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Aileen Ribeiro

Biographic Data

ID3977289
NAMEAileen Ribeiro
GIVEN NAMESAileen
FAMILY NAMERibeiro
SIGNATURERIBEIRO A
AFFILIATIONSAileen Ribeiro is Reader in the History of Art at the University of London, and Head of the History of Dress Department at the Courtauld Institute of Art. She is the author of numerous books and articles on the history of dress and has acted as costume consultant to a number of important exhibitions of portraits. She has just finished a book about the representation of dress and appearance in the work of Ingres (to be published by Yale University Press in 1999).
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS3
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2008
H-INDEX1
  • Painting Women

    Patricia Phillippy, first book Patricia Phillippy et al.•ARTICLE•Renaissance and Reformation•2008

    Early modern European visual culture-which means just about anything that was routinely or habitually visible in societies, from make-up to city-planning, from trade signs to page layout, from festivals to maps, from scientific illustrations to embroidered silks, from fine paintings to flower arrangement, from signs of gender, race, and class to heraldic insignia, from arithmetical charts to diagrams of new technology-was rich, broad, multiform, …

  • Goya

    Kimberly Chrisman-Campbell, Janis A Tomlinson et al.•ARTICLE•Woman s Art Journal•2005

    Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This text examines the representations of women within Goya's multifaceted art, and in so doing, it she…

  • Dress in the Western world

    Aileen Ribeiro•CHAPTER•2003

  • Dress in the 17th and 18th centuries in Europe

    Aileen Ribeiro•CHAPTER•2003

  • The Art of Dress

    Ruth P Rubinstein, Aileen Ribeiro•ARTICLE•Woman s Art Journal•1998

    Introduction - truth and history - the meaning of dress in art, 1750-1820 the fabric of society - fashion from 1750 to 1789 painters of modern life - fashion from 1789 to 1820 the stuff of heroes - historical themes in dress and art in France remembrance of things past - image and reality in fancy dress in England

  • Re-Fashioning Art

    Aileen Ribeiro•ARTICLE•Fashion Theory•1998•Cited by: 3•References: 1

    (1998). Re-Fashioning Art: Some Visual Approaches to the Study of the History of Dress. Fashion Theory: Vol. 2, No. 4, pp. 315-325

  • The Art of Dress

    Patricia A Cunningham, Aileen Ribeiro•ARTICLE•The William and Mary Quarterly•1997

  • Ralph Earl

    Irma B Jaffe, Elizabeth Mankin Kornhauser et al.•ARTICLE•Eighteenth-Century Studies•1992

    Ralph Earl - the face of the young republic, Elizabeth Mankin Kornhauser portraiture and society in late 18th-century Connecticut, Richard L. Bushman Ralph Earl's working methods and materials, Stephen H. Kornhauser. Catalogue, Elizabeth Mankin Kornhauser and Aileen Ribeiro

  • Dress in Eighteenth-Century Europe, 1715-1789

    Paul J Korshin, Aileen Ribeiro•ARTICLE•Eighteenth-Century Studies•1987

    A survey of the clothing worn by the middle and upper classes throughout Europe in the 18th century, and a discussion of what this meant in terms of social definition and identity. Aileen Ribeiro, a historian of dress, also looks at such subjects as developments in retailing and distribution, etiquette, the rise of the dress designer and couturier, the evolution of ready-made clothes, fancy dress, and the masquerade. This revised edition takes th…

  • Re-Fashioning Art

    Aileen Ribeiro•ARTICLE•Fashion Theory•1998•Cited by: 3•References: 1

    (1998). Re-Fashioning Art: Some Visual Approaches to the Study of the History of Dress. Fashion Theory: Vol. 2, No. 4, pp. 315-325

  • Dress in Eighteenth-Century Europe, 1715-1789

    Paul J Korshin, Aileen Ribeiro•ARTICLE•Eighteenth-Century Studies•1987

    A survey of the clothing worn by the middle and upper classes throughout Europe in the 18th century, and a discussion of what this meant in terms of social definition and identity. Aileen Ribeiro, a historian of dress, also looks at such subjects as developments in retailing and distribution, etiquette, the rise of the dress designer and couturier, the evolution of ready-made clothes, fancy dress, and the masquerade. This revised edition takes th…

  • Ralph Earl

    Irma B Jaffe, Elizabeth Mankin Kornhauser et al.•ARTICLE•Eighteenth-Century Studies•1992

    Ralph Earl - the face of the young republic, Elizabeth Mankin Kornhauser portraiture and society in late 18th-century Connecticut, Richard L. Bushman Ralph Earl's working methods and materials, Stephen H. Kornhauser. Catalogue, Elizabeth Mankin Kornhauser and Aileen Ribeiro

  • The Art of Dress

    Patricia A Cunningham, Aileen Ribeiro•ARTICLE•The William and Mary Quarterly•1997

  • The Art of Dress

    Ruth P Rubinstein, Aileen Ribeiro•ARTICLE•Woman s Art Journal•1998

    Introduction - truth and history - the meaning of dress in art, 1750-1820 the fabric of society - fashion from 1750 to 1789 painters of modern life - fashion from 1789 to 1820 the stuff of heroes - historical themes in dress and art in France remembrance of things past - image and reality in fancy dress in England

  • Re-Fashioning Art

    Aileen Ribeiro•ARTICLE•Fashion Theory•1998•Cited by: 3•References: 1

    (1998). Re-Fashioning Art: Some Visual Approaches to the Study of the History of Dress. Fashion Theory: Vol. 2, No. 4, pp. 315-325

  • Dress in the Western world

    Aileen Ribeiro•CHAPTER•2003

  • Dress in the 17th and 18th centuries in Europe

    Aileen Ribeiro•CHAPTER•2003

  • Goya

    Kimberly Chrisman-Campbell, Janis A Tomlinson et al.•ARTICLE•Woman s Art Journal•2005

    Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This text examines the representations of women within Goya's multifaceted art, and in so doing, it she…

  • Painting Women

    Patricia Phillippy, first book Patricia Phillippy et al.•ARTICLE•Renaissance and Reformation•2008

    Early modern European visual culture-which means just about anything that was routinely or habitually visible in societies, from make-up to city-planning, from trade signs to page layout, from festivals to maps, from scientific illustrations to embroidered silks, from fine paintings to flower arrangement, from signs of gender, race, and class to heraldic insignia, from arithmetical charts to diagrams of new technology-was rich, broad, multiform, …

Art (6 works) · Fashion and Cultural Textiles (6 works) · History (5 works) · Art history (4 works) · Visual arts (4 works) · History (3 works) · Aesthetics (2 works) · Historical Art and Culture Studies (2 works) · Literature (2 works) · Painting (2 works)

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