Sandro Jung

Biographic Data

ID3969110
NAMESandro Jung
GIVEN NAMESSandro
FAMILY NAMEJung
SIGNATUREJUNG S
AFFILIATIONSFudan University
ORCID0000-0002-2241-2319
VERIFIEDYes
TOTAL WORKS71
TOTAL CITATIONS8
AUTHOR COUNT70
EDITOR COUNT1
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2026
H-INDEX1

  • Brownhills Pottery ABC plates and transmedia Crusoe

    Open AccessXiaomeng Jin, Sandro JungARTICLEEarly Popular Visual Culture2026

    Offering the first text- and media-analytical study of the set of Robinson Crusoe ABC plates the Staffordshire Brownhills Pottery produced in the late Victorian period, this article will trace the transmedial use of transfer-printed illustrations for the literacy-formational purpose of these ceramic objects. It will discuss the plates’ uses of two previously identified illustrations that Sir John Gilbert had produced for Nelson & Sons’ 1860 editi…

  • Thomson’s Palemon and Lavinia, iconic-material narrative and silkwork pictures as transmedial storytelling platforms

    Open AccessSandro JungARTICLENeohelicon2026

  • Neoclassical World-Making in William Collins’s Odes

    Sandro JungARTICLEStyle2025

    William Collins’s Odes on Several Descriptive and Allegoric Subjects (1746) is steeped in a classical Greek heritage with which the poet engages on two levels: his odes to Pity, Simplicity, Fear, and Liberty, as well as that on the Poetical Character, invoke the classical form of the Pindaric ode, while at the level of poetics he introduces classical ideas such as haplotes to define both the mode and mythopoeic frameworks of his odes. This articl…

  • A Roundtable Discussion of Transnational Crusoe, Illustration and Reading History, 1719–1722

    Russell Palmer, Chang He et al.ARTICLEANQ A Quarterly Journal of Short…2025

  • Illustrations as Media of Ethical Criticism in Whitefield’s Life of Pamela (1741)

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2025

  • Early Robinson Crusoe trade cards in Germany: Making sense of the classic through popular visual culture

    Sandro JungARTICLEEarly Popular Visual Culture2025References: 2

  • Studies in the Period Illustration of Eighteenth‐Century British Literature, 1935–2025

    Open AccessSandro JungARTICLELiterature Compass2025References: 7

    Excepting satiric illustration and the work of William Blake, this article will sketch the state‐of‐the‐art pertaining to the study of the copper‐engraved period illustration of 18th‐century literature. It will outline the different phases of illustration studies within the British literary context of the past 90 years, concentrating particularly on the developments of the past 40 years. Focusing on the ways in which scholars have, in recent year…

  • Georgian Literary Needlework Pictures, Realization, and Iconic Meaning‐Making

    Open AccessSandro JungARTICLEJournal for Eighteenth-Century…2024

    This article examines a group of Georgian needlework pictures based on late eighteenth‐century cabinet prints of literary works. Focusing on how these needlework productions were realized, including which decisions regarding the colour of silk thread and chromatic patterns, as well as visual revision, were made by the female silkworker, the article seeks to introduce these pictures as meaningful remediations of printed visual literary culture. Th…

  • James Montgomery’s “Gazing Maniac” and James Thomson’s Celadon

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2024

    James Montgomery's "Gazing Maniac" and James Thomson's Celadon." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, ahead-of-print(ahead-of-print), pp. 1–2 Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. Line references will be furnished parenthetically.2. Line references will be furnished parenthetically.3. See Jung, "Thomson's The Seasons and the Tragic-Sentimental Verse Tale," 3–15, and J…

  • Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed

    Sandro JungARTICLEStyle2023

    Focusing on the transformative textual afterlife of James Thomson’s tragic-sentimental vignette of Celadon and Amelia, this article charts later poets’ engagement with the lovers by examining incarnations of poetical siblings of Thomson’s “matchless pair” that were introduced in later eighteenth- and early nineteenth-century descriptive-philosophical long poems: not only will the article offer a discussion of how Thomson’s model of two tragic lov…

  • Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson

    Sandro JungARTICLEStyle2023

    Since the first publication of Johann David Wyss’s The Swiss Family Robinson, illustrated editions have directed audiences to identify particular scenes, situations, and adventures as key to understanding the Swiss pastor’s narrative for children: illustrations—from the nineteenth century to the present day—have defined the ways in which to read and make sense of the text intermedially. This article will focus on a visual narrative consisting of …

  • The Robber’s Daughter” and “Die Nymphe des Brunnens”

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2023

    The Robber's Daughter" and "Die Nymphe des Brunnens"." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, ahead-of-print(ahead-of-print), pp. 1–2 Disclosure statementNo potential conflict of interest was reported by the author(s)

  • The Visual Anatomy of Falconer's The Shipwreck , 1762–1818

    Sandro JungARTICLEEighteenth-Century Life2023

    This article offers an account of all illustrated editions of William Falconer's The Shipwreck (1762), including anthologies such as John Roach's Beauties, that were produced up to the end of the handpress period. It examines both the illustrations of specific scenes or moments from the poem and other visual paratext. In addition to providing a detailed study of the editions, including their marketing and pricing, it focuses on interpretive shift…

