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Bryce Lease

Biographic Data

ID3981548
NAMEBryce Lease
GIVEN NAMESBryce
FAMILY NAMELease
SIGNATURELEASE B
AFFILIATIONSRoyal Holloway University of London
ORCID0000-0001-7604-2627
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS4
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Der Kirschgarten (The Cherry Orchard) by Anton Chekhov

    Bryce Lease•ARTICLE•Theatre Journal•2020

  • Subversive stages

    Bryce Lease•ARTICLE•Journal of Contemporary Central…•2018

    Subversive stages: theatre in pre- and post-communist Hungary, Romania, and Bulgaria." Journal of Contemporary Central and Eastern Europe, 26(2-3), pp. 305–306

  • Inte Hela Världen? (Not the End of the World) by Jean-Luc Lagarce

    Bryce Lease•ARTICLE•Theatre Journal•2018

  • LGBTQI rights in South Africa

    Bryce Lease, Mark Gevisser•ARTICLE•Safundi•2017•Cited by: 1

    In this interview, Mark Gevisser reflects on the modes in which South Africa is considered progressive when it comes to LGBTQI rights and how it differs from the rest of Africa in this regard. Developing some of the most significant issues faced by LGBTQI people today, Gevisser considers the role of the South African constitution in the development of queer rights, activism against homophobia, the growth of trans rights, and the struggles faced b…

  • Dragging rights, queering publics

    Bryce Lease•ARTICLE•Safundi•2017•Cited by: 1•References: 9

    As a response to significant changes in social conditions for minorities, the Miss Gay Western Cape (MGWC) annual pageant started in Cape Town almost immediately after the change in rights for homosexual and transgendered people that came with the establishment of the new South African constitution in 1996. Over the past two decades, the MGWC has become the most publicly visible and well-attended drag pageant in the Western Cape. In the article, …

  • Shared Histories and Commemorative Extension

    Bryce Lease•ARTICLE•Theatre Journal•2017•Cited by: 2

    The Muranów district of Warsaw is a complex palimpsest of pasts and genealogies, a place where for hundreds of years Polish Jews lived and thrived, and where they were later corralled, starved, murdered, and transported to death camps. The newest addition to this memorial landscape, POLIN Museum of the History of Polish Jews, has revivified symbolic investments in the district’s architectural destruction and the absence of its Jewish populations.…

  • Theatre as Action, Dramaturgy as Streben

    Bryce Lease•ARTICLE•TDR/The Drama Review•2015

    Lithuanian theatre before 1991 fought against censorship and occupation, constructed viable cultural bonds, and affirmed social cohesion. Today, against a resurgence of Russian imperialism, the Lithuanian National Drama Theatre has attempted to situate questions of “who we are” in relation to contested histories and pervasive social and religious taboos

  • Ethnic Identity and Anti-Semitism

    Bryce Lease•ARTICLE•TDR/The Drama Review•2012

    Tadeusz Słobodzianek's play, Our Class, addresses the 1941 massacre in the village of Jedwabne, Poland, where an estimated 1,600 local Jews were rounded up by their neighbors, locked inside a barn, and burned to death. First staged in London at the Royal National Theatre in 2009, and later remounted at Teatr na Woli in Warsaw, the play investigates the relationship between anti-Semitism and Polish national identity, exploring how theatre can shap…

  • Gardzienice

    Open Access•Bryce Lease•ARTICLE•Body, Space & Technology•2009

  • Shared Histories and Commemorative Extension

    Bryce Lease•ARTICLE•Theatre Journal•2017•Cited by: 2

    The Muranów district of Warsaw is a complex palimpsest of pasts and genealogies, a place where for hundreds of years Polish Jews lived and thrived, and where they were later corralled, starved, murdered, and transported to death camps. The newest addition to this memorial landscape, POLIN Museum of the History of Polish Jews, has revivified symbolic investments in the district’s architectural destruction and the absence of its Jewish populations.…

