Rosemary K Curb
Biographic Data
| ID | 3981302 |
|---|---|
| NAME | Rosemary K Curb |
| GIVEN NAMES | Rosemary K |
| FAMILY NAME | Curb |
| SIGNATURE | CURB R K |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 1985 |
| H-INDEX | 2 |
Re/cognition, Re/presentation, Re/creation in Woman-Conscious Drama
Considering time as an illusion of the eternal moment or the non-linear temporality of memory's eye, I called a personal essay I wrote seven years ago the Future. In this fragmentary remembrance of things past, published in The Lesbian Path edited by Margaret Cruikshank, I weave together two events of my immediate personal history previous to my writing the anecdote: the 1978 Michigan Womyn's Music Festival and the opening faculty meeting for the…
Fragmented Selves in Adrienne Kennedy's "Funnyhouse of a Negro" and "The Owl Answers
Adrienne Kennedy, one of the most innovative and subjective American playwrights to emerge in the 1960s, creates a theatrical nightmare world removed from ordinary perceptions of time and space. Rather than presenting linear plots with chronological narrative progression, she portrays the fragmented mental states of her characters, who dramatize their many facets by changing costumes as a symbolic representation of their changing personalities or…
Re/cognition, Re/presentation, Re/creation in Woman-Conscious Drama
Considering time as an illusion of the eternal moment or the non-linear temporality of memory's eye, I called a personal essay I wrote seven years ago the Future. In this fragmentary remembrance of things past, published in The Lesbian Path edited by Margaret Cruikshank, I weave together two events of my immediate personal history previous to my writing the anecdote: the 1978 Michigan Womyn's Music Festival and the opening faculty meeting for the…
Fragmented Selves in Adrienne Kennedy's "Funnyhouse of a Negro" and "The Owl Answers
Adrienne Kennedy, one of the most innovative and subjective American playwrights to emerge in the 1960s, creates a theatrical nightmare world removed from ordinary perceptions of time and space. Rather than presenting linear plots with chronological narrative progression, she portrays the fragmented mental states of her characters, who dramatize their many facets by changing costumes as a symbolic representation of their changing personalities or…
Fragmented Selves in Adrienne Kennedy's "Funnyhouse of a Negro" and "The Owl Answers
Adrienne Kennedy, one of the most innovative and subjective American playwrights to emerge in the 1960s, creates a theatrical nightmare world removed from ordinary perceptions of time and space. Rather than presenting linear plots with chronological narrative progression, she portrays the fragmented mental states of her characters, who dramatize their many facets by changing costumes as a symbolic representation of their changing personalities or…
Re/cognition, Re/presentation, Re/creation in Woman-Conscious Drama
Considering time as an illusion of the eternal moment or the non-linear temporality of memory's eye, I called a personal essay I wrote seven years ago the Future. In this fragmentary remembrance of things past, published in The Lesbian Path edited by Margaret Cruikshank, I weave together two events of my immediate personal history previous to my writing the anecdote: the 1978 Michigan Womyn's Music Festival and the opening faculty meeting for the…
Art (2 works) · History (2 works) · History (2 works) · Theatre and Performance Studies (2 works) · Aesthetics (1 work) · Cognition (1 work) · Cognitive science (1 work) · Communication (1 work) · Communication (1 work) · Computer Science (1 work)