  • Function and Transformation in the Design and Interpretive Inscription of Frontispieces to Thomson’s The Seasons , 1767–1825

    Sandro JungARTICLEEnglish Studies2023Cited by: 1References: 2

    This article offers a book-historical study of text-interpretive frontispiece illustrations that accompanied eighteenth- and early nineteenth-century editions of James Thomson’s The Seasons. It discusses these editions as constituting a commodity group of its own and as separate from those that featured sets of multiple illustrations and argues that the cost-effectiveness of these editions ensured widespread consumption. The relative cheapness of…

  • Eighteenth-Century Illustration and Literary Material Culture: Richardson, Thomson, Defoe

    Open AccessSandro JungBOOKEighteenth-Century Illustration…2023Cited by: 4References: 3

    This Element studies eighteenth- and early nineteenth-century instances of transmediation, concentrating on how the same illustrations were adapted for new media and how they generated novel media constellations and meanings for these images. Focusing on the 'content' of the illustrations and its adaptation within the framework of a new medium, case studies examine the use across different media of illustrations (comprehending both the designs fo…

  • Text technologies, illustrated editions as multi-technological hybrids, and William Falconer's The Shipwreck, 1762–1808

    Open AccessSandro JungARTICLENew Techno Humanities2022

    This article aims to demonstrate the usefulness of text-technological research for book-historically informed literary and textual studies by examining a “multitechnological hybrid” – the illustrated edition featuring copper- and subsequently wood-engraved illustrative plates – and the role it played in mediating William Falconer's maritime georgic, The Shipwreck (Falconer, 1762), from 1762 to 1808. By focusing on the multi-technological hybridit…

  • Winding the Horn: Collins’s Beetle and Rogers’s Bee

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2022

    Winding the Horn: Collins’s Beetle and Rogers’s Bee." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, ahead-of-print(ahead-of-print), pp. 1–2

  • William Shenstone, Visual Culture and Relational Media Practices

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2022

    The Worcestershire poet William Shenstone was not only an innovative landscape gardener, creating a spectacular, intermedially conceived and much visited ferme ornee, The Leasowes, he was also the

  • An American Parody of Thomson’s “Celadon and Amelia” Tale

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2021

    An American Parody of Thomson’s “Celadon and Amelia” Tale." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 34(1), pp. 34–35

  • Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit , 1727–1799

    Sandro JungARTICLEEnglish Studies2021References: 1

    This article on Peter Longueville's The English Hermit (1727) examines the illustrations that were included in editions from 1727 to 1799. In addition to making sense of the illustrative apparatus of the work's first edition and discussing how it interpreted the typographic text, the article studies the series of wood-engravings that John Bewick furnished for the 1798 abridgment of the text. Focusing on how the vignettes capture the complexity of…

  • Les Saisons (The Seasons) de Thomson: Mobilités textuelles et étude bibliographique des échanges iconographiques

    Open AccessSandro Jung, Fiona McIntosh-VarjabédianARTICLERevue des Sciences Humaines2020

    On a déjà étudié, de façon détaillée, comment les textes littéraires traversaient les frontières pendant le xviiie et le xixe siècles. La critique a examiné la vie de ces textes que ce soit en langue originale ou en traduction, dans des aires culturelles différentes de celles pour lesquelles ils avaient été écrits à l’origine. Parmi tous ces travaux, ce sont les transferts d’idées ou de modèles littéraires qui occupent une place centrale. En reva…

  • Editor’s Preface

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2020

  • The Role of Visual Culture in the Patriotic Editions of the Morisons of Perth: From “The Scotish Poets” to The Poems of Ossian

    Sandro JungARTICLEANQ A Quarterly Journal of Short…2020

    The marketing of Scottish literary titles the Perth firm of Robert Morison and Son issued from 1786 to 1795 was underpinned by specially commissioned paratextual apparatuses such as author memoirs

  • Ephemeral Spenser

    Sandro JungARTICLEEighteenth-Century Life2020

    This essay approaches Edmund Spenser’s Renaissance masterpiece, The Faerie Queene, through a hitherto unknown series of twenty-four vignette illustrations that the eighteenth-century painter and book illustrator, Thomas Stothard, contributed to the nowadays little-known annual, The Royal Engagement Pocket Atlas, in 1794. Apart from making sense of Stothard’s visual interpretation of Spenser’s romance, the article will pay attention to how the pai…

  • Literary Ephemera

    Sandro JungARTICLEEighteenth-Century Life2020

    Literary historians of the long eighteenth century have rarely considered nonbook publications in their efforts to construct narratives of canons, the reception of texts, and the reputation of authors. They have traditionally studied editions, their editors and publishers, and, more recently, the paratexts that provided glosses to help readers make sense of the text. The focus on the "literary" as opposed to "literacy" has artificially demarcated…