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David Kimbell

Biographic Data

ID3972873
NAMEDavid Kimbell
GIVEN NAMESDavid
FAMILY NAMEKimbell
SIGNATUREKIMBELL D
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS1
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2007
H-INDEX1
  • Operatic Variations on an Episode at the Hellespont

    David Kimbell•CHAPTER•Cultural responses to the Persian…•2007

    This chapter examines the vogue in 17th- and 18th-century opera for dramatizing the episode of Xerxes at the Hellespont. Thus, one of the most important ways in which people were educated about the Persian Wars at this time was through the imaginative fictions sung by the stars of this hugely popular form of musical theatre. The chapter considers the reason for this trend, as well as the way in which transformations of the familiar story illustra…

  • Leading Ladies

    Erica Jeal, David Kimbell et al.•ARTICLE•The Musical Times•1999

  • The Cambridge History of Italian Literature

    Open Access•C P Brand, Jonathan Usher et al.•BOOK•The Cambridge history of Italian…•1997

    Italy possesses one of the richest and most influential literatures of Europe, stretching back to the thirteenth century. This first substantial history of Italian literature to appear in the English language for forty years provides a comprehensive survey of Italian writing from its earliest origins up to the present day. Leading scholars describe and assess the work of writers who have contributed to the Italian literary tradition, including Da…

  • The World's Major Languages

    T Gwynfor Griffith, Zygmunt G Baranski et al.•ARTICLE•Italian Studies•1989

  • The World's Major Languages

    T Gwynfor Griffith, Zygmunt G Baranski et al.•ARTICLE•Italian Studies•1989

  • Opera, Italian and Otherwise, in Some Recent Publications

    John W Barker, William Ashbrook et al.•ARTICLE•Italica•1987

  • Neo-Classical Counter-Currents in Italian Romantic Opera

    David Kimbell, D R B KIMBELL•ARTICLE•Italian Studies•1984

    Leggendo e rileggendo la storia di quel popolo che fu la fiaccola d'ogni umana sapere, e cercando d'indagare quale fosse la musica usata da quella eroica nazione ... potei rilevare che i Greci attribuivano alla parola musica un senso più ampio, comprendendo non solo l'arte che mediante il suono eccita qualunque sentimento ma ancora la poesia, l'arte del bello, la rettorica, la filosofia, e quella scienza che i Romani chiamarono 'politior humanita…

  • Neo-Classical Counter-Currents in Italian Romantic Opera

    David Kimbell, D R B KIMBELL•ARTICLE•Italian Studies•1984

    Leggendo e rileggendo la storia di quel popolo che fu la fiaccola d'ogni umana sapere, e cercando d'indagare quale fosse la musica usata da quella eroica nazione ... potei rilevare che i Greci attribuivano alla parola musica un senso più ampio, comprendendo non solo l'arte che mediante il suono eccita qualunque sentimento ma ancora la poesia, l'arte del bello, la rettorica, la filosofia, e quella scienza che i Romani chiamarono ‘politior humanita…

  • Verdi's First Rifacimento: ‘I Lombardi’ and ‘Jérusalem’

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1979

    Journal Article VERDI'S FIRST RIFACIMENTO: ‘I LOMBARDI’ AND ‘JÉRUSALEM’ Get access DAVID R. B. KIMBELL DAVID R. B. KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 60, Issue 1, January 1979, Pages 1–36, https://doi.org/10.1093/ml/60.1.1 Published: 01 January 1979

  • “POI … Diventò ‘L'Oberto’”

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1971

    “POI ... DIVENTò ‘L'OBERTO’” Get access DAVID R. B. KIMBELL DAVID R. B. KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LII, Issue 1, January 1971, Pages 1–7, https://doi.org/10.1093/ml/LII.1.1 Published: 01 January 1971

  • The ‘Amadis’ Operas of Destouches and Handel

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1968

    THE ‘AMADIS’ OPERAS OF DESTOUCHES AND HANDEL DAVID R. B. KIMBELL DAVID R. B. KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLIX, Issue 4, October 1968, Pages 329–346, https://doi.org/10.1093/ml/XLIX.4.329 Published: 01 October 1968

  • To the Editor of ‘Music & Letters’

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1964

  • The Libretto of Handel's 'Teseo

    David Kimbell•ARTICLE•Music and Letters•1963•Cited by: 1

    Journal Article THE LIBRETTO OF HANDEL'S ‘TESEO’ Get access DAVID KIMBELL DAVID KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 44, Issue 4, October 1963, Pages 371–379, https://doi.org/10.1093/ml/44.4.371 Published: 01 October 1963

  • The Libretto of Handel's 'Teseo

    David Kimbell•ARTICLE•Music and Letters•1963•Cited by: 1

    Journal Article THE LIBRETTO OF HANDEL'S ‘TESEO’ Get access DAVID KIMBELL DAVID KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 44, Issue 4, October 1963, Pages 371–379, https://doi.org/10.1093/ml/44.4.371 Published: 01 October 1963

