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Beyza Uzun

Biographic Data

ID3975603
NAMEBeyza Uzun
GIVEN NAMESBeyza
FAMILY NAMEUzun
SIGNATUREUZUN B
AFFILIATIONSIMT School for Advanced Studies Lucca
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2025
H-INDEX1
  • From the Ottoman Empire to the Republic of Turkey: Formation and Display of the Earliest Islamic Art Collection in the Imperial Museum (Müze-i Hümâyun), Istanbul

    Open Access•Beyza Uzun•ARTICLE•DIYÂR•2025

    In the 1880s, Islamic art objects were not yet regarded as collectable heritage in the Ottoman state. Although Salomon Reinach (1858–1932) had suggested turning the fifteenth-century Çinili Köşk (Tiled Kiosk) into a museum of ‘Muslim art’ in 1883, this was realised only in 1908, when the building was devoted exclusively to the Islamic art collection of the Imperial Museum (Müze-i Hümâyun). The collection itself had begun to take shape gradually f…

  • Scenting the imperial residence: Objects from the Topkapı Palace Museum collections

    Open Access•Beyza Uzun, Nina Macaraig•ARTICLE•The Senses and Society•2022•Cited by: 2•References: 5

    Following every major meal in the Topkapı Palace, Istanbul, the sultan was incensed with amber and aloewood, and every evening, an amber-and-aloewood-scented candle perfumed his bedroom, according to page-boy Albert Bobovi’s seventeenth-century account of everyday life. Talikizade’s Şehname (ca. 1596–1600) shows Süleyman the Magnificent seated with his son in his library, next to a censer emitting tendrils of smoke. Approximately sixty such cense…

  • Scenting the imperial residence: Objects from the Topkapı Palace Museum collections

    Open Access•Beyza Uzun, Nina Macaraig•ARTICLE•The Senses and Society•2022•Cited by: 2•References: 5

    Following every major meal in the Topkapı Palace, Istanbul, the sultan was incensed with amber and aloewood, and every evening, an amber-and-aloewood-scented candle perfumed his bedroom, according to page-boy Albert Bobovi’s seventeenth-century account of everyday life. Talikizade’s Şehname (ca. 1596–1600) shows Süleyman the Magnificent seated with his son in his library, next to a censer emitting tendrils of smoke. Approximately sixty such cense…

  • Scenting the imperial residence: Objects from the Topkapı Palace Museum collections

    Open Access•Beyza Uzun, Nina Macaraig•ARTICLE•The Senses and Society•2022•Cited by: 2•References: 5

    Following every major meal in the Topkapı Palace, Istanbul, the sultan was incensed with amber and aloewood, and every evening, an amber-and-aloewood-scented candle perfumed his bedroom, according to page-boy Albert Bobovi’s seventeenth-century account of everyday life. Talikizade’s Şehname (ca. 1596–1600) shows Süleyman the Magnificent seated with his son in his library, next to a censer emitting tendrils of smoke. Approximately sixty such cense…

  • From the Ottoman Empire to the Republic of Turkey: Formation and Display of the Earliest Islamic Art Collection in the Imperial Museum (Müze-i Hümâyun), Istanbul

    Open Access•Beyza Uzun•ARTICLE•DIYÂR•2025

    In the 1880s, Islamic art objects were not yet regarded as collectable heritage in the Ottoman state. Although Salomon Reinach (1858–1932) had suggested turning the fifteenth-century Çinili Köşk (Tiled Kiosk) into a museum of ‘Muslim art’ in 1883, this was realised only in 1908, when the building was devoted exclusively to the Islamic art collection of the Imperial Museum (Müze-i Hümâyun). The collection itself had begun to take shape gradually f…

Ancient history (1 works) · Ancient Mediterranean Archaeology and History (1 works) · Archaeology (1 works) · Archaeology and Historical Studies (1 works) · Art (1 works) · Art history (1 works) · Bedroom (1 works) · Collectable (1 works) · Cultural heritage (1 works) · Eurasian Exchange Networks (1 works)

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