Paige Reynolds
Biographic Data
| ID | 3981587 |
|---|---|
| NAME | Paige Reynolds |
| GIVEN NAMES | Paige |
| FAMILY NAME | Reynolds |
| SIGNATURE | REYNOLDS P |
| AFFILIATIONS | University of Central Arkansas |
| ORCID | 0000-0002-6325-5444 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 4 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
No Small Parts (Only Speechless Women)
When it comes to acting in modern productions of Shakespeare’s plays, size is more than all talk. That is, though how much a character speaks often serves as the measure of a role’s size, “small parts” may have a lot to say—and, as it turns out, the actors playing them may have a lot (or too little) to do. Some modern approaches to dramaturgy and practice may mean that the performers playing roles not qualified as large are susceptible to isolati…
Modernism in Irish Women’s Contemporary Writing
Modernism in Irish Women’s Contemporary Writing: The Stubborn Mode examines the tangled relationship between Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women’s fiction has drawn widespread critical acclaim and commercial success, with a surprising number of works being commended for their innovative deployment of tactics drawn from early twentieth-century modernism. But this strategy is not…
Deepening the Learning
Graduate students of multiple racial identities in predominantly White institutions enter social work programs with a wide range of knowledge about and experiences of White Supremacy, particularly the ways in which structural forms of racism continue to inflict harm, block opportunities, and perpetuate wealth inequities. In addition, White students are often challenged to grasp the ways they have been socialized to participate in perpetuating Whi…
The New Irish Studies
The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation pro…
Irish Literature in Transition
Book summary page views Book summary page views help Close Book summary page views help Book summary views reflect the number of visits to the book and chapter landing pages. Total views: 0 * Loading metrics
“Something For Nothing”
Papa, PhD
It is not easy raising a family and balancing work and personal commitments in academia, regardless of gender. Parents endure the stress of making tenure with the demands of life with children. While women's careers are derailed more often than men's as a result of such competing pressures, fathers, too, experience conflicting feelings about work and home, making parenting ever more challenging. In Papa, PhD, Mary Ruth Marotte, Paige Martin Reyno…
Design and Direction to 1960
Early Abbey staging and design was extremely simple, partly enforced by the limitations of their resources. Yeats’s ambitious experiments with the screens of Gordon Craig came to nothing. Initially, the Gate Theatre was established self-consciously as a theatrical alternative to the Abbey, open to European aesthetics, and concentrated on stage production and design, ideas articulated and exemplified by Micheál Mac Liammóir and Hilton Edwards in t…
Modernist Afterlives in Irish Literature and Culture
Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.[This book] closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture
Colleen Modernism
Colleen Modernism": Modernism's Afterlife in Irish Women's Writing Paige Reynolds (bio) Scholars interested in studying twentieth-century Irish women's writing can make use of a rich body of single author monographs, intellectual biographies, and insightful critical articles as well as the wealth of material provided in volumes 4 and 5 of The Field Day Anthology of Irish Writing. A number of these studies address the biographical links between tw…
Mourning and Memory in Richard III
Reading Publics, Theater Audiences, and the Little Magazines of the Abbey Theatre
In their introduction to The Little Magazine: A History and a Bibliography (1946), William Hoffman, Charles Allen, and Carolyn R Ulrich provide a sem inal definition of magazine as organ strictly anticommercial because of its commitment to publishing cerebral and unorthodox work. That charac terization has until recently been uncritically embraced by scholars of this genre. By focusing largely on American magazines like Poetry The Mass es, and Th…
A Century of Irish Drama
For years, the history of modern Irish drama--or at least, Irish national drama--was the history of the Abbey Theatre. No doubt W. B. Yeats and Lady Augusta Gregory, both of whom produced a surfeit of writing on the topic, would be delighted that their accounts of Irish national theatre as the exclusive domain of their company endured. But recent scholars have been less satisfied with this skewed perspective and have questioned in their work the …
Colleen Modernism
Colleen Modernism": Modernism's Afterlife in Irish Women's Writing Paige Reynolds (bio) Scholars interested in studying twentieth-century Irish women's writing can make use of a rich body of single author monographs, intellectual biographies, and insightful critical articles as well as the wealth of material provided in volumes 4 and 5 of The Field Day Anthology of Irish Writing. A number of these studies address the biographical links between tw…
Reading Publics, Theater Audiences, and the Little Magazines of the Abbey Theatre
