Langdon Brown
Biographic Data
| ID | 3981418 |
|---|---|
| NAME | Langdon Brown |
| GIVEN NAMES | Langdon |
| FAMILY NAME | Brown |
| SIGNATURE | BROWN L |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
"Trauma, Radicalism, and Dramatic Form in "Till Damaskus I
Research Article| October 01 2012 Trauma, Radicalism, and Dramatic Form in "Till Damaskus I" Langdon Brown Langdon Brown Search for other works by this author on: This Site Google Scandinavian Studies (2012) 84 (3): 395–412. https://doi.org/10.2307/41955651 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Langdon Brown; Trauma, Radicalism, and Dramatic Form in "Till Damaskus I". Scandinavian Studie…
The Roman Actor, and
Eastward Ho. By Ben Jonson, John Mar-Ston and George Chapman. Gielgud Theatre, London. 6 January 2003
The Winter's Tale (review)
This production opened amid vigorous speculation about Trevor Nunn's successor as Director of the National Theatre, and its director, Nicholas Hytner, was a natural for the short list. He took the unusual step of publicly bolstering his case, arguing for more productions of great plays in large theatre spaces like the Olivier at a time when artists and audiences seem to be gravitating toward intimate venues like the Cottesloe, Donmar Warehouse, a…
Execution of Justice
Pride and Prejudice
Mensch Meier
"Firmin Gemier's Cirque d'Hiver Production of "Oedipe roi de Thebes
"Firmin Gemier's Cirque d'Hiver Production of "Oedipe roi de Thebes
Mensch Meier
Execution of Justice
Pride and Prejudice
The Winter's Tale (review)
This production opened amid vigorous speculation about Trevor Nunn's successor as Director of the National Theatre, and its director, Nicholas Hytner, was a natural for the short list. He took the unusual step of publicly bolstering his case, arguing for more productions of great plays in large theatre spaces like the Olivier at a time when artists and audiences seem to be gravitating toward intimate venues like the Cottesloe, Donmar Warehouse, a…
The Roman Actor, and
Eastward Ho. By Ben Jonson, John Mar-Ston and George Chapman. Gielgud Theatre, London. 6 January 2003
"Trauma, Radicalism, and Dramatic Form in "Till Damaskus I
Research Article| October 01 2012 Trauma, Radicalism, and Dramatic Form in "Till Damaskus I" Langdon Brown Langdon Brown Search for other works by this author on: This Site Google Scandinavian Studies (2012) 84 (3): 395–412. https://doi.org/10.2307/41955651 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Langdon Brown; Trauma, Radicalism, and Dramatic Form in "Till Damaskus I". Scandinavian Studie…
Art (6 works) · History (4 works) · Law (4 works) · Political science (4 works) · Computer Science (3 works) · History (3 works) · Law (3 works) · Irish and British Studies (2 works) · Library science (2 works) · Literature (2 works)