
Imaging Disaster
Reviewed by: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 by Gennifer Weisenfeld Miryam Sas (bio) Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923. By Gennifer Weisenfeld. University of California Press, Berkeley, 2012. xvi, 393 pages. $85.00, cloth; $85.00, E-book. At 11:58 AM on September 1, 1923, an enormous earthquake registering 7.9 in seismic magnitude shook the Tokyo a…
The Culture Industries and Media Theory in Japan
The Culture Industries and Media Theory in Japan
Provoke
Reviewed by: Provoke: Between Protest and Performance—Photography in Japan 1960/ 1975 ed. by Diane Dufour and Matthew S. Witkovsky Miryam Sas (bio) Provoke: Between Protest and Performance—Photography in Japan 1960/ 1975. Edited by Diane Dufour and Matthew S. Witkovsky. Steidl, Göttingen, 2016. 680 pages. €60.00, paper. Provoke: Between Protest and Performance is a large book published in conjunction with an important exhibition on Japanese photo…
Disjunct Collectivity
How can one grasp photographers’ contradictory roles both within and beside the emergent political and aesthetic collectives of the late 1960s to 1970s? Does gender even matter in the trouble that photographers provoked in the collective practices of their time? This article takes as a starting point the work of Sasaki Michiko (1934 – present), gripping her camera on the barricades of Nihon University, and of Nishimura Tomiko (1948 – present), fo…
Japanese History and Culture (6 works) · History (5 works) · Art (4 works) · Computer Science (3 works) · Geology (3 works) · Geology (3 works) · Photography and Visual Culture (3 works) · Sociology (3 works) · Asian Culture and Media Studies (2 works) · Business (2 works)