Everett C Frost
Biographic Data
| ID | 3981237 |
|---|---|
| NAME | Everett C Frost |
| GIVEN NAMES | Everett C |
| FAMILY NAME | Frost |
| SIGNATURE | FROST E C |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
‘My comforts! Be friends!’
My article responds to an invitation from Jean-Michel Gouvard and Dominic Glynn to discuss the Beckett Festival of Radio Plays’ premiere production of the Samuel Beckett/Morton Feldman radio play, Words and Music, in the UK session of their bi-national ‘Jouer Beckett’ conference at the University of London (12 October 2017). As its producer/director, I review the play’s BBC origins, the ways in which Beckett was uniquely constituted to deal with …
The Drama in the Text
From Wild Strawberries to Strawberry Fields Forever
Fundamental Sounds
In 1955 the BBC, intrigued by the international attention being given to the Paris production of Samuel Beckett's Waiting for Godot, invited the author to write a radio play. Beckett was hesitant, but he wrote to his friend, Nancy Cunard, Never thought about radio play technique but in the dead of t'other night got a nice gruesome idea full of cartwheels and dragging of feet and puffing and panting which may or may not lead to something.' It led …
The Beckett Festival of Radio Plays
Why Sound Art Works and the German Horspiel
The Drama in the Text
Fundamental Sounds
In 1955 the BBC, intrigued by the international attention being given to the Paris production of Samuel Beckett's Waiting for Godot, invited the author to write a radio play. Beckett was hesitant, but he wrote to his friend, Nancy Cunard, Never thought about radio play technique but in the dead of t'other night got a nice gruesome idea full of cartwheels and dragging of feet and puffing and panting which may or may not lead to something.' It led …
Why Sound Art Works and the German Horspiel
The Beckett Festival of Radio Plays
From Wild Strawberries to Strawberry Fields Forever
Fundamental Sounds
In 1955 the BBC, intrigued by the international attention being given to the Paris production of Samuel Beckett's Waiting for Godot, invited the author to write a radio play. Beckett was hesitant, but he wrote to his friend, Nancy Cunard, Never thought about radio play technique but in the dead of t'other night got a nice gruesome idea full of cartwheels and dragging of feet and puffing and panting which may or may not lead to something.' It led …
The Drama in the Text
‘My comforts! Be friends!’
My article responds to an invitation from Jean-Michel Gouvard and Dominic Glynn to discuss the Beckett Festival of Radio Plays’ premiere production of the Samuel Beckett/Morton Feldman radio play, Words and Music, in the UK session of their bi-national ‘Jouer Beckett’ conference at the University of London (12 October 2017). As its producer/director, I review the play’s BBC origins, the ways in which Beckett was uniquely constituted to deal with …
Art (6 works) · Samuel Beckett and Modernism (4 works) · Theatre and Performance Studies (3 works) · Acoustics (2 works) · Drama (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Physics (2 works) · Archaeology (1 works)