In their introduction to The Little Magazine: A History and a Bibliography (1946), William Hoffman, Charles Allen, and Carolyn R Ulrich provide a sem inal definition of magazine as organ strictly anticommercial because of its commitment to publishing cerebral and unorthodox work. That charac terization has until recently been uncritically embraced by scholars of this genre. By focusing largely on American magazines like Poetry The Mass es, and Th…
Deepening the Learning
Graduate students of multiple racial identities in predominantly White institutions enter social work programs with a wide range of knowledge about and experiences of White Supremacy, particularly the ways in which structural forms of racism continue to inflict harm, block opportunities, and perpetuate wealth inequities. In addition, White students are often challenged to grasp the ways they have been socialized to participate in perpetuating Whi…
A Century of Irish Drama
For years, the history of modern Irish drama--or at least, Irish national drama--was the history of the Abbey Theatre. No doubt W. B. Yeats and Lady Augusta Gregory, both of whom produced a surfeit of writing on the topic, would be delighted that their accounts of Irish national theatre as the exclusive domain of their company endured. But recent scholars have been less satisfied with this skewed perspective and have questioned in their work the …
Reading Publics, Theater Audiences, and the Little Magazines of the Abbey Theatre
In their introduction to The Little Magazine: A History and a Bibliography (1946), William Hoffman, Charles Allen, and Carolyn R Ulrich provide a sem inal definition of magazine as organ strictly anticommercial because of its commitment to publishing cerebral and unorthodox work. That charac terization has until recently been uncritically embraced by scholars of this genre. By focusing largely on American magazines like Poetry The Mass es, and Th…
Mourning and Memory in Richard III
Colleen Modernism
Colleen Modernism": Modernism's Afterlife in Irish Women's Writing Paige Reynolds (bio) Scholars interested in studying twentieth-century Irish women's writing can make use of a rich body of single author monographs, intellectual biographies, and insightful critical articles as well as the wealth of material provided in volumes 4 and 5 of The Field Day Anthology of Irish Writing. A number of these studies address the biographical links between tw…
Design and Direction to 1960
Early Abbey staging and design was extremely simple, partly enforced by the limitations of their resources. Yeats’s ambitious experiments with the screens of Gordon Craig came to nothing. Initially, the Gate Theatre was established self-consciously as a theatrical alternative to the Abbey, open to European aesthetics, and concentrated on stage production and design, ideas articulated and exemplified by Micheál Mac Liammóir and Hilton Edwards in t…
Modernist Afterlives in Irish Literature and Culture
Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.[This book] closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture
“Something For Nothing”
Papa, PhD
It is not easy raising a family and balancing work and personal commitments in academia, regardless of gender. Parents endure the stress of making tenure with the demands of life with children. While women's careers are derailed more often than men's as a result of such competing pressures, fathers, too, experience conflicting feelings about work and home, making parenting ever more challenging. In Papa, PhD, Mary Ruth Marotte, Paige Martin Reyno…
The New Irish Studies
The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation pro…
Irish Literature in Transition
Book summary page views Book summary page views help Close Book summary page views help Book summary views reflect the number of visits to the book and chapter landing pages. Total views: 0 * Loading metrics
Deepening the Learning
Graduate students of multiple racial identities in predominantly White institutions enter social work programs with a wide range of knowledge about and experiences of White Supremacy, particularly the ways in which structural forms of racism continue to inflict harm, block opportunities, and perpetuate wealth inequities. In addition, White students are often challenged to grasp the ways they have been socialized to participate in perpetuating Whi…
Modernism in Irish Women’s Contemporary Writing
Modernism in Irish Women’s Contemporary Writing: The Stubborn Mode examines the tangled relationship between Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women’s fiction has drawn widespread critical acclaim and commercial success, with a surprising number of works being commended for their innovative deployment of tactics drawn from early twentieth-century modernism. But this strategy is not…
No Small Parts (Only Speechless Women)
When it comes to acting in modern productions of Shakespeare’s plays, size is more than all talk. That is, though how much a character speaks often serves as the measure of a role’s size, “small parts” may have a lot to say—and, as it turns out, the actors playing them may have a lot (or too little) to do. Some modern approaches to dramaturgy and practice may mean that the performers playing roles not qualified as large are susceptible to isolati…
History (8 works) · Irish and British Studies (8 works) · Art (7 works) · Irish (7 works) · Philosophy (7 works) · Literature (6 works) · Linguistics (4 works) · Sociology (4 works) · Computer Science (3 works) · Epistemology (3 works)