N Wood
Datos Biográficos
| ID | 3973797 |
|---|---|
| NOMBRE | N Wood |
| NOMBRES | N |
| APELLIDO | Wood |
| FIRMA | WOOD N |
| AFILIACIONES | Research Laboratory for Archaeology and the History of Art University of Oxford Dyson Perrins Building, South Parks Road Oxford OX1 3QY UK |
| VERIFICADO | No |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 102 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1979 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 4 |
Early development of Jingdezhen ceramic glazes
Major types of ceramics produced in the history of Jingdezhen, from the Tang green glaze stoneware, through the Five Dynasties white ware, the Song dynasty bluish‐white ware to the Yuan and Ming dynasties blue‐and‐white ware were analysed for their glaze chemistries to reveal, chemically, how the glazes of different periods in Jingdezhen evolved. Possible early period glaze recipes are proposed. Important events in the course of the technological…
Pottery technology in the Tang dynasty (ninth century ad )
In 1969–70, a single Tang dynasty blue‐spotted Gongyi sherd was found at Siraf, Iran, the main trading port on the Persian Gulf in the early Islamic period. This is the only known example of Chinese blue‐and‐white ware, whether low‐ or high‐fired, found in the Middle East from such an early date. The sherd provides direct archaeological evidence for the Indian Ocean trade between China and the Middle East in the ninth century ad . The body paste,…
New Insights into the Calcium Flux Used in Ancient Longquan and Yue Kilns Based on Strontium Isotopic Compositions
The glazes of seven types of greenware produced in the Yue and Longquan kilns between the Tang dynasty and the Ming dynasty ( ad 618–1644) were studied for their strontium isotopic compositions and bulk chemical compositions. The aim was to identify the raw materials used as the calcium fluxes in the glaze recipes and whether the raw materials changed over time, particularly before and after the Southern Song dynasty ( ad 1127–1279). From this wo…
A Study of the Techniques Used to Make Laohudong Guan Ware in China in the Southern Song Dynasty
Through a combination of analysis and synthesis of Laohudong Guan ware shards from Hangzhou City in southern China, some new hypotheses concerning Guan ware manufacture can be proposed. These suggest that the complex microstructures seen in Guan ware glazes, and which contribute significantly to their jade-like qualities, may owe much to layers of fine bubbles trapped during the glazing process. It is also proposed that the multi-layer glazing me…
An Investigation Into the Relationship Between the Raw Materials Used in the Production of Chinese Porcelain and Stoneware Bodies and the Resulting Microstructures
The microstructures of porcelain and stoneware bodies from north and south China, spanning the period from the Tang to the Ming dynasty (7th–17th centuries ad ), were examined in polished sections in a scanning electron microscope (SEM) after etching the sections with hydrofluoric acid (HF). Mullite, present as fine, mainly elongated crystals, is the dominant crystalline phase observed. The bulk chemical compositions of the bodies are determined …
A Technological Examination of Ninth-Tenth Century Ad Abbasid Blue-and-White Ware From Iraq, and Its Comparison With Eighth Century Ad Chinese Blue-and-White Sancai Ware
Eight sherds of ninth-tenth century ad Abbaesid blue-and-white glazed earthenware, excavated in 1931 at Hira in western Iraq, were analysed using, variously, quantitative wavelength-dispersive spectrometry (WDS) and energy-dispersive spectrometry (EDS) in association with scanning electron microscopes (SEM), and semi-quantitative X-ray fluorescence spectrometry (XRF). In order to compare the compositions of the cobalt pigments used, the glazes of…
Lead Glazes in Antiquity—methods of Production and Reasons for Use
Transparent high lead and tin‐opacified lead‐alkali glazes have been extensively used throughout Europe and the Near East from their first appearance in the Roman era and the tenth‐ to eleventh‐century Islamic world, respectively, up until the present day. Using, to a large extent, information which is widely scattered through a diverse range of literature, the methods employed in the production of these two glaze types are first outlined and the…
The Technology of Sixteenth‐ and Seventeenth‐century Chinese Cloisonné Enamels
The Ohio Conference on Political Cinema