  • LGBTQI rights in South Africa

    Bryce Lease, Mark Gevisser•ARTICLE•Safundi•2017•Cited by: 1

    In this interview, Mark Gevisser reflects on the modes in which South Africa is considered progressive when it comes to LGBTQI rights and how it differs from the rest of Africa in this regard. Developing some of the most significant issues faced by LGBTQI people today, Gevisser considers the role of the South African constitution in the development of queer rights, activism against homophobia, the growth of trans rights, and the struggles faced b…

  • Dragging rights, queering publics

    Bryce Lease•ARTICLE•Safundi•2017•Cited by: 1•References: 9

    As a response to significant changes in social conditions for minorities, the Miss Gay Western Cape (MGWC) annual pageant started in Cape Town almost immediately after the change in rights for homosexual and transgendered people that came with the establishment of the new South African constitution in 1996. Over the past two decades, the MGWC has become the most publicly visible and well-attended drag pageant in the Western Cape. In the article, …

  • Gardzienice

    Open Access•Bryce Lease•ARTICLE•Body, Space & Technology•2009

  • Ethnic Identity and Anti-Semitism

    Bryce Lease•ARTICLE•TDR/The Drama Review•2012

    Tadeusz Słobodzianek's play, Our Class, addresses the 1941 massacre in the village of Jedwabne, Poland, where an estimated 1,600 local Jews were rounded up by their neighbors, locked inside a barn, and burned to death. First staged in London at the Royal National Theatre in 2009, and later remounted at Teatr na Woli in Warsaw, the play investigates the relationship between anti-Semitism and Polish national identity, exploring how theatre can shap…

  • Theatre as Action, Dramaturgy as Streben

    Bryce Lease•ARTICLE•TDR/The Drama Review•2015

    Lithuanian theatre before 1991 fought against censorship and occupation, constructed viable cultural bonds, and affirmed social cohesion. Today, against a resurgence of Russian imperialism, the Lithuanian National Drama Theatre has attempted to situate questions of “who we are” in relation to contested histories and pervasive social and religious taboos

  • LGBTQI rights in South Africa

    Bryce Lease, Mark Gevisser•ARTICLE•Safundi•2017•Cited by: 1

    In this interview, Mark Gevisser reflects on the modes in which South Africa is considered progressive when it comes to LGBTQI rights and how it differs from the rest of Africa in this regard. Developing some of the most significant issues faced by LGBTQI people today, Gevisser considers the role of the South African constitution in the development of queer rights, activism against homophobia, the growth of trans rights, and the struggles faced b…

  • Dragging rights, queering publics

    Bryce Lease•ARTICLE•Safundi•2017•Cited by: 1•References: 9

    As a response to significant changes in social conditions for minorities, the Miss Gay Western Cape (MGWC) annual pageant started in Cape Town almost immediately after the change in rights for homosexual and transgendered people that came with the establishment of the new South African constitution in 1996. Over the past two decades, the MGWC has become the most publicly visible and well-attended drag pageant in the Western Cape. In the article, …

  • Shared Histories and Commemorative Extension

    Bryce Lease•ARTICLE•Theatre Journal•2017•Cited by: 2

    The Muranów district of Warsaw is a complex palimpsest of pasts and genealogies, a place where for hundreds of years Polish Jews lived and thrived, and where they were later corralled, starved, murdered, and transported to death camps. The newest addition to this memorial landscape, POLIN Museum of the History of Polish Jews, has revivified symbolic investments in the district’s architectural destruction and the absence of its Jewish populations.…

  • Subversive stages

    Bryce Lease•ARTICLE•Journal of Contemporary Central…•2018

    Subversive stages: theatre in pre- and post-communist Hungary, Romania, and Bulgaria." Journal of Contemporary Central and Eastern Europe, 26(2-3), pp. 305–306

  • Inte Hela Världen? (Not the End of the World) by Jean-Luc Lagarce

    Bryce Lease•ARTICLE•Theatre Journal•2018

  • Der Kirschgarten (The Cherry Orchard) by Anton Chekhov

    Bryce Lease•ARTICLE•Theatre Journal•2020

Art (7 works) · Law (7 works) · Law (6 works) · Political science (6 works) · Sociology (5 works) · History (4 works) · History (4 works) · Philosophy (4 works) · Philosophy (4 works) · Politics (4 works)

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