David Gramit
Biographic Data
| ID | 3971359 |
|---|---|
| NAME | David Gramit |
| GIVEN NAMES | David |
| FAMILY NAME | Gramit |
| SIGNATURE | GRAMIT D |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
The Transnational History of Settler Colonialism and the Music of the Urban West
Research Article| October 01 2014 The Transnational History of Settler Colonialism and the Music of the Urban West: Resituating a Local Music History David Gramit David Gramit Search for other works by this author on: This Site Google American Music (2014) 32 (3): 272–291. https://doi.org/10.5406/americanmusic.32.3.0272 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation David Gramit; The Transnational History of Settler Colo…
The Roaring Lion
This paper argues that a number of recent responses within North American musicology to critical scholarship that has challenged disciplinary conventions have in common a deep loyalty to the aesthetic experience of music as a supreme value. The vigour with which this value is defended has close parallels in religion, and such defences have indeed sometimes resorted to explicitly religious terminology. The institutional situation of North American…
Under the Hammer
Schubert and the Biedermeier
Journal Article SCHUBERT AND THE BIEDERMEIER: THE AESTHETICS OF JOHANN MAYRHOFER'S ‘HELIOPOLIS’ Get access DAVID GRAMIT DAVID GRAMIT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 74, Issue 3, August 1993, Pages 355–382, https://doi.org/10.1093/ml/74.3.355 Published: 01 August 1993
No prominent works on this page.
Schubert and the Biedermeier
Journal Article SCHUBERT AND THE BIEDERMEIER: THE AESTHETICS OF JOHANN MAYRHOFER'S ‘HELIOPOLIS’ Get access DAVID GRAMIT DAVID GRAMIT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 74, Issue 3, August 1993, Pages 355–382, https://doi.org/10.1093/ml/74.3.355 Published: 01 August 1993
Under the Hammer
The Roaring Lion
This paper argues that a number of recent responses within North American musicology to critical scholarship that has challenged disciplinary conventions have in common a deep loyalty to the aesthetic experience of music as a supreme value. The vigour with which this value is defended has close parallels in religion, and such defences have indeed sometimes resorted to explicitly religious terminology. The institutional situation of North American…
The Transnational History of Settler Colonialism and the Music of the Urban West
Research Article| October 01 2014 The Transnational History of Settler Colonialism and the Music of the Urban West: Resituating a Local Music History David Gramit David Gramit Search for other works by this author on: This Site Google American Music (2014) 32 (3): 272–291. https://doi.org/10.5406/americanmusic.32.3.0272 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation David Gramit; The Transnational History of Settler Colo…
Art (2 works) · Art history (2 works) · Music History and Culture (2 works) · Musicology and Musical Analysis (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Citation (1 work) · Classical Studies and Philology (1 work) · Colonialism (1 work) · Computer Science (1 work)