The 1979 Ohio University Film Conference on Political Cinema held April 25-29 in Athens, Ohio, raised important theoretical and methodological issues for radical film theory. The following schematic summary of the conference sessions, while not exhausting the range and complexity of these issues, may serve to identify a number of current perspectives on political cinema. The opening panel on European Political Filmmaking examined politically sign…
Lead Glazes in Antiquity—methods of Production and Reasons for Use
Transparent high lead and tin‐opacified lead‐alkali glazes have been extensively used throughout Europe and the Near East from their first appearance in the Roman era and the tenth‐ to eleventh‐century Islamic world, respectively, up until the present day. Using, to a large extent, information which is widely scattered through a diverse range of literature, the methods employed in the production of these two glaze types are first outlined and the…
A Technological Examination of Ninth-Tenth Century Ad Abbasid Blue-and-White Ware From Iraq, and Its Comparison With Eighth Century Ad Chinese Blue-and-White Sancai Ware
Eight sherds of ninth-tenth century ad Abbaesid blue-and-white glazed earthenware, excavated in 1931 at Hira in western Iraq, were analysed using, variously, quantitative wavelength-dispersive spectrometry (WDS) and energy-dispersive spectrometry (EDS) in association with scanning electron microscopes (SEM), and semi-quantitative X-ray fluorescence spectrometry (XRF). In order to compare the compositions of the cobalt pigments used, the glazes of…
The Technology of Sixteenth‐ and Seventeenth‐century Chinese Cloisonné Enamels
A Study of the Techniques Used to Make Laohudong Guan Ware in China in the Southern Song Dynasty
Through a combination of analysis and synthesis of Laohudong Guan ware shards from Hangzhou City in southern China, some new hypotheses concerning Guan ware manufacture can be proposed. These suggest that the complex microstructures seen in Guan ware glazes, and which contribute significantly to their jade-like qualities, may owe much to layers of fine bubbles trapped during the glazing process. It is also proposed that the multi-layer glazing me…
Early development of Jingdezhen ceramic glazes
Major types of ceramics produced in the history of Jingdezhen, from the Tang green glaze stoneware, through the Five Dynasties white ware, the Song dynasty bluish‐white ware to the Yuan and Ming dynasties blue‐and‐white ware were analysed for their glaze chemistries to reveal, chemically, how the glazes of different periods in Jingdezhen evolved. Possible early period glaze recipes are proposed. Important events in the course of the technological…
New Insights into the Calcium Flux Used in Ancient Longquan and Yue Kilns Based on Strontium Isotopic Compositions
The glazes of seven types of greenware produced in the Yue and Longquan kilns between the Tang dynasty and the Ming dynasty ( ad 618–1644) were studied for their strontium isotopic compositions and bulk chemical compositions. The aim was to identify the raw materials used as the calcium fluxes in the glaze recipes and whether the raw materials changed over time, particularly before and after the Southern Song dynasty ( ad 1127–1279). From this wo…
An Investigation Into the Relationship Between the Raw Materials Used in the Production of Chinese Porcelain and Stoneware Bodies and the Resulting Microstructures
The microstructures of porcelain and stoneware bodies from north and south China, spanning the period from the Tang to the Ming dynasty (7th–17th centuries ad ), were examined in polished sections in a scanning electron microscope (SEM) after etching the sections with hydrofluoric acid (HF). Mullite, present as fine, mainly elongated crystals, is the dominant crystalline phase observed. The bulk chemical compositions of the bodies are determined …
Pottery technology in the Tang dynasty (ninth century ad )
In 1969–70, a single Tang dynasty blue‐spotted Gongyi sherd was found at Siraf, Iran, the main trading port on the Persian Gulf in the early Islamic period. This is the only known example of Chinese blue‐and‐white ware, whether low‐ or high‐fired, found in the Middle East from such an early date. The sherd provides direct archaeological evidence for the Indian Ocean trade between China and the Middle East in the ninth century ad . The body paste,…
The Ohio Conference on Political Cinema
