Michael C Tusa
Biographic Data
| ID | 3962861 |
|---|---|
| NAME | Michael C Tusa |
| GIVEN NAMES | Michael C |
| FAMILY NAME | Tusa |
| SIGNATURE | TUSA M C |
| AFFILIATIONS | Professor and Associate Director, School of Music, University of Texas, Austin |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Beethoven 1806 , by Mark Ferraguto
In Beethoven 1806, Mark Ferraguto addresses a number of issues that confront Beethoven scholarship some 250 years after the composer’s birth: the ubiquitous narratives of struggle and triumph in Beethoven biography and criticism; the privileging of certain works, often considered “heroic” in character, in the shaping of Beethoven’s image in popular culture and critical assessments; the limitations of the musical score and musical analysis as sour…
Carl Maria von Weber: Sämtliche Werke. Serie VIII, Band 3
Ludwig van Beethoven: Werke. Gesamtausgabe. Abteilung IX. Band 1: Ouvertüren zur Oper Leonore. Hrsg. von Helga Lühning
Cosmopolitanism and the National Opera: Weber's Der Freischütz
Carl Maria von Weber's Der Freischütz reflects competing definitions of national identity at a crossroads in German history. The historiography of the opera reveals a contrast between the opera's reception as quintessentially German and its interpretation as an example of cosmopolitanism, particularly in its dependence on French operatic models. Weber's own ideas about German opera represent a cosmopolitanism typical of the German Enlightenment, …
Weber family
Weber, Carl Maria (Friedrich Ernst) von
Cosmopolitanism and the National Opera: Weber's Der Freischütz
Carl Maria von Weber's Der Freischütz reflects competing definitions of national identity at a crossroads in German history. The historiography of the opera reveals a contrast between the opera's reception as quintessentially German and its interpretation as an example of cosmopolitanism, particularly in its dependence on French operatic models. Weber's own ideas about German opera represent a cosmopolitanism typical of the German Enlightenment, …
Weber family
Weber, Carl Maria (Friedrich Ernst) von
Cosmopolitanism and the National Opera: Weber's Der Freischütz
Carl Maria von Weber's Der Freischütz reflects competing definitions of national identity at a crossroads in German history. The historiography of the opera reveals a contrast between the opera's reception as quintessentially German and its interpretation as an example of cosmopolitanism, particularly in its dependence on French operatic models. Weber's own ideas about German opera represent a cosmopolitanism typical of the German Enlightenment, …
Ludwig van Beethoven: Werke. Gesamtausgabe. Abteilung IX. Band 1: Ouvertüren zur Oper Leonore. Hrsg. von Helga Lühning
Beethoven 1806 , by Mark Ferraguto
In Beethoven 1806, Mark Ferraguto addresses a number of issues that confront Beethoven scholarship some 250 years after the composer’s birth: the ubiquitous narratives of struggle and triumph in Beethoven biography and criticism; the privileging of certain works, often considered “heroic” in character, in the shaping of Beethoven’s image in popular culture and critical assessments; the limitations of the musical score and musical analysis as sour…
Carl Maria von Weber: Sämtliche Werke. Serie VIII, Band 3
Art (5 works) · Philosophy (4 works) · Art history (3 works) · Weber, Simmel, Sociological Theory (3 works) · German Literature and Culture Studies (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works) · Opera (2 works) · Aesthetics (1 works) · Bach Studies and Logistics Development (1 works)