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Cyril Scott

Biographic Data

ID3971208
NAMECyril Scott
GIVEN NAMESCyril
FAMILY NAMEScott
SIGNATURESCOTT C
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1904
LATEST PUBLICATION YEAR1962
H-INDEX0
  • Piano

    John Lade, Cyril Scott et al.•ARTICLE•The Musical Times•1962

  • Wind and Piano

    Peter Dickinson, Cyril Scott et al.•ARTICLE•The Musical Times•1962

  • Translations From Stefan George

    Open Access•Cyril Scott•ARTICLE•German Life and Letters•1959

  • Reminiscences of Stefan George

    Open Access•Cyril Scott•ARTICLE•German Life and Letters•1959

  • Angel Grande

    Cyril Scott•ARTICLE•Music and Letters•1951

  • Criticism and Perspective

    Cyril Scott•ARTICLE•Music and Letters•1934

    CRITICISM AND PERSPECTIVE CYRIL SCOTT CYRIL SCOTT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XV, Issue 4, October 1934, Pages 324–328, https://doi.org/10.1093/ml/XV.4.324 Published: 01 October 1934

  • An Eastern Lament. Daffodils. Osme's Song

    Cyril Scott, Thomas Campion et al.•ARTICLE•The Musical Times•1909

    These themes all partake of the character of dance tunes.In the transition of them from the first two to the third, the theme of the preceding movement (No. 1) is introduced; and at the thematic treatment in the middle part, the interlude phrase of the same movement is introduced and worked in imitation in connection with the different subjects of the Finale.Towards the end of the movement in the Coda, the ecclesiastical subject of the fourth mov…

  • To Daffodils: The Ballad of the Red Deer

    Dora Bright, Ethel Barns et al.•ARTICLE•The Musical Times•1904

No prominent works on this page.

  • To Daffodils: The Ballad of the Red Deer

    Dora Bright, Ethel Barns et al.•ARTICLE•The Musical Times•1904

  • An Eastern Lament. Daffodils. Osme's Song

    Cyril Scott, Thomas Campion et al.•ARTICLE•The Musical Times•1909

    These themes all partake of the character of dance tunes.In the transition of them from the first two to the third, the theme of the preceding movement (No. 1) is introduced; and at the thematic treatment in the middle part, the interlude phrase of the same movement is introduced and worked in imitation in connection with the different subjects of the Finale.Towards the end of the movement in the Coda, the ecclesiastical subject of the fourth mov…

  • Criticism and Perspective

    Cyril Scott•ARTICLE•Music and Letters•1934

    CRITICISM AND PERSPECTIVE CYRIL SCOTT CYRIL SCOTT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XV, Issue 4, October 1934, Pages 324–328, https://doi.org/10.1093/ml/XV.4.324 Published: 01 October 1934

  • Angel Grande

    Cyril Scott•ARTICLE•Music and Letters•1951

  • Translations From Stefan George

    Open Access•Cyril Scott•ARTICLE•German Life and Letters•1959

  • Reminiscences of Stefan George

    Open Access•Cyril Scott•ARTICLE•German Life and Letters•1959

  • Piano

    John Lade, Cyril Scott et al.•ARTICLE•The Musical Times•1962

  • Wind and Piano

    Peter Dickinson, Cyril Scott et al.•ARTICLE•The Musical Times•1962

Art (5 works) · Art history (3 works) · Computer Science (3 works) · Literature (3 works) · Citation (2 works) · George (robot (2 works) · German (2 works) · History (2 works) · Library science (2 works) · Linguistics (2 works)

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