Katie N Johnson
Biographic Data
| ID | 3981308 |
|---|---|
| NAME | Katie N Johnson |
| GIVEN NAMES | Katie N |
| FAMILY NAME | Johnson |
| SIGNATURE | JOHNSON K N |
| AFFILIATIONS | Miami University |
| ORCID | 0000-0001-9853-2192 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Black to Ireland: Circum-Atlantic Double Exposure and Racialized Jump Cuts in The Emperor Jones
The Emperor Jones (1933) was a film aimed at critiquing empire while also evoking the black diaspora. Yet the film was created by a team of Irish-American artists (playwright Eugene O’Neill, director Dudley Murphy, and actor Dudley Digges). Their work on The Emperor Jones came from a commitment to the idea that the colonization of Ireland was of a piece with the results of anti-black racism, colonialism and imperialism (although not similar), and…
Woyzeck in Winter by Conall Morrison
An Algerian in Paris: Habib Benglia's The Emperor Jones
An Algerian in Paris:Habib Benglia's The Emperor Jones Katie N. Johnson (bio) In 1923 the Algerian actor Habib Benglia played an uncanny Emperor Jones for the nation that colonized his own.1 On the stage of Paris's Odéon Theatre, one of France's most esteemed national performance venues, the French-speaking Benglia—a colonized subject—assumed the role of a colonizer (Brutus Jones) in a play that has been central in discussions of racial performat…
Sex for Sale: Six Progressive-Era Brothel Dramas
The Physicists by Friedrich Dürrenmatt (review)
Reviewed by: The Physicists by Friedrich Dürrenmatt Katie N. Johnson The Physicists. By Friedrich Dürrenmatt, in a new adaptation by Jack Thorne. Directed by Josie Rourke. Donmar Warehouse, London. 7 June 2012. What is the price of scientific discovery in the nuclear age? Has technology outstripped humanity’s moral aptitude? Under Josie Rourke’s stewardship as new artistic director, the Donmar Warehouse addressed questions like these in a season …
Composing Ourselves: The Little Theatre Movement and the American Audience (review)
Reviewed by: Composing Ourselves: The Little Theatre Movement and the American Audience Katie N. Johnson Composing Ourselves: The Little Theatre Movement and the American Audience. By Dorothy Chansky. Theatre in the Americas Series. Carbondale: Southern Illinois University Press, 2004; pp. xiii + 293. $55.00 cloth. Dorothy Chansky's Composing Ourselves: The Little Theatre Movement and the American Audience offers an important contribution to Amer…
Zaza: That "Obtruding Harlot" of the Stage
The title character in David Belasco's 1899 production of Zaza won the dubious distinction of being labeled one of those "obtruding harlots on the stage" by drama critic William Winter. Referencing a long tradition of fallen women and their dramaturgical sisters—courtesans and prostitutes—Winter claimed "it would be propitious for the community if [dramas like Zaza] could be played on from a fire hose and washed into the sewer where they belong."…
Kurze Geschichte des Deutschen Theaters
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Kurze Geschichte des Deutschen Theaters
Zaza: That "Obtruding Harlot" of the Stage
The title character in David Belasco's 1899 production of Zaza won the dubious distinction of being labeled one of those "obtruding harlots on the stage" by drama critic William Winter. Referencing a long tradition of fallen women and their dramaturgical sisters—courtesans and prostitutes—Winter claimed "it would be propitious for the community if [dramas like Zaza] could be played on from a fire hose and washed into the sewer where they belong."…
Composing Ourselves: The Little Theatre Movement and the American Audience (review)
Reviewed by: Composing Ourselves: The Little Theatre Movement and the American Audience Katie N. Johnson Composing Ourselves: The Little Theatre Movement and the American Audience. By Dorothy Chansky. Theatre in the Americas Series. Carbondale: Southern Illinois University Press, 2004; pp. xiii + 293. $55.00 cloth. Dorothy Chansky's Composing Ourselves: The Little Theatre Movement and the American Audience offers an important contribution to Amer…
The Physicists by Friedrich Dürrenmatt (review)
Reviewed by: The Physicists by Friedrich Dürrenmatt Katie N. Johnson The Physicists. By Friedrich Dürrenmatt, in a new adaptation by Jack Thorne. Directed by Josie Rourke. Donmar Warehouse, London. 7 June 2012. What is the price of scientific discovery in the nuclear age? Has technology outstripped humanity’s moral aptitude? Under Josie Rourke’s stewardship as new artistic director, the Donmar Warehouse addressed questions like these in a season …
Sex for Sale: Six Progressive-Era Brothel Dramas
An Algerian in Paris: Habib Benglia's The Emperor Jones
An Algerian in Paris:Habib Benglia's The Emperor Jones Katie N. Johnson (bio) In 1923 the Algerian actor Habib Benglia played an uncanny Emperor Jones for the nation that colonized his own.1 On the stage of Paris's Odéon Theatre, one of France's most esteemed national performance venues, the French-speaking Benglia—a colonized subject—assumed the role of a colonizer (Brutus Jones) in a play that has been central in discussions of racial performat…
Woyzeck in Winter by Conall Morrison
Black to Ireland: Circum-Atlantic Double Exposure and Racialized Jump Cuts in The Emperor Jones
The Emperor Jones (1933) was a film aimed at critiquing empire while also evoking the black diaspora. Yet the film was created by a team of Irish-American artists (playwright Eugene O’Neill, director Dudley Murphy, and actor Dudley Digges). Their work on The Emperor Jones came from a commitment to the idea that the colonization of Ireland was of a piece with the results of anti-black racism, colonialism and imperialism (although not similar), and…
History (7 works) · Art (6 works) · History (6 works) · Sociology (5 works) · Law (4 works) · Political science (4 works) · Theater, Performance, and Music History (4 works) · Aesthetics (3 works) · Art history (3 works) · Drama (3 works)