The 1979 Ohio University Film Conference on Political Cinema held April 25-29 in Athens, Ohio, raised important theoretical and methodological issues for radical film theory. The following schematic summary of the conference sessions, while not exhausting the range and complexity of these issues, may serve to identify a number of current perspectives on political cinema. The opening panel on European Political Filmmaking examined politically sign…
The Technology of Sixteenth‐ and Seventeenth‐century Chinese Cloisonné Enamels
Lead Glazes in Antiquity—methods of Production and Reasons for Use
Transparent high lead and tin‐opacified lead‐alkali glazes have been extensively used throughout Europe and the Near East from their first appearance in the Roman era and the tenth‐ to eleventh‐century Islamic world, respectively, up until the present day. Using, to a large extent, information which is widely scattered through a diverse range of literature, the methods employed in the production of these two glaze types are first outlined and the…
A Technological Examination of Ninth-Tenth Century Ad Abbasid Blue-and-White Ware From Iraq, and Its Comparison With Eighth Century Ad Chinese Blue-and-White Sancai Ware
Eight sherds of ninth-tenth century ad Abbaesid blue-and-white glazed earthenware, excavated in 1931 at Hira in western Iraq, were analysed using, variously, quantitative wavelength-dispersive spectrometry (WDS) and energy-dispersive spectrometry (EDS) in association with scanning electron microscopes (SEM), and semi-quantitative X-ray fluorescence spectrometry (XRF). In order to compare the compositions of the cobalt pigments used, the glazes of…
An Investigation Into the Relationship Between the Raw Materials Used in the Production of Chinese Porcelain and Stoneware Bodies and the Resulting Microstructures
The microstructures of porcelain and stoneware bodies from north and south China, spanning the period from the Tang to the Ming dynasty (7th–17th centuries ad ), were examined in polished sections in a scanning electron microscope (SEM) after etching the sections with hydrofluoric acid (HF). Mullite, present as fine, mainly elongated crystals, is the dominant crystalline phase observed. The bulk chemical compositions of the bodies are determined …
A Study of the Techniques Used to Make Laohudong Guan Ware in China in the Southern Song Dynasty
Through a combination of analysis and synthesis of Laohudong Guan ware shards from Hangzhou City in southern China, some new hypotheses concerning Guan ware manufacture can be proposed. These suggest that the complex microstructures seen in Guan ware glazes, and which contribute significantly to their jade-like qualities, may owe much to layers of fine bubbles trapped during the glazing process. It is also proposed that the multi-layer glazing me…
Pottery technology in the Tang dynasty (ninth century ad )
In 1969–70, a single Tang dynasty blue‐spotted Gongyi sherd was found at Siraf, Iran, the main trading port on the Persian Gulf in the early Islamic period. This is the only known example of Chinese blue‐and‐white ware, whether low‐ or high‐fired, found in the Middle East from such an early date. The sherd provides direct archaeological evidence for the Indian Ocean trade between China and the Middle East in the ninth century ad . The body paste,…
New Insights into the Calcium Flux Used in Ancient Longquan and Yue Kilns Based on Strontium Isotopic Compositions
The glazes of seven types of greenware produced in the Yue and Longquan kilns between the Tang dynasty and the Ming dynasty ( ad 618–1644) were studied for their strontium isotopic compositions and bulk chemical compositions. The aim was to identify the raw materials used as the calcium fluxes in the glaze recipes and whether the raw materials changed over time, particularly before and after the Southern Song dynasty ( ad 1127–1279). From this wo…
Early development of Jingdezhen ceramic glazes
Major types of ceramics produced in the history of Jingdezhen, from the Tang green glaze stoneware, through the Five Dynasties white ware, the Song dynasty bluish‐white ware to the Yuan and Ming dynasties blue‐and‐white ware were analysed for their glaze chemistries to reveal, chemically, how the glazes of different periods in Jingdezhen evolved. Possible early period glaze recipes are proposed. Important events in the course of the technological…
Cultural Heritage Materials Analysis (7 obras) · Building materials and conservation (6 obras) · Materials Science (6 obras) · Metallurgy (6 obras) · Ceramic (5 obras) · Geology (5 obras) · Geology (5 obras) · Glaze (5 obras) · Mineralogy (5 obras) · Archaeology (4 obras)