Philippa Kelly
Biographic Data
| ID | 3981470 |
|---|---|
| NAME | Philippa Kelly |
| GIVEN NAMES | Philippa |
| FAMILY NAME | Kelly |
| SIGNATURE | KELLY P |
| AFFILIATIONS | UNSW Sydney |
| ORCID | 0000-0001-9145-2448 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Worldmaking: An Introduction
Worldmaking: Literature, language, culture
In 1978, Nelson Goodman explored the relation of “worlds” to language and literature, formulating the term, “worldmaking” to suggest that many other worlds can as plausibly exist as the “world” we know right now. We cannot catch or know “the world” as such: all we can catch are the world versions - descriptions, views or workings of the world – that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty…
Dramaturging The Tempest: A Pedagogical Forum
“Dramaturging The Tempest: A Pedagogical Forum,” uses dramaturgy—the interface between research and its practical application in the theatre—as a way of preparing The Tempest for a college course curriculum. The article aims to show instructors how to teach dramaturgy as an explication of The Tempest and how to use The Tempest as a means of teaching dramaturgy. The objective is for students to emerge from the course conversant in how to be dramat…
Storytelling: Critical and Creative Approaches
This collection uses the concept of 'story' to connect literary materials and methods of analysis to wider issues of social and political importance. Drawing on a range of texts, themes include post-c
Chris McMahon, Family and the State in Early Modern Revenge Drama: Economies of Vengeance
(2011). Chris McMahon, Family and the State in Early Modern Revenge Drama: Economies of Vengeance. Journal of the Australasian Universities Language and Literature Association: Vol. 2011, No. 116, pp. 123-124
Seeking Early Modern Selves
Performing Australian Identity: Gendering King Lear
A discussion of contemporary contexts for Australian feminist identities may find an unlikely focus in a centuries-old British play about an elderly patriarch. This essay takes as its starting point this incongruity, arguing that any sense of King Lear's contemporary value for feminism draws upon a history of discussion and debate-about Britishness, authenticity, about indigeneity-that has helped to shape Australian cultural formations. Beyond th…
How I Maycompare / This Prison Where I Live Unto the World”: Shakespeare in a Changi Prison
(2001). “HOW I MAYCOMPARE / THIS PRISON WHERE I LIVE UNTO THE WORLD”: SHAKESPEARE IN A CHANGI PRISON. Journal of the Australasian Universities Language and Literature Association: Vol. 95, No. 1, pp. 13-26
Meaningless chatter’: Hybridisation in two north Queensland texts
No prominent works on this page.
Meaningless chatter’: Hybridisation in two north Queensland texts
How I Maycompare / This Prison Where I Live Unto the World”: Shakespeare in a Changi Prison
(2001). “HOW I MAYCOMPARE / THIS PRISON WHERE I LIVE UNTO THE WORLD”: SHAKESPEARE IN A CHANGI PRISON. Journal of the Australasian Universities Language and Literature Association: Vol. 95, No. 1, pp. 13-26
Performing Australian Identity: Gendering King Lear
A discussion of contemporary contexts for Australian feminist identities may find an unlikely focus in a centuries-old British play about an elderly patriarch. This essay takes as its starting point this incongruity, arguing that any sense of King Lear's contemporary value for feminism draws upon a history of discussion and debate-about Britishness, authenticity, about indigeneity-that has helped to shape Australian cultural formations. Beyond th…
Seeking Early Modern Selves
Chris McMahon, Family and the State in Early Modern Revenge Drama: Economies of Vengeance
(2011). Chris McMahon, Family and the State in Early Modern Revenge Drama: Economies of Vengeance. Journal of the Australasian Universities Language and Literature Association: Vol. 2011, No. 116, pp. 123-124
Storytelling: Critical and Creative Approaches
This collection uses the concept of 'story' to connect literary materials and methods of analysis to wider issues of social and political importance. Drawing on a range of texts, themes include post-c
Dramaturging The Tempest: A Pedagogical Forum
“Dramaturging The Tempest: A Pedagogical Forum,” uses dramaturgy—the interface between research and its practical application in the theatre—as a way of preparing The Tempest for a college course curriculum. The article aims to show instructors how to teach dramaturgy as an explication of The Tempest and how to use The Tempest as a means of teaching dramaturgy. The objective is for students to emerge from the course conversant in how to be dramat…
Worldmaking: An Introduction
Worldmaking: Literature, language, culture
In 1978, Nelson Goodman explored the relation of “worlds” to language and literature, formulating the term, “worldmaking” to suggest that many other worlds can as plausibly exist as the “world” we know right now. We cannot catch or know “the world” as such: all we can catch are the world versions - descriptions, views or workings of the world – that are expressed in symbolic systems (words, music, dancing, visual representations). Over the twenty…
Art (5 works) · Literature (4 works) · Philosophy (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (2 works) · Australian History and Society (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · History (2 works)