Mary Louise Hill
Biographic Data
| ID | 3981535 |
|---|---|
| NAME | Mary Louise Hill |
| GIVEN NAMES | Mary Louise |
| FAMILY NAME | Hill |
| SIGNATURE | HILL M L |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 0 |
Theatre of Sound
Theatre Of Sound: Radio and the Dramatic Imagination. By Dermot Rattigan. Dublin: Carysfort Press; pp. 384. $27.95 paper
Dance for Export
Dance for Export tells the story of Eisenhower's Emergency Fund, which was developed in 1954 "to counteract the impression of life in America as shown in the motion pictures" (51). In her fascinating account of dance's particular role in this project, Naima Prevots explores the role of the arts as "cultural diplomat" during the Cold War as well as how the United States government took steps during the 1950s and 1960s to develop a national conscio…
The Mother of Us All
Reviewed by: The Mother Of Us All Mary Louise Hill The Mother Of Us All. Libretto by Gertrude Stein, music by Virgil Thomson. Glimmerglass Opera Festival, Cooperstown, New York. 18 July 1998. Click for larger view View full resolution Figure 1. (From L to R) Tracy Saliefendic (Gertrude Stein), Joanna Johnston (Susan B. Anthony), and Ruthann Manley (Anne) in the Glimmerglass Opera production of Gertrude Stein and Virgil Thomson’s The Mother of Us …
Women's time/radio time
And that was what she often felt the need of—to think; well, not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the stra…
Developing "A Blind Understanding"
Paul Bunyan (review)
Reviewed by: Paul Bunyan Mary Louise Hill Paul Bunyan. Libretto by W. H. Auden, score by Benjamin Britten. Glimmerglass Opera Festival. Cooperstown, New York. 15 July–20 August 1995. Click for larger view View full resolution Figure 1. James David Lynn, Thomas R. Trotter, Kevin Murray, Scott Murphree, and Jeffrey Lentz in the Glimmerglass Opera production of Britten’s Paul Bunyan, conducted by Stewart Robertson, directed by Mark Lamos. Photo: Geo…
No prominent works on this page.
Developing "A Blind Understanding"
Paul Bunyan (review)
Reviewed by: Paul Bunyan Mary Louise Hill Paul Bunyan. Libretto by W. H. Auden, score by Benjamin Britten. Glimmerglass Opera Festival. Cooperstown, New York. 15 July–20 August 1995. Click for larger view View full resolution Figure 1. James David Lynn, Thomas R. Trotter, Kevin Murray, Scott Murphree, and Jeffrey Lentz in the Glimmerglass Opera production of Britten’s Paul Bunyan, conducted by Stewart Robertson, directed by Mark Lamos. Photo: Geo…
Women's time/radio time
And that was what she often felt the need of—to think; well, not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the stra…
The Mother of Us All
Reviewed by: The Mother Of Us All Mary Louise Hill The Mother Of Us All. Libretto by Gertrude Stein, music by Virgil Thomson. Glimmerglass Opera Festival, Cooperstown, New York. 18 July 1998. Click for larger view View full resolution Figure 1. (From L to R) Tracy Saliefendic (Gertrude Stein), Joanna Johnston (Susan B. Anthony), and Ruthann Manley (Anne) in the Glimmerglass Opera production of Gertrude Stein and Virgil Thomson’s The Mother of Us …
Dance for Export
Dance for Export tells the story of Eisenhower's Emergency Fund, which was developed in 1954 "to counteract the impression of life in America as shown in the motion pictures" (51). In her fascinating account of dance's particular role in this project, Naima Prevots explores the role of the arts as "cultural diplomat" during the Cold War as well as how the United States government took steps during the 1950s and 1960s to develop a national conscio…
Theatre of Sound
Theatre Of Sound: Radio and the Dramatic Imagination. By Dermot Rattigan. Dublin: Carysfort Press; pp. 384. $27.95 paper
Art (5 works) · History (3 works) · History (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · George (robot (2 works) · Opera (2 works) · Performance art (2 works) · Acoustics (1 works)