  • The Libretto of Handel's 'Teseo

    David Kimbell•ARTICLE•Music and Letters•1963•Cited by: 1

    Journal Article THE LIBRETTO OF HANDEL'S ‘TESEO’ Get access DAVID KIMBELL DAVID KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 44, Issue 4, October 1963, Pages 371–379, https://doi.org/10.1093/ml/44.4.371 Published: 01 October 1963

  • To the Editor of ‘Music & Letters’

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1964

  • The ‘Amadis’ Operas of Destouches and Handel

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1968

    THE ‘AMADIS’ OPERAS OF DESTOUCHES AND HANDEL DAVID R. B. KIMBELL DAVID R. B. KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XLIX, Issue 4, October 1968, Pages 329–346, https://doi.org/10.1093/ml/XLIX.4.329 Published: 01 October 1968

  • “POI … Diventò ‘L'Oberto’”

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1971

    “POI ... DIVENTò ‘L'OBERTO’” Get access DAVID R. B. KIMBELL DAVID R. B. KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LII, Issue 1, January 1971, Pages 1–7, https://doi.org/10.1093/ml/LII.1.1 Published: 01 January 1971

  • Verdi's First Rifacimento: ‘I Lombardi’ and ‘Jérusalem’

    David Kimbell, David R B Kimbell•ARTICLE•Music and Letters•1979

    Journal Article VERDI'S FIRST RIFACIMENTO: ‘I LOMBARDI’ AND ‘JÉRUSALEM’ Get access DAVID R. B. KIMBELL DAVID R. B. KIMBELL Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 60, Issue 1, January 1979, Pages 1–36, https://doi.org/10.1093/ml/60.1.1 Published: 01 January 1979

  • Neo-Classical Counter-Currents in Italian Romantic Opera

    David Kimbell, D R B KIMBELL•ARTICLE•Italian Studies•1984

    Leggendo e rileggendo la storia di quel popolo che fu la fiaccola d'ogni umana sapere, e cercando d'indagare quale fosse la musica usata da quella eroica nazione ... potei rilevare che i Greci attribuivano alla parola musica un senso più ampio, comprendendo non solo l'arte che mediante il suono eccita qualunque sentimento ma ancora la poesia, l'arte del bello, la rettorica, la filosofia, e quella scienza che i Romani chiamarono 'politior humanita…

  • Neo-Classical Counter-Currents in Italian Romantic Opera

    David Kimbell, D R B KIMBELL•ARTICLE•Italian Studies•1984

    Leggendo e rileggendo la storia di quel popolo che fu la fiaccola d'ogni umana sapere, e cercando d'indagare quale fosse la musica usata da quella eroica nazione ... potei rilevare che i Greci attribuivano alla parola musica un senso più ampio, comprendendo non solo l'arte che mediante il suono eccita qualunque sentimento ma ancora la poesia, l'arte del bello, la rettorica, la filosofia, e quella scienza che i Romani chiamarono ‘politior humanita…

  • Opera, Italian and Otherwise, in Some Recent Publications

    John W Barker, William Ashbrook et al.•ARTICLE•Italica•1987

  • The World's Major Languages

    T Gwynfor Griffith, Zygmunt G Baranski et al.•ARTICLE•Italian Studies•1989

  • The World's Major Languages

    T Gwynfor Griffith, Zygmunt G Baranski et al.•ARTICLE•Italian Studies•1989

  • The Cambridge History of Italian Literature

    Open Access•C P Brand, Jonathan Usher et al.•BOOK•The Cambridge history of Italian…•1997

    Italy possesses one of the richest and most influential literatures of Europe, stretching back to the thirteenth century. This first substantial history of Italian literature to appear in the English language for forty years provides a comprehensive survey of Italian writing from its earliest origins up to the present day. Leading scholars describe and assess the work of writers who have contributed to the Italian literary tradition, including Da…

  • Leading Ladies

    Erica Jeal, David Kimbell et al.•ARTICLE•The Musical Times•1999

  • Operatic Variations on an Episode at the Hellespont

    David Kimbell•CHAPTER•Cultural responses to the Persian…•2007

    This chapter examines the vogue in 17th- and 18th-century opera for dramatizing the episode of Xerxes at the Hellespont. Thus, one of the most important ways in which people were educated about the Persian Wars at this time was through the imaginative fictions sung by the stars of this hugely popular form of musical theatre. The chapter considers the reason for this trend, as well as the way in which transformations of the familiar story illustra…

Art (10 works) · History (8 works) · Musicology and Musical Analysis (7 works) · Art history (6 works) · Opera (5 works) · Computer Science (4 works) · Literature (4 works) · Philosophy (3 works) · Philosophy (3 works) · Classics (2 works)

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