M Angela Jansen
Biographic Data
| ID | 3965194 |
|---|---|
| NAME | M Angela Jansen |
| GIVEN NAMES | M Angela |
| FAMILY NAME | Jansen |
| SIGNATURE | JANSEN M A |
| AFFILIATIONS | University of the Arts London |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 35 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Conversations on Decoloniality and Fashion
Fashion and the Phantasmagoria of Modernity
Although eurocentrism in fashion studies has been contested for nearly four decades, the topic is as timely and urgent as ever. While critiques focus on symptoms such as discrimination, inequality and exploitation, the actual “decease,” the modernity/coloniality structure, persists. The way fashion, as a noun, is being defined according to a temporality (contemporaneity), a system (of power) and an industry (of capitalism) particular to modernity…
Defining Moroccanness
At the turn of the twenty-first century, a new generation of Moroccan fashion designers has started to emerge that can be distinguished from their predecessors by a radical style break. These designers no longer adhere to the idea that Moroccan fashion should be limited to a characteristic set of garments and/or decorations representing Arab-Muslim identity, but aspire an artistic freedom to conceptualise and define Moroccan fashion in an innovat…
Fashion and the Phantasmagoria of Modernity
Although eurocentrism in fashion studies has been contested for nearly four decades, the topic is as timely and urgent as ever. While critiques focus on symptoms such as discrimination, inequality and exploitation, the actual “decease,” the modernity/coloniality structure, persists. The way fashion, as a noun, is being defined according to a temporality (contemporaneity), a system (of power) and an industry (of capitalism) particular to modernity…
Defining Moroccanness
At the turn of the twenty-first century, a new generation of Moroccan fashion designers has started to emerge that can be distinguished from their predecessors by a radical style break. These designers no longer adhere to the idea that Moroccan fashion should be limited to a characteristic set of garments and/or decorations representing Arab-Muslim identity, but aspire an artistic freedom to conceptualise and define Moroccan fashion in an innovat…
Defining Moroccanness
At the turn of the twenty-first century, a new generation of Moroccan fashion designers has started to emerge that can be distinguished from their predecessors by a radical style break. These designers no longer adhere to the idea that Moroccan fashion should be limited to a characteristic set of garments and/or decorations representing Arab-Muslim identity, but aspire an artistic freedom to conceptualise and define Moroccan fashion in an innovat…
Fashion and the Phantasmagoria of Modernity
Although eurocentrism in fashion studies has been contested for nearly four decades, the topic is as timely and urgent as ever. While critiques focus on symptoms such as discrimination, inequality and exploitation, the actual “decease,” the modernity/coloniality structure, persists. The way fashion, as a noun, is being defined according to a temporality (contemporaneity), a system (of power) and an industry (of capitalism) particular to modernity…
Conversations on Decoloniality and Fashion
Aesthetics (3 works) · Art (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Anthropology (2 works) · Colonialism (2 works) · Epistemology (2 works) · Fashion and Cultural Textiles (2 works) · Law (2 works)