Alan Lareau
Biographic Data
| ID | 3969898 |
|---|---|
| NAME | Alan Lareau |
| GIVEN NAMES | Alan |
| FAMILY NAME | Lareau |
| SIGNATURE | LAREAU A |
| AFFILIATIONS | University of Wisconsin–Oshkosh |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Operetta
Avantgarde avant la lettre. Strategien literarischer Popularisierung im Werk von Otto Julius Bierbaum. Von Birgit Ziener. Wien
Avantgarde avant la lettre. Strategien literarischer Popularisierung im Werk von Otto Julius Bierbaum . Von Birgit Ziener. Wien: Böhlau, 2022. 280 Seiten + 67 farbige Abbildungen. €49,00 gebunden oder eBook. Otto Julius Bierbaum (1865–1910) is remembered as an editor and book-design
Grenzen der Komik. Ergebnisse des Kasseler Komik-Kolloquiums. Herausgegeben von Friedrich W. Block und Uwe Wirth. Bielefeld
Herausgegeben von Friedrich W. Block und Uwe Wirth. Bielefeld: Aisthesis, 2020. 390 Seiten + 19 s/w und farbige Abbildungen. €40,00 broschiert oder eBook Satire, irony, and sarcasm have had a difficult time of it lately, amidst scandals surrounding performers Lisa Eckhart and Dieter Nuhr, the
Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945. Von Klaus Christian Vögl. Köln
Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945. Von Klaus Christian Vögl. Köln: Böhlau, 2018. 447 Seiten. €60,00 broschiert, €49,99 eBook. Antisemitism in Film Comedy in Nazi Germany. By Valerie Weinstein. Bloomington, IN: Indiana University Press, 2019. xi + 281 pages
Hanns von Gumppenberg (1866–1928). Ein Münchner Schriftsteller zwischen Okkultismus, Kabarett und Kritik. Von Martin Lau. Köln
Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945. Von Klaus Christian Vögl. Köln
Hanns von Gumppenberg (1866–1928). Ein Münchner Schriftsteller zwischen Okkultismus, Kabarett und Kritik. Von Martin Lau. Köln
Hanns von Gumppenberg (1866–1928). Ein Münchner Schriftsteller zwischen Okkultismus, Kabarett und Kritik. VonMartin Lau. Köln: Böhlau, 2019. 256 Seiten +34 s/w und farbige Abbildungen. €35,00 broschiert, €27,99 eBook. The writer Hanns von Gumppenberg (1866–1928) is today best remembered
Willi Kollo. Autor und Komponist für Operette, Revue, Kabarett, Film und Fernsehen 1904–1988. Von Jansen Wolfgang. Münster
Willi Kollo. Autor und Komponist für Operette, Revue, Kabarett, Film und Fernsehen 1904–1988. Von Wolfgang Jansen. Münster
Willi Kollo. Autor und Komponist für Operette, Revue, Kabarett, Film und Fernsehen 1904–1988. Von Wolfgang Jansen. Münster: Waxmann, 2020. 394 Seiten. €39,90 broschiert, €35,99 eBook. In 1994, the widow of songwriter Willi Kollo (1904–1988) attempted to legally suppress the
Hier irrt Goethe
Despite a recent boom in operetta research and productions in Germany, one stage work that was a sensation in 1932 has been overlooked: the improvisational Hier irrt Goethe (Here Goethe Errs) by the Munich-based student cabaret troupe Die vier Nachrichter. On the 200th anniversary of Goethe’s death, the group burlesqued the conventions of operetta and the authority of literary history. The show launched spectacular careers but also signaled the c…
The Many Faces of Weimar Cinema
Christian ROGOWSKI (Ed.), Campden House, 2010, ISBN 978-01-57113-4295, £55.00 (hbk), 354 pp. This collection of eighteen essays attempts to readdress and refocus, or rather open up, cinematic histo
Lavender Songs
Questioning the legend of “divine decadence” in Berlin during the 1920s, this study examines historical performance material from the German cabaret and popular entertainment scene to re‐evaluate the presentation of gay and lesbian identity on the stage and on the screen. Examples from popular and literary song reveal ambivalences and hidden messages that suggest the complexity of the cabaret's cultural negotiations between entertainment and sati…
Vorbei
Writing Weimar
The Wild Stage
Fascism, Aesthetics, and Culture
The German Cabaret Movement during the Weimar Republic
The impudent muse, the muse with the sharp tongue--this is the image of the cabaret that historians like to present. All too often, they romanticize it as a watering-place for the avant-garde, a wild crucible for modern ideas and experiments, forgetting that these stages were at the same time commercial enterprises that were forced to make considerable concessions to audience taste. Many historians, especially in West Germany and the GDR, stylize…
Lavender Songs
Questioning the legend of “divine decadence” in Berlin during the 1920s, this study examines historical performance material from the German cabaret and popular entertainment scene to re‐evaluate the presentation of gay and lesbian identity on the stage and on the screen. Examples from popular and literary song reveal ambivalences and hidden messages that suggest the complexity of the cabaret's cultural negotiations between entertainment and sati…
The German Cabaret Movement during the Weimar Republic
The impudent muse, the muse with the sharp tongue--this is the image of the cabaret that historians like to present. All too often, they romanticize it as a watering-place for the avant-garde, a wild crucible for modern ideas and experiments, forgetting that these stages were at the same time commercial enterprises that were forced to make considerable concessions to audience taste. Many historians, especially in West Germany and the GDR, stylize…
The Wild Stage
The German Cabaret Movement during the Weimar Republic
The impudent muse, the muse with the sharp tongue--this is the image of the cabaret that historians like to present. All too often, they romanticize it as a watering-place for the avant-garde, a wild crucible for modern ideas and experiments, forgetting that these stages were at the same time commercial enterprises that were forced to make considerable concessions to audience taste. Many historians, especially in West Germany and the GDR, stylize…
Fascism, Aesthetics, and Culture
The Wild Stage
Writing Weimar
Vorbei
Lavender Songs
Questioning the legend of “divine decadence” in Berlin during the 1920s, this study examines historical performance material from the German cabaret and popular entertainment scene to re‐evaluate the presentation of gay and lesbian identity on the stage and on the screen. Examples from popular and literary song reveal ambivalences and hidden messages that suggest the complexity of the cabaret's cultural negotiations between entertainment and sati…
The Many Faces of Weimar Cinema
Christian ROGOWSKI (Ed.), Campden House, 2010, ISBN 978-01-57113-4295, £55.00 (hbk), 354 pp. This collection of eighteen essays attempts to readdress and refocus, or rather open up, cinematic histo
Hier irrt Goethe
Despite a recent boom in operetta research and productions in Germany, one stage work that was a sensation in 1932 has been overlooked: the improvisational Hier irrt Goethe (Here Goethe Errs) by the Munich-based student cabaret troupe Die vier Nachrichter. On the 200th anniversary of Goethe’s death, the group burlesqued the conventions of operetta and the authority of literary history. The show launched spectacular careers but also signaled the c…
Willi Kollo. Autor und Komponist für Operette, Revue, Kabarett, Film und Fernsehen 1904–1988. Von Wolfgang Jansen. Münster
Willi Kollo. Autor und Komponist für Operette, Revue, Kabarett, Film und Fernsehen 1904–1988. Von Wolfgang Jansen. Münster: Waxmann, 2020. 394 Seiten. €39,90 broschiert, €35,99 eBook. In 1994, the widow of songwriter Willi Kollo (1904–1988) attempted to legally suppress the
Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945. Von Klaus Christian Vögl. Köln
Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945. Von Klaus Christian Vögl. Köln: Böhlau, 2018. 447 Seiten. €60,00 broschiert, €49,99 eBook. Antisemitism in Film Comedy in Nazi Germany. By Valerie Weinstein. Bloomington, IN: Indiana University Press, 2019. xi + 281 pages
Hanns von Gumppenberg (1866–1928). Ein Münchner Schriftsteller zwischen Okkultismus, Kabarett und Kritik. Von Martin Lau. Köln
Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945. Von Klaus Christian Vögl. Köln
Hanns von Gumppenberg (1866–1928). Ein Münchner Schriftsteller zwischen Okkultismus, Kabarett und Kritik. Von Martin Lau. Köln
Hanns von Gumppenberg (1866–1928). Ein Münchner Schriftsteller zwischen Okkultismus, Kabarett und Kritik. VonMartin Lau. Köln: Böhlau, 2019. 256 Seiten +34 s/w und farbige Abbildungen. €35,00 broschiert, €27,99 eBook. The writer Hanns von Gumppenberg (1866–1928) is today best remembered
Willi Kollo. Autor und Komponist für Operette, Revue, Kabarett, Film und Fernsehen 1904–1988. Von Jansen Wolfgang. Münster
Grenzen der Komik. Ergebnisse des Kasseler Komik-Kolloquiums. Herausgegeben von Friedrich W. Block und Uwe Wirth. Bielefeld
Herausgegeben von Friedrich W. Block und Uwe Wirth. Bielefeld: Aisthesis, 2020. 390 Seiten + 19 s/w und farbige Abbildungen. €40,00 broschiert oder eBook Satire, irony, and sarcasm have had a difficult time of it lately, amidst scandals surrounding performers Lisa Eckhart and Dieter Nuhr, the
Avantgarde avant la lettre. Strategien literarischer Popularisierung im Werk von Otto Julius Bierbaum. Von Birgit Ziener. Wien
Avantgarde avant la lettre. Strategien literarischer Popularisierung im Werk von Otto Julius Bierbaum . Von Birgit Ziener. Wien: Böhlau, 2022. 280 Seiten + 67 farbige Abbildungen. €49,00 gebunden oder eBook. Otto Julius Bierbaum (1865–1910) is remembered as an editor and book-design
Operetta
Art (16 works) · German (7 works) · Art history (6 works) · History (6 works) · Literature (6 works) · Archaeology (5 works) · European history and politics (5 works) · German Literature and Culture Studies (5 works) · History (5 works) · Arts, Culture, and Music Studies (4 works)