Jennifer Joan Thompson
Biographic Data
| ID | 3981439 |
|---|---|
| NAME | Jennifer Joan Thompson |
| GIVEN NAMES | Jennifer Joan |
| FAMILY NAME | Thompson |
| SIGNATURE | THOMPSON J J |
| AFFILIATIONS | University of the Arts |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Who Remembers the Nation
Theatre, Performance and Commemoration gathers essays considering a range of global sites to ask how theatre and performance bring the past to the present. These essays present reflections on the m
Three Acts of Care in Performance and Beyond
We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Performance Studies international’s (PSi’s) conference ‘Crises of Care: Act respond engage’. The conference did not take place, but with the COVID 19 pandemic, its theme became more urgently lived, and we kept coming back to one another to reflect on what care meant for vulnerable bodies in crisis and their broader material circumstances and relations.O…
Horizons of Impossibility
This essay explores the problematics of contemporary political performance through the plays of Guillermo Calderón. In particular, it seeks to account for the ways that Calderón’s theatrical aesthetics emerge from his negotiations with the material circumstances and institutional supports that condition his work. Tracing the history of the theatrical field and cultural policy in Chile, the essay examines the personal and structural pressures on C…
Each/Every
We are therefore saying that the work of expanding the habitual levels of life is the only valid art installation / the only exhibition / the only work of art that lives. We are artists and we feel ourselves participating in the grand aspirations of all, presuming today, with South American love, the gliding of eyes over these lines. Oh, South America. In this way, together, we construct the beginning of the work: a recognition in our minds; eras…
Villa by Guillermo Calderón
Horizons of Impossibility
This essay explores the problematics of contemporary political performance through the plays of Guillermo Calderón. In particular, it seeks to account for the ways that Calderón’s theatrical aesthetics emerge from his negotiations with the material circumstances and institutional supports that condition his work. Tracing the history of the theatrical field and cultural policy in Chile, the essay examines the personal and structural pressures on C…
Villa by Guillermo Calderón
Each/Every
We are therefore saying that the work of expanding the habitual levels of life is the only valid art installation / the only exhibition / the only work of art that lives. We are artists and we feel ourselves participating in the grand aspirations of all, presuming today, with South American love, the gliding of eyes over these lines. Oh, South America. In this way, together, we construct the beginning of the work: a recognition in our minds; eras…
Horizons of Impossibility
This essay explores the problematics of contemporary political performance through the plays of Guillermo Calderón. In particular, it seeks to account for the ways that Calderón’s theatrical aesthetics emerge from his negotiations with the material circumstances and institutional supports that condition his work. Tracing the history of the theatrical field and cultural policy in Chile, the essay examines the personal and structural pressures on C…
Three Acts of Care in Performance and Beyond
We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Performance Studies international’s (PSi’s) conference ‘Crises of Care: Act respond engage’. The conference did not take place, but with the COVID 19 pandemic, its theme became more urgently lived, and we kept coming back to one another to reflect on what care meant for vulnerable bodies in crisis and their broader material circumstances and relations.O…
Who Remembers the Nation
Theatre, Performance and Commemoration gathers essays considering a range of global sites to ask how theatre and performance bring the past to the present. These essays present reflections on the m
Art (4 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Dramaturgy (2 works) · History (2 works) · Performance art (2 works) · Political and Social Dynamics in Chile and Latin America (2 works) · Politics (2 works)