Steen Ledet Christiansen
Biographic Data
| ID | 3975623 |
|---|---|
| NAME | Steen Ledet Christiansen |
| GIVEN NAMES | Steen Ledet |
| FAMILY NAME | Christiansen |
| SIGNATURE | CHRISTIANSEN S L |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
The Future of Extinction
In this article, I draw on William S. Burroughs’ The Western Lands to think about what François Laruelle has termed a “generic humanity.” This generic humanity broadens and expands our ethical obligations towards those who have not yet been included in humanity. Burroughs’ emphasis in the novel on flattened time, magic, and death as transformation is used to show how we can make Mankind extinct from our way of thinking. Burroughs’ novel is thus a…
Unruly vision, synesthetic space
In recent years, there has been an increase in using drones outfitted with cameras and unusual lenses to produce music videos. Analyzing Flatbush Zombies featuring Trash Talk’s video “97.92,” this article outlines the contours of this synesthetic space and its position within audiovisual culture. Drone technologies inscribe themselves into the long history of other visual (and sonic) technologies used to expand cinematic forms of expression, and …
Bodil Marie Stavning Thomsen
Ted Nannicelli & Paul Yaberham
Tarja Laine
Tarja Laine's second book continues her interest in emotional dynamics in fi lms and argues for a synthetic approach, drawing on both sensory and cognitive insights.Sensory theories and theories of emotional engagement consist of what is often referred to as the third wave of fi lm theory.Yet this third wave is in no way homogenous and does not draw on the same critical foundations.On the one hand, we have a mostly phenomenological tradition that…
Unruly vision, synesthetic space
In recent years, there has been an increase in using drones outfitted with cameras and unusual lenses to produce music videos. Analyzing Flatbush Zombies featuring Trash Talk’s video “97.92,” this article outlines the contours of this synesthetic space and its position within audiovisual culture. Drone technologies inscribe themselves into the long history of other visual (and sonic) technologies used to expand cinematic forms of expression, and …
Tarja Laine
Tarja Laine's second book continues her interest in emotional dynamics in fi lms and argues for a synthetic approach, drawing on both sensory and cognitive insights.Sensory theories and theories of emotional engagement consist of what is often referred to as the third wave of fi lm theory.Yet this third wave is in no way homogenous and does not draw on the same critical foundations.On the one hand, we have a mostly phenomenological tradition that…
Ted Nannicelli & Paul Yaberham
Bodil Marie Stavning Thomsen
The Future of Extinction
In this article, I draw on William S. Burroughs’ The Western Lands to think about what François Laruelle has termed a “generic humanity.” This generic humanity broadens and expands our ethical obligations towards those who have not yet been included in humanity. Burroughs’ emphasis in the novel on flattened time, magic, and death as transformation is used to show how we can make Mankind extinct from our way of thinking. Burroughs’ novel is thus a…
Unruly vision, synesthetic space
In recent years, there has been an increase in using drones outfitted with cameras and unusual lenses to produce music videos. Analyzing Flatbush Zombies featuring Trash Talk’s video “97.92,” this article outlines the contours of this synesthetic space and its position within audiovisual culture. Drone technologies inscribe themselves into the long history of other visual (and sonic) technologies used to expand cinematic forms of expression, and …
Art (4 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Aesthetics (2 works) · Feeling (2 works) · Media studies (2 works) · Movie theater (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works)