William Christie

Biographic Data

ID	3972072
NAME	William Christie
GIVEN NAMES	William
FAMILY NAME	Christie
SIGNATURE	CHRISTIE W
VERIFIED	No
TOTAL WORKS	8
TOTAL CITATIONS	1
WORKS AS AUTHOR	6
WORKS AS EDITOR	2
FIRST PUBLICATION YEAR	1980
LATEST PUBLICATION YEAR	2021
H-INDEX	1

‘The Essential Cambridge in Spite of Cambridge’
William Henry Maloney Christie, William ChristieARTICLEAustralian Humanities Review2021
I am concerned to make it really a university, something that is more than a collocation of specialist departments-to make it a centre of human consciousness: perception, knowledge, judgment and responsibility. And perhaps I have sufficiently indicated on what lines I would justify my seeing the centre of a university in a vital English School I will only say that the academic is the enemy and that the academic can be beaten, as we who ran Scruti…
Politics and Emotions in Romantic Periodicals
Open AccessJock Macleod, William Christie et al.EDITORBOOKPolitics and Emotions in Romantic…2019
“Damn him and the spikes”
Open AccessKate Flaherty, William ChristieEDITORARTICLECogent Arts and Humanities2016
On 26 December 1833, the first licensed theatre in New South Wales offered its first Shakespeare play—Colley Cibber’s adaptation of Richard III. The event entailed a riot and the lead actor being charged with assault for hurling an audience member from the stage. Using insights drawn from scholarship on the Covent Garden “Old Price Riots” in 1809, this essay investigates the Sydney Theatre Royal’s 1833 disturbance as an indicative phase in the de…
L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique
Open AccessCécile Auzolle, Jean-Christophe Branger et al.BOOKL’Opéra de Paris, la Comédie-França…2012Cited by: 1
Sous l’Ancien Régime, le système théâtral est à l’image de toute la structure sociale, fortement hiérarchisé. L’Opéra, qui jouit du statut d’académie dès son origine, y occupe la première place. La Comédie-Française vient en second : elle est constituée par la troupe des « Comédiens ordinaires du roi », titre attribué également, à la mort du Régent Philippe d’Orléans, à la troupe de la Comédie- Italienne (Opéra-Comique par la suite), qui forme le…
Pride, politics, and prejudice
William Christie, William Henry Maloney ChristieARTICLENineteenth Century Contexts1997References: 1
La Clemenza di Tito
Julian Rushton, Mozart Mozart et al.ARTICLEThe Musical Times1995
Vivaldi
Richard Langham Smith, Il Giardino Armonico et al.ARTICLEThe Musical Times1994
Songs
Margaret Laurie, Purcell Purcell et al.ARTICLEThe Musical Times1980

Songs
Margaret Laurie, Purcell Purcell et al.ARTICLEThe Musical Times1980
Vivaldi
Richard Langham Smith, Il Giardino Armonico et al.ARTICLEThe Musical Times1994
La Clemenza di Tito
Julian Rushton, Mozart Mozart et al.ARTICLEThe Musical Times1995
Pride, politics, and prejudice
William Christie, William Henry Maloney ChristieARTICLENineteenth Century Contexts1997References: 1
L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique
Open AccessCécile Auzolle, Jean-Christophe Branger et al.BOOKL’Opéra de Paris, la Comédie-França…2012Cited by: 1
Sous l’Ancien Régime, le système théâtral est à l’image de toute la structure sociale, fortement hiérarchisé. L’Opéra, qui jouit du statut d’académie dès son origine, y occupe la première place. La Comédie-Française vient en second : elle est constituée par la troupe des « Comédiens ordinaires du roi », titre attribué également, à la mort du Régent Philippe d’Orléans, à la troupe de la Comédie- Italienne (Opéra-Comique par la suite), qui forme le…
“Damn him and the spikes”
Open AccessKate Flaherty, William ChristieEDITORARTICLECogent Arts and Humanities2016
On 26 December 1833, the first licensed theatre in New South Wales offered its first Shakespeare play—Colley Cibber’s adaptation of Richard III. The event entailed a riot and the lead actor being charged with assault for hurling an audience member from the stage. Using insights drawn from scholarship on the Covent Garden “Old Price Riots” in 1809, this essay investigates the Sydney Theatre Royal’s 1833 disturbance as an indicative phase in the de…
Politics and Emotions in Romantic Periodicals
Open AccessJock Macleod, William Christie et al.EDITORBOOKPolitics and Emotions in Romantic…2019
‘The Essential Cambridge in Spite of Cambridge’
William Henry Maloney Christie, William ChristieARTICLEAustralian Humanities Review2021
I am concerned to make it really a university, something that is more than a collocation of specialist departments-to make it a centre of human consciousness: perception, knowledge, judgment and responsibility. And perhaps I have sufficiently indicated on what lines I would justify my seeing the centre of a university in a vital English School I will only say that the academic is the enemy and that the academic can be beaten, as we who ran